Orchestra; Voice (Complete Edition) SKU: HL.49018355 Carl Maria von We...(+)
Orchestra; Voice
(Complete Edition)
SKU: HL.49018355
Carl Maria von Weber
Complete Edition - Series
3 Volume 11 T1.
Composed by Carl Maria
von Weber. Edited by
Frank Ziegler, Markus
Bandur, and Solveig
Schreiter. This edition:
Full-cloth binding. Sheet
music. Edition Schott.
Classical, Opera.
Hardcover. 338 pages.
Schott Music #WGA1038-10.
Published by Schott Music
(HL.49018355).
ISBN
9783795793463.
10.25x13.25x1.4 inches.
German -
English.
Contents:
Einlagen zum Pasticcio
Der Freybrief von Joseph
Haydn u. a., No. 5: Rondo
alla Polacca fur Tenor
(WeV D.1/1), No. 2:
Duetto fur Sopran und
Tenor (WeV D.1/2) * Szene
und Arie fur Sopran zu
Mehuls Helena Ha! Sollte
Edmund selbst * La, o la
ihn Rettung finden (WeV
D.2) * Einlagen zu Karl
Ludwig Gieseckes Der
travestirte Aeneas, No.
3: Lied fur Bariton (WeV
D.3/1), No. 11: Duett fur
Sopran und Bariotn (WeV
D.3/2) * Lied fur Sopran
zu Ferdinand Kauers
Sternenmadchen im
Maidlinger Walde (WeV
D.5) * Szene und Arie fur
Sopran zu Cherubinis
Lodoiska Was sag ich? *
Fern von ihm (WeV D.7) *
Huldigungs-Einlage fur
Sopran und Bass zu
Spontinis Olimpia (WeV
D.8) * Rezitativ und
Rondo fur Sopran Il
momento s'avvicina * La
dolce speranza (WeV E.1)
* Duett fur zwei
Altstimmen Se il mio ben
(WeV E.2a) * Szene und
Arie der Atalia Misera me
* Ho spavento d'ogn'aura
(WeV E.3) * Szene und
Arie aus Demetrio fur
Tenor und Mannerchor
Qual'altro attendi *
Giusti Numi! (WeV E.4) *
Szene und Arie aus Ines
de Castro fur Tenor
Signor, se padre sei *
Chiamami ancor spietato
(WeV E.5) * Szene und
Arie aus Ines de Castro
fur Sopran Non paventar,
miavita! * Sei tu sempre
(WeV E.6).
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian.
“A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all
guitars. Modern Guitar
Method. All styles, solos
& duets. Level: Multiple
Levels. Book. Method.
Size 8.75x11.75. 320
pages. Published by Mel
Bay Pub., Inc.
Piano seul [Partition] - Débutant Faber Music Limited
(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format:...(+)
(A Basic Piano Method)
Written by Nancy Faber,
Randall Faber. For piano.
Format: piano solo
songbook. With
introductory text, easy
piano notation,
fingerings, lyrics (on
some songs), harmony part
(for the teacher) and
illustrations. Solos. 32
pages. 9x12 inches.
Published by The FJH
Music Company Inc.
Orchestra; Voice (Complete Edition) SKU: HL.49018356 Carl Maria von We...(+)
Orchestra; Voice
(Complete Edition)
SKU: HL.49018356
Carl Maria von Weber
Complete Edition - Series
3 Volume 11 T2.
Composed by Carl Maria
von Weber. Edited by
Frank Ziegler, Markus
Bandur, and Solveig
Schreiter. This edition:
Full-cloth binding. Sheet
music. Edition Schott.
Classical, Opera.
Hardcover. 287 pages.
Schott Music #WGA1038-20.
Published by Schott Music
(HL.49018356).
ISBN
9783795793470.
10.25x13.25x1.08 inches.
German -
English.
Contents:
Einlagen zum Pasticcio
Der Freybrief von Joseph
Haydn u. a., No. 5: Rondo
alla Polacca fur Tenor
(WeV D.1/1), No. 2:
Duetto fur Sopran und
Tenor (WeV D.1/2) * Szene
und Arie fur Sopran zu
Mehuls Helena Ha! Sollte
Edmund selbst * La, o la
ihn Rettung finden (WeV
D.2) * Einlagen zu Karl
Ludwig Gieseckes Der
travestirte Aeneas, No.
3: Lied fur Bariton (WeV
D.3/1), No. 11: Duett fur
Sopran und Bariotn (WeV
D.3/2) * Lied fur Sopran
zu Ferdinand Kauers
Sternenmadchen im
Maidlinger Walde (WeV
D.5) * Szene und Arie fur
Sopran zu Cherubinis
Lodoiska Was sag ich? *
Fern von ihm (WeV D.7) *
Huldigungs-Einlage fur
Sopran und Bass zu
Spontinis Olimpia (WeV
D.8) * Rezitativ und
Rondo fur Sopran Il
momento s'avvicina * La
dolce speranza (WeV E.1)
* Duett fur zwei
Altstimmen Se il mio ben
(WeV E.2a) * Szene und
Arie der Atalia Misera me
* Ho spavento d'ogn'aura
(WeV E.3) * Szene und
Arie aus Demetrio fur
Tenor und Mannerchor
Qual'altro attendi *
Giusti Numi! (WeV E.4) *
Szene und Arie aus Ines
de Castro fur Tenor
Signor, se padre sei *
Chiamami ancor spietato
(WeV E.5) * Szene und
Arie aus Ines de Castro
fur Sopran Non paventar,
miavita! * Sei tu sempre
(WeV E.6).