Trombone SKU: HL.48185616 Composed by Michel Defaye Jean. Leduc. Classica...(+)
Trombone
SKU:
HL.48185616
Composed
by Michel Defaye Jean.
Leduc. Classical.
Softcover. 8 pages.
Alphonse Leduc #AL29291.
Published by Alphonse
Leduc (HL.48185616).
UPC: 888680843205.
9x12
inches.
“Fren
ch pianist, arranger,
composer and conductor,
Jean-Michel Defaye (b.
1932) entered the Paris
Conservatoire at the mere
age of ten years old. His
successful compositions
and arrangements are
mainly for brass, In the
Style of Schumann,
composed in 2000, being
no exception. With a
typical performance
lasting about four and a
half minutes, Defaye's In
the Style of Schumann is
so named due to the
composer drawing on
compositional techniques
of the great Robert
Schumann. Defaye's
understanding of the
Trombone is clear
throughout the work, with
use of exciting
techniques and contrasts.
Furthermore, Defaye's
passion to explore a
variety of preceding
composers is clear with
In the Style of Schumann
being a part of a series
which explores the music
of many great composers.
For all aspiring
trombonists wishing to
vary and expand their
repertoire, In the Style
of Schumann by
Jean-Michel Defaye is
essential.&rdquo.
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.
(Trombone and Piano with Piano Accompaniment On CD). By George Frideric Handel (...(+)
(Trombone and Piano with
Piano Accompaniment On
CD). By George Frideric
Handel (1685-1759). For
Tenor Solo, Piano. Carl
Fischer CD Solo Series
Grade 3: Achievement
Level. Book and Audio CD.
Standard notation. 4
pages
Fantastic Polka Trombone et Piano [Partition + CD] - Intermédiaire Carl Fischer
Trombone and Piano with Piano Accompaniment On CD. By Arthur Pryor. For Trombone...(+)
Trombone and Piano with
Piano Accompaniment On
CD. By Arthur Pryor. For
Trombone Solo, Piano.
This edition: Grades 4-5
Artisan Level. Carl
Fischer CD Solo Series.
Classical. Score and
Audio CD. 8 pages.
Published by Carl
Fischer. Level: Grade
4-5, Artisan Level.
Largo and Allegro Trombone et Piano [Partition + CD] - Intermédiaire Carl Fischer
Trombone and Piano with Piano Accompaniment On CD. By Antonio Vivaldi. For Tromb...(+)
Trombone and Piano with
Piano Accompaniment On
CD. By Antonio Vivaldi.
For Trombone Solo, Piano.
Carl Fischer CD Solo
Series. Level: Grade 4-5,
Artisan Level. Score and
Audio CD. 4 pages.
Published by Carl
Fischer.
Gigue Trombone et Piano [Partition + CD] - Facile Carl Fischer
(Trombone and Piano with Piano Accompaniment On CD). By Arcangelo Corelli (1653-...(+)
(Trombone and Piano with
Piano Accompaniment On
CD). By Arcangelo Corelli
(1653-1713). For Tenor
Solo, Piano. Carl Fischer
CD Solo Series. GRADE 3
ACHIEVEMENT LEVEL. Score
and Audio CD. Standard
notation. 3 pages
Tambourin Trombone et Piano [CD] - Facile Carl Fischer
(Trombone and Piano with Piano Accompaniment On CD). By Francois-Joseph Gossec (...(+)
(Trombone and Piano with
Piano Accompaniment On
CD). By Francois-Joseph
Gossec (1734-1829). For
Tenor Solo, Piano. Carl
Fischer CD Solo Series
Grade 2: Apprentive
Level. Book and Audio CD.
Standard notation. 4
pages
Trombone and piano accompaniment - advanced SKU: CY.CC2890 Composed by Da...(+)
Trombone and piano
accompaniment - advanced
SKU: CY.CC2890
Composed by David Fetter.
Contemporary. Solo part
and Piano accompaniment.
Published by Cherry
Classics (CY.CC2890).
David Fetter's
brilliant new work
Situation Update - Suite
for Tenor Trombone and
Piano is written in three
contrasting movements
totalling almost 11
minutes in length: 1.
Swift 2.
Longing 3. Exit
Music Swift is marked
Intense and is very
rhythmic and angular.
Longing is a beautiful
lyrical movement marked
Cantabile and Exit Music
is marked Lively mixing
chromatic, lyrical and
syncopated segments,
ending in a giant
climax. Both the solo
and accompaniment parts
are written for advanced
performers. The
work's premier was
performed in 2015 by
retired Principal
Trombonist of the Boston
Symphony, Ronald Barron
and accompanied at the
Piano by Pianist Larry
Wallach. Here is what
Mr. Ewazen has said about
Situation Update: I
had the pleasure of
hearing Ron Barron play
David Fetter's exciting
and virtuosic new work
for Trombone and Piano,
Situation
Updateâ€Â.
David's music allows the
Trombonist to sing and
soar in 3 contrasting
movements filled with
vivid colors, beautiful
and expressive harmonies,
and a wonderful flowing
rhythmic energy. The
outer movements crackle
with energy,
showcasing the amazing
technique of soloist Ron
Barron, as the melodic
line shifts and changes
with playful abandon,
while the middle movement
is heartfelt and lyrical,
with beautiful melodic
lines, supported by
resonant, gorgeous
harmonies. The work is a
real tour de force
and rightly deserves
to take its place as a
significant addition to
the Trombone
repertoire..
Trombone SKU: HL.48181984 Composed by Pierre Max Dubois. Leduc. Classical...(+)
Trombone
SKU:
HL.48181984
Composed
by Pierre Max Dubois.
Leduc. Classical.
Softcover. 8 pages.
Alphonse Leduc #AL22763.
Published by Alphonse
Leduc (HL.48181984).
UPC: 888680846497.
9x12
inches.
“Fren
ch composer, Pierre Max
Dubois (1930-1995)
significantly contributed
to the wind repertoire.
Procession for Trombone
and Piano was published
in 1959 and remains
prominent in the advanced
trombonist's repertoire.
Dubois' music is
characteristically
light-hearted with
unusual harmonic and
melodic textures.
Procession for Trombone
and Piano reflects
Dubois' compositional
characteristics as well
as elements of grandeur,
reflecting the title. A
typical performance lasts
about four minutes and
fifteen seconds.
Procession is essential
to the advanced
trombonist's repertoire.
Dubois' work makes for an
exciting and enjoyable
performance for players
and audiences
alike.&rdquo.