By Franz Liszt (1811-1886). Arranged by Franz Liszt. For concert band. Gems of the Concert Band series. Grade 4. Score and set of parts. Duration 5 minutes, 51 seconds. Published by C.L. Barnhouse

Concert Band/Harmonie and Trombone Solo - Grade 5

SKU: BT.DHP-1094442-010

La Tragédie Cathare - Poéme Symphonique pour Trombone et Orchestre d'Harmonie. Composed by Maxime Aulio. Solo Spectrum. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094442-010. Published by De Haske Publications (BT.DHP-1094442-010).

9x12 inches. English-German-French-Dut ch.

Symfonische gedichten zijn gewoonlijk verhalende of beschrijvende werken die zijn gebaseerd op een verhaallijn - of het nu gaat om poëzie of proza. Naar het voorbeeld van meestercomponisten als Berlioz, Liszt en Debussy zet MaximeAulio het genre voort met Montségur, een klankgedicht dat uitgaat van het dramatische verhaal over de burcht van de katharen, het Ch teau de Montségur (Ariège, Frankrijk). Als een impressionistische schilder gebruikt de componistveel nuances en klankkleuren, steeds perfect in harmonie met de betreffende thematiek. Een schilderachtig solowerk voor trombone!

In der Tradition von Meisterkomponisten, wie Berlioz, Liszt und Debussy, erweitert Maxime Aulio das Genre des Tongedichts um Montségur, einem Werk auf der Grundlage der dramatischen Geschichte der gleichnamigen Festung in Südfrankreich. Wie ein impressionistischer Maler verwendete Maxime Aulio dabei viele Tonnuancen und Klangfarben. Ein malerisch schönes Solowerk für Posaune und Blasorchester!

Un poème symphonique est une composition dont la nature expressive relève d'une intention essentiellement poétique ou descriptive, s'appuyant explicitement sur un thème, un personnage, une légende le plus souvent inspirés par un texte littéraire. Suivant l’exemple d’illustres compositeurs tels que Berlioz, Liszt et Debussy, entre autres, Maxime Aulio fait perdurer le genre dans ce poème de sons qui relate l’histoire tragique du ch teau de Montségur (Ariège, France), bastion de la résistance cathare. Et tel un peintre impressionniste, il choisit, une multitude de timbres et de couleurs tonales toujours en parfaite adéquation avec le motif décrire. Le tableau respire, etl’on perçoit dans les premières mesures, le souffle du vent. La beauté du paysage qui s’enroule autour du gigantesque piton rocheux défile sous nos yeux quand soudain, une volée de carreaux d’arbalète fend l’air en sifflant comme une pluie de fer. On entend les pierres s’écraser sur les murailles du ch teau. La forteresse cathare est assiégée... Dans ce climat musical pesant et poignant, le trombone revêt une dimension tragique servie par une symbolique expressive. Il expose des thèmes cycliques qui reviennent dans l’ensemble de l’œuvre : le thème du ch teau, la prière des Parfaits, le thème du b cher. En mars 1244, 207 Parfaits cathares périrent br lés vifs. Presque huit siècles plus tard, ces flammes d'un autre ge alimentent encore les rumeurs les plus folles.

Concert Band/Harmonie and Trombone Solo - Grade 5

SKU: BT.DHP-1094442-140

La Tragédie Cathare - Poéme Symphonique pour Trombone et Orchestre d'Harmonie. Composed by Maxime Aulio. Solo Spectrum. Concert Piece. Score Only. Composed 2009. 72 pages. De Haske Publications #DHP 1094442-140. Published by De Haske Publications (BT.DHP-1094442-140).

9x12 inches. English-German-French-Dut ch.

Symfonische gedichten zijn gewoonlijk verhalende of beschrijvende werken die zijn gebaseerd op een verhaallijn - of het nu gaat om poëzie of proza. Naar het voorbeeld van meestercomponisten als Berlioz, Liszt en Debussy zet MaximeAulio het genre voort met Montségur, een klankgedicht dat uitgaat van het dramatische verhaal over de burcht van de katharen, het Ch teau de Montségur (Ariège, Frankrijk). Als een impressionistische schilder gebruikt de componistveel nuances en klankkleuren, steeds perfect in harmonie met de betreffende thematiek. Een schilderachtig solowerk voor trombone!

