Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an...(+)
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-02-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an...(+)
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-06-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an...(+)
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-06-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an...(+)
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-01-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an...(+)
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-06-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an...(+)
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-06-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con
Oh watch the stars. for SATB (with divisions) and piano or orchestra This is a ...(+)
Oh watch the stars. for SATB (with divisions) and piano or orchestra This is a beautiful, sensitive arrangement of the African-American spiritual and folk hymn Oh, watch the stars. The text reflects on the beauty of creation, and alternative versesby David Warner celebrating Christ's birth have been included for performance during the Christmas season.
Oh how beautiful this finely crafted octavo! A gorgeous text is portrayed throu...(+)
Oh how beautiful this finely crafted octavo! A gorgeous text is portrayed through lush sounds and textures from rich broad chords to tight jazz harmonies. For SATB voices with alto divisi “Oh How Beautiful This FinelyWoven Earth” is a fabulous showpiece for advanced high school through adult choirs or vocal jazz ensembles.
Kantate Zum 23. Sonntag Nach Trinitatis, Bwv 139, 1724. Par BACH JOHANN SEBASTIA...(+)
Kantate Zum 23. Sonntag Nach Trinitatis, Bwv 139, 1724. Par BACH JOHANN SEBASTIAN. Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen” (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout - this is followed by a lively tenor aria 'Gott ist mein Freund” (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria 'Das Unglück schlägt auf allen Seiten” (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello./ Répertoire / Chœur Mixte et Piano
Work for unaccompanied SATB from Tavener's The Veil Of The Temple.The Veil of th...(+)
Work for unaccompanied SATB from Tavener's The Veil Of The Temple.The Veil of the Temple was commissioned by the Temple Music Trust. The world premiere took place on 27th June 2003 at the Temple Church London performed by the Choir of the Temple Church and the Holst Singers with Patricia Rozario (soprano) conducted by Stephen Layton as part of The City of London Festival 2003. The anthem Awed by the beauty was arranged in 2005.Byzantine text translated by Mother Thekla. ?Oh? should be sung as in the ?o? of ?log?. Breathe when necessary but not simultaneously. ?? and ???? represent microtones the characteristic ?breaks in the voice? of Eastern chant.
John Prindle Scott's Come Ye Blessed arranged by Carl Deis for SATB choir with...(+)
John Prindle Scott's Come Ye Blessed arranged by Carl Deis for SATB choir with Organ accompaniment.John Prindle Scott was an American singer Vocal tutor and composer. Born in New York in 1877 he studied at Oberlin College Ohio between 1896-1900. He moved back to New York city before 1908 and later became a voice teacher in Saginaw Michigan.According to an article in the Syracuse American 'He had established a considerable reputation in concert work when he was forced by increasing deafness to turn to composition for musical expression.'Prindle Scott composed about 60 published songsbetween 1910 and 1930 including several prominent sacred works which have remained in the repertoire. Come Ye Blessed takes its text from the Gospel of Matthew. It was first published by G. Schirmer in 1917. Alan J. Ord author of Singer's Repertoire described the piece as being a good choice for bass voices calling it 'ardent with a flowing line'.
Arranged by Mark Hayes this familiar Stephen Foster standard is available as SA...(+)
Arranged by Mark Hayes this familiar Stephen Foster standard is available as SATB SAB and 2-part voicings. Mark Hayes has written instrumentation for fiddle banjo guitar bass and drums. “Oh Susanna” is brightand upbeat with a few knee slaps making this a strong selection for your folk song teaching and performance needs. Available separately: SATB SAB 2-Part StudioTrax CD Instrumental parts for guitar bass/drums banjo andfiddle.
Moses Hogan's arrangement of Oh Mary Don't You Weep Don't You Mourn for SATB C...(+)
Moses Hogan's arrangement of Oh Mary Don't You Weep Don't You Mourn for SATB Choir a cappella. From the legato verse to the accented syncopation of the chorus this setting is pure delight. Featuring a baritone soloist and a soprano obbligato it offers dynamic contrast and interest to the listener.