In der Tradition von Meisterkomponisten, wie Berlioz, Liszt und Debussy, erweitert Maxime Aulio das Genre des Tongedichts um Montségur, einem Werk auf der Grundlage der dramatischen Geschichte der gleichnamigen Festung in Südfrankreich. Wie ein impressionistischer Maler verwendete Maxime Aulio dabei viele Tonnuancen und Klangfarben. Ein malerisch schönes Solowerk für Posaune und Blasorchester!

Un poème symphonique est une composition dont la nature expressive relève d'une intention essentiellement poétique ou descriptive, s'appuyant explicitement sur un thème, un personnage, une légende le plus souvent inspirés par un texte littéraire. Suivant l’exemple d’illustres compositeurs tels que Berlioz, Liszt et Debussy, entre autres, Maxime Aulio fait perdurer le genre dans ce poème de sons qui relate l’histoire tragique du ch teau de Montségur (Ariège, France), bastion de la résistance cathare. Et tel un peintre impressionniste, il choisit, une multitude de timbres et de couleurs tonales toujours en parfaite adéquation avec le motif décrire. Le tableau respire, etl’on perçoit dans les premières mesures, le souffle du vent. La beauté du paysage qui s’enroule autour du gigantesque piton rocheux défile sous nos yeux quand soudain, une volée de carreaux d’arbalète fend l’air en sifflant comme une pluie de fer. On entend les pierres s’écraser sur les murailles du ch teau. La forteresse cathare est assiégée... Dans ce climat musical pesant et poignant, le trombone revêt une dimension tragique servie par une symbolique expressive. Il expose des thèmes cycliques qui reviennent dans l’ensemble de l’œuvre : le thème du ch teau, la prière des Parfaits, le thème du b cher. En mars 1244, 207 Parfaits cathares périrent br lés vifs. Presque huit siècles plus tard, ces flammes d'un autre ge alimentent encore les rumeurs les plus folles.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0880098-010

Composed by Jan Van der Roost. Sovereign Series. Set (Score & Parts). Composed 1988. De Haske Publications #DHP 0880098-010. Published by De Haske Publications (BT.DHP-0880098-010).

In composing Puszta, Jan Van der Roost wrote folk dances related to Slavonic folk music. Its character and sounds are comparable to the Hungarian and Slavonic dances by Brahms and Dvorak and to the Hungarian Rhapsodies by Liszt. All the melodies, however, are newly composed, not adapted from existing dances.

C’est en associant les caractéristiques de la musique traditionnelle slave son talent de compositeur que Jan Van der Roost a créé cette suite de quatre danses originales tziganes. L’orchestration, fine et légère, est d’une grande richesse sonore qui permet d’exploiter les multiples facettes de l’Orchestre d’Harmonie. Puszta est une œuvre dansante et expressive, empreinte d’une vivacité de caractère que l’on retrouve dans les Danses hongroises de Brahms, les Rhapsodies et Danses slaves de Dvorák ou les Rhapsodies hongroises de Liszt.

Associando le caratteristiche della musica tradizionale slava al suo talento di compositore, Jan Van der Roost ha creato questa suite di quattro danze originali gitane. L’orchestrazione, fine e leggera, è di una grande ricchezza sonora che permette di sfruttare al meglio i numerosi aspetti della banda. Puszta è una composizione danzante ed espressiva.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0880098-140

Composed by Jan Van der Roost. Sovereign Series. Concert Piece. Score Only. Composed 1988. 52 pages. De Haske Publications #DHP 0880098-140. Published by De Haske Publications (BT.DHP-0880098-140).

In composing Puszta, Jan Van der Roost wrote folk dances related to Slavonic folk music. Its character and sounds are comparable to the Hungarian and Slavonic dances by Brahms and Dvorak and to the Hungarian Rhapsodies by Liszt. All the melodies, however, are newly composed, not adapted from existing dances.