Passio secundum Joannem. Traditionelle Fassung (1739/1749)-J.S. Bach's Johannesp...(+)
Passio secundum Joannem. Traditionelle Fassung (1739/1749)-J.S. Bach's Johannespassion BWV 245 for SATB and Piano.Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach’s lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion using the partial autograph score is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns.
John Rutter's Kristus Stod Af Graven Op (Christ The Lord Is Risen Again) for SAT...(+)
John Rutter's Kristus Stod Af Graven Op (Christ The Lord Is Risen Again) for SATB and Organ. This piece incorporates words by Michael Weisse with a Danish translation by Johannes Johansen.
Mis in B-klein of Hohe Messe-The Mass in B minor BWV 232 by Johann Sebastian...(+)
Mis in B-klein of Hohe Messe-The Mass in B minor BWV 232 by Johann Sebastian Bach is a musical setting of the complete Ordinary of the Latin Mass. The work was one of Bach's last compositions not completed until 1749 the year before his death. For SATB choir with Piano accompaniment.
Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mi...(+)
Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mixed voice choirs, which follows on from the highly acclaimed Noël! Volume 1 (Catalogue No. NOV310800). The contents range from the Renaissance to the present: from Byrd and Sweelinck, via Bach, familiar settings of traditional and lesser known carols through the ages to Howells and Leighton, and work by today's composers including Richard Rodney Bennett, Eric Whitacre, John Tavener Tarik O'Regan and Richard Allain. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. Selected and edited by David Hill, Choral Advisor to Novello, Chief Conductor of the BBC singers, Musical Director of The Bach Choir, Chief Conductor of The Southern Sinfonia and Music Director of Leeds Philharmonic Society. He was awarded an honorary Doctorate by the University of Southampton in 2002 in recognition of his Services to Music. 'Noël was a welcome addition to the Christmas list for decent standard choirs - Noël 2 adds even more to the repertoire in a handy volume... The main enticements are some fantastic new arrangements of old favourites, a number of works previously only available in single sheets (Whitacre's Lux Arumque among others) and some fantastic new surprises. Adrian Peacock's Venite, Gaudete is a wonderfully original and vibrant setting, Richard Rodney Bennet's I Wonder as I Wander is both reflective and effective, and there are plenty more. Some of the pieces here will challenge your choir, but there's a vast amount to get the Christmas inspiration flowing. ' - Jonathan Wikeley, Music Teacher November 2009 '?an outstanding resource for Advent, Christmas and Epiphany ' Andrew Stewart, Choir and amp - Organ November/December 2010 Noel! 2 Interview With David Hill by Musicroom / Choeur SATB Et Orgue (Ou Piano)
Medley-Incorporating words from the Emancipation Proclamation of 1863 and three ...(+)
Medley-Incorporating words from the Emancipation Proclamation of 1863 and three important songs of the Civil War era this short medley is especially fitting for community and high school choir performances during Black History month Civil War remembrances and other civic occasions. Songs include: Oh Freedom Nobody Knows the Trouble I've Seen Battle Hymn of the Republic. Available separately: SATB SAB SSA. Duration: ca. 3:55.
A delightful setting of the Psalm 67 by John Ness Beck for SATB Choir with Orga...(+)
A delightful setting of the Psalm 67 by John Ness Beck for SATB Choir with Organ or Piano accompaniment. The piece begins in a gentle reverent tranquility with hushed dynamics gradually building in speed and volume to a grandioso majestic climax at the end. This choral piece provides a wonderful addition to your choir's repertoire.This piece was commissioned by the choirs of Emmanuel Lutheran Church Columbus Ohio in Memory of Dr. Ellis Emanuel Synder founder of the Capital University Chapel Choir.
Leonard Cohen's masterful enduring and poignant song Hallelujah has also been r...(+)
Leonard Cohen's masterful enduring and poignant song Hallelujah has also been recorded by John Cale Jeff Buckley Bono Rufus Wainwright Kathryn Williams K.D. Lang Willie Nelson Aled Jones Michael McDonald Katherine Jenkins Alexandra Burke