Câ??est en associant les caractéristiques de la musique traditionnelle slave son talent de compositeur que Jan Van der Roost a créé cette suite de quatre danses originales tziganes. Lâ??orchestration, fine et légère, est dâ??une grande richesse sonore qui permet dâ??exploiter les multiples facettes de lâ??Orchestre dâ??Harmonie. Puszta est une ?uvre dansante et expressive, empreinte dâ??une vivacité de caractère que lâ??on retrouve dans les Danses hongroises de Brahms, les Rhapsodies et Danses slaves de Dvorák ou les Rhapsodies hongroises de Liszt.

Associando le caratteristiche della musica tradizionale slava al suo talento di compositore, Jan Van der Roost ha creato questa suite di quattro danze originali gitane. Lâ??orchestrazione, fine e leggera, è di una grande ricchezza sonora che permette di sfruttare al meglio i numerosi aspetti della banda. Puszta è una composizione danzante ed espressiva.

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-S014201

Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, SS. Kalmus Study Score Series. Score. LudwigMasters Publications #36-S014201. Published by LudwigMasters Publications (AP.36-S014201).

ISBN 9781608740055. UPC: 659359973819. English.

Franz Liszt (1811-1886) started work on his Concerto for Piano and Orchestra No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his student Hans von Bronsart von Schellendorf. The composer conducted the first performance in Weimar on January 7, 1857 with Bronsart as soloist. Liszt completed a 4th revision in 1861. Less virtuosic than his first piano concerto, it is played without break and serves as a masterful example of thematic transformation. Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition. Study score.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A164001

Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A164001. Published by LudwigMasters Publications (AP.36-A164001).

ISBN 9798892703208. UPC: 659359825644. English.

Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his student Hans von Bronsart von Schellendorf. The composer conducted the first performance in Weimar on January 7, 1857 with Bronsart as soloist. Liszt completed a 4th revision in 1861. Less virtuosic than his first piano concerto, it is played without break and serves as a masterful example of thematic transformation. Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A164002

Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A164002. Published by LudwigMasters Publications (AP.36-A164002).

UPC: 659359515002. English.

Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his student Hans von Bronsart von Schellendorf. The composer conducted the first performance in Weimar on January 7, 1857 with Bronsart as soloist. Liszt completed a 4th revision in 1861. Less virtuosic than his first piano concerto, it is played without break and serves as a masterful example of thematic transformation. Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score

SKU: AP.36-A816701

Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A816701. Published by LudwigMasters Publications (AP.36-A816701).

ISBN 9798892703253. UPC: 659359825590. English.

As an inexhaustible proponent of Beethoven's life and work, Franz Liszt (1811-1886) produced a number of arrangements and transcriptions in homage to the great composer. His FANTASIE ÜBER MOTIVEN AUS BEETHOVENS RUINEN VON ATHEN, S. 122 (FANTASY ON BEETHOVEN'S RUINS OF ATHENS) for piano and orchestra is one of three existing versions, all of which he dedicated to Nikolay Rubinstein. The work on which the piece is based, incidental music for a play by August von Kotzebue, was written in 1811 in Pest, Hungary for the dedication of a new theater. The first performance of the FANTASY took place, also in Pest, on June 1, 1853. Instrumentation: 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc

SKU: AP.36-A263301

Composed by Franz Liszt. Arranged by Ferruccio Busoni. Chamber Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Form: Concerto. Romantic. Score. LudwigMasters Publications #36-A263301. Published by LudwigMasters Publications (AP.36-A263301).

UPC: 660355020445. English.

The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1938. Two versions were to follow, the first completed in 1853, and the second version finished in 1864. The flashy virtuosic piece for the solo piano uses the Gregorian plainchant melody Dies irae (Day of Judgement) in a set of variations. The first version, which is nicknamed De Profundis, is most commonly heard in the 1919 edition by famed Italian composer, pianist, and conductor Ferruccio Busoni (1866-1924). Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score

SKU: AP.36-A816702

Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A816702. Published by LudwigMasters Publications (AP.36-A816702).

UPC: 659359502255. English.

As an inexhaustible proponent of Beethoven's life and work, Franz Liszt (1811-1886) produced a number of arrangements and transcriptions in homage to the great composer. His FANTASIE ÜBER MOTIVEN AUS BEETHOVENS RUINEN VON ATHEN, S. 122 (FANTASY ON BEETHOVEN'S RUINS OF ATHENS) for piano and orchestra is one of three existing versions, all of which he dedicated to Nikolay Rubinstein. The work on which the piece is based, incidental music for a play by August von Kotzebue, was written in 1811 in Pest, Hungary for the dedication of a new theater. The first performance of the FANTASY took place, also in Pest, on June 1, 1853. Instrumentation: 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit) - grade 5

SKU: CN.R10230

Composed by Geoffrey Brand. Arranged by Geoffrey Brand. Band Music. Score and parts. Duration 3:00. Published by G & M Brand Music Publishers (CN.R10230).

Music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In Wagner's own words - awaken the mute lines of this score to bright surrounding life.

In a letter addressed to My dear Liszt, dated May 1852, Richard Wagner writes: It was you who awakened the mute lines of this score to bright surrounding life. He was referring to a performance of his opera Lohengrin which Franz Liszt conducted at the Weirner Court Theatre on August 28, 1850. The letter was sent from Zurich, since Wagner was exiled from Germany at this time. He had completed his romantic opera, Lohengrin, some five years earlier but doubted whether he would ever hear it performed. The action takes place in Antwerp in the first half of the 10th century. Elsa and Lohengrin are to be married and the 3rd Act opens as they proceed in great splendour, accompanied by their respective noblewomen and noblemen, to the cathedral. As a Prelude to the curtain rising Wagner unleashed music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In the opera this magnificent Prelude leads directly into the Bridal Scene as Elsa and Lohengrin make their way solemnly to the betrothal ceremony. Wagner achieves this change of mood and atmosphere most skillfully. In arranging the Prelude for concert performance the challenge was to provide an ending which provides a satisfactory climax to Wagner's blaze of instrumental colour, without proceeding to the solemn betrothal music. This was resolved by using the composer's own mighty flourish to end Act I of his opera. Now, the gauntlet is thrown down to all who perform it to - in Wagner's own words - awaken the mute lines of this score to bright surrounding life..

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit) - grade 5

SKU: CN.S11230

Composed by Geoffrey Brand. Arranged by Geoffrey Brand. Band Music. Score only. Duration 3:00. Published by G & M Brand Music Publishers (CN.S11230).

Music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In Wagner's own words - awaken the mute lines of this score to bright surrounding life.

In a letter addressed to My dear Liszt, dated May 1852, Richard Wagner writes: It was you who awakened the mute lines of this score to bright surrounding life. He was referring to a performance of his opera Lohengrin which Franz Liszt conducted at the Weirner Court Theatre on August 28, 1850. The letter was sent from Zurich, since Wagner was exiled from Germany at this time. He had completed his romantic opera, Lohengrin, some five years earlier but doubted whether he would ever hear it performed. The action takes place in Antwerp in the first half of the 10th century. Elsa and Lohengrin are to be married and the 3rd Act opens as they proceed in great splendour, accompanied by their respective noblewomen and noblemen, to the cathedral. As a Prelude to the curtain rising Wagner unleashed music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In the opera this magnificent Prelude leads directly into the Bridal Scene as Elsa and Lohengrin make their way solemnly to the betrothal ceremony. Wagner achieves this change of mood and atmosphere most skillfully. In arranging the Prelude for concert performance the challenge was to provide an ending which provides a satisfactory climax to Wagner's blaze of instrumental colour, without proceeding to the solemn betrothal music. This was resolved by using the composer's own mighty flourish to end Act I of his opera. Now, the gauntlet is thrown down to all who perform it to - in Wagner's own words - awaken the mute lines of this score to bright surrounding life..

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc

SKU: AP.36-A263302

Composed by Franz Liszt. Arranged by Ferruccio Busoni. Chamber Orchestra; Performance Music Ensemble; Solo. Kalmus Orchestra Library. Form: Concerto. Romantic. Score and Part(s). LudwigMasters Publications #36-A263302. Published by LudwigMasters Publications (AP.36-A263302).

UPC: 746241287199. English.

The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1938. Two versions were to follow, the first completed in 1853, and the second version finished in 1864. The flashy virtuosic piece for the solo piano uses the Gregorian plainchant melody Dies irae (Day of Judgement) in a set of variations. The first version, which is nicknamed De Profundis, is most commonly heard in the 1919 edition by famed Italian composer, pianist, and conductor Ferruccio Busoni (1866-1924). Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band/Harmonie - Grade 2

SKU: BT.AMP-026-010

Composed by Edward MacDowell. Arranged by Philip Sparke. Debut Series (Anglo). Festive and Solemn Music. Set (Score & Parts). Composed 2002. Anglo Music Press #AMP 026-010. Published by Anglo Music Press (BT.AMP-026-010).

Edward MacDowell can be regarded as the first great American composer, although he disliked the idea of being classified as any sort of musical nationalist. He composed a large number of orchestral works but it is the charming and unpretentious suite of musical miniatures, Woodland Sketches, that has survived as his best-known work, with To a Wild Rose being the most popular. Philip Sparke has expertly arranged this simple work for concert band.

Philip Sparke bearbeitete dieses Stück des amerikanischen Komponisten Edward MacDowell, der weit über die Grenzen seines Heimatlandes hinaus berühmt ist. To a Wild Rose wurde seinem bekanntesten Werk, den Woodland Sketches, entnommen, einer Reihe anmutiger, unprätentiöser musikalischer Miniaturen. Hieraus ist To a Wild Rose das wohl populärste Stück, dessen Qualität Kritiker zu dem Urteil bewog, es sei so gut, wie der gesamte Rest von MacDowells Klaviermusik.

Edwa rd MacDowell (1860-1908) est considéré comme le premier grand compositeur américain de l’histoire de la musique, bien qu’il refusait avec vigueur d’être associé un quelconque courant musical nationaliste. Edward MacDowell a toujours considéré que la musique était une véritable langue internationale, et ses œuvres sont fortement influencées par le style de composition européen, et plus particulièrement par l’écriture allemande. Compositeur adulé de son vivant dans son pays natal et l’étranger, il était également un pianiste exceptionnel dont la virtuosité a impressionné l’un de ses plus brillants professeurs, Franz Liszt. Edward MacDowell a composé de nombreusesœuvres pour piano, un grand nombre de lieder ainsi que plusieurs œuvres orchestrales. Mais l’œuvre la plus connue de son répertoire est une charmante suite de miniatures musicales pour piano, Woodland Sketches, une composition modeste et stylistiquement simple dont est extraite la plus célèbre de ces miniatures To a Wild Rose (“ une rose sauvage”). L’étonnante sincérité de la mélodie fit dire un grand critique musical que cette mélodie valait toutes les œuvres pour piano réunies de MacDowell.

Concert Band/Harmonie - Grade 2

SKU: BT.AMP-026-140

Composed by Edward MacDowell. Arranged by Philip Sparke. Debut Series (Anglo). Festive and Solemn Music. Score Only. Composed 2002. Anglo Music Press #AMP 026-140. Published by Anglo Music Press (BT.AMP-026-140).

Edward MacDowell can be regarded as the first great American composer, although he disliked the idea of being classified as any sort of musical nationalist. He composed a large number of orchestral works but it is the charming and unpretentious suite of musical miniatures, Woodland Sketches, that has survived as his best-known work, with To a Wild Rose being the most popular. Philip Sparke has expertly arranged this simple work for concert band.

Philip Sparke bearbeitete dieses Stück des amerikanischen Komponisten Edward MacDowell, der weit über die Grenzen seines Heimatlandes hinaus berühmt ist. To a Wild Rose wurde seinem bekanntesten Werk, den Woodland Sketches, entnommen, einer Reihe anmutiger, unprätentiöser musikalischer Miniaturen. Hieraus ist To a Wild Rose das wohl populärste Stück, dessen Qualität Kritiker zu dem Urteil bewog, es sei so gut, wie der gesamte Rest von MacDowells Klaviermusik.

Edwa rd MacDowell (1860-1908) est considéré comme le premier grand compositeur américain de l’histoire de la musique, bien qu’il refusait avec vigueur d’être associé un quelconque courant musical nationaliste. Edward MacDowell a toujours considéré que la musique était une véritable langue internationale, et ses œuvres sont fortement influencées par le style de composition européen, et plus particulièrement par l’écriture allemande. Compositeur adulé de son vivant dans son pays natal et l’étranger, il était également un pianiste exceptionnel dont la virtuosité a impressionné l’un de ses plus brillants professeurs, Franz Liszt. Edward MacDowell a composé de nombreusesœuvres pour piano, un grand nombre de lieder ainsi que plusieurs œuvres orchestrales. Mais l’œuvre la plus connue de son répertoire est une charmante suite de miniatures musicales pour piano, Woodland Sketches, une composition modeste et stylistiquement simple dont est extraite la plus célèbre de ces miniatures To a Wild Rose (“ une rose sauvage”). L’étonnante sincérité de la mélodie fit dire un grand critique musical que cette mélodie valait toutes les œuvres pour piano réunies de MacDowell.

Score and Parts Concert Band (Score & Parts) - Grade 4

SKU: HL.50606648

For Cimbalom or Marimba and Concert Band Score and Parts. Composed by Arpad Balázs. EMB. Contemporary, Hungarian. Softcover. 276 pages. Duration 660 seconds. Editio Musica Budapest #Z15167SET. Published by Editio Musica Budapest (HL.50606648).

ISBN 9781705199800. UPC: 196288153559.

Ár pád Balázs (*1937) composed the first version of Rhapsody for Hungarian cimbalom and concert band in 2001; in 2021, on the encouragement by a Japanese marimba player he arranged the solo part for marimba, and therefore the opportunities for the work to beplayed have significantly widened. The Rhapsody follows the one-movement structure created by Franz Liszt. The beginning solo section of the cimbalom (or marimba) returns before the coda as a pillar of the form. The composition, which can be divided into five sections, develops and works with a Lydian tetrachordal motif (G-A-B-C sharp) in different characters, stretching the span of music from a simple, children's song-like appearance to an obstinate ritual dance. In conclusion, the Rhapsody is a passionately emotional lyric orchestral poem rich in colours and characters, which has a place on the repertoire of every concert band playing quality music.

By Franz Liszt (1811-1886). Arranged by Marc Koninkx. For concert band. Baton Music Orchestral Series. S.97. Grade 6. Full score and parts. Duration 17:00. Published by Baton Music

Arranged by Nicholas Baratta. Concert Band. Concert Band. Belwin Young Band. Light Concert. Grade 2.5. Conductor Score. 20 pages. Published by Alfred Music Publishing

By Franz Liszt. Arranged by Tailor. Concert Band. Swiss import. Level: 3+. Score and parts. Published by Editions Marc Reift. (EMR 1975)

Grade 6

SKU: CL.MHT-0043-00

Composed by Franz Liszt. Arranged by Hindsley. Concert Band. Score and set of parts. C.L. Barnhouse #MHT-0043-00. Published by C.L. Barnhouse (CL.MHT-0043-00).

(Poeme Symphonique No.3). By Franz Liszt (1811-1886). Arranged by Ton Kotter. For Concert Band. Arrangements of Classical Pieces. Classic Arrangement. Grade 6. Score and Parts. Published by Molenaar Edition

Concert band

SKU: ND.RPHR274-SET

Composed by Franz Liszt. Repertoire harmonia. Repertoire Harmonia. Score and set of parts. Published by Edition Andel (ND.RPHR274-SET).

Concert band - Grade 5

SKU: RM.LISZ00282-CO

Composed by Franz Liszt. Arranged by Pierre Dupont. Classical music. Orchestra. Conductor's score. Editions Robert Martin #LISZ00282-CO. Published by Editions Robert Martin (RM.LISZ00282-CO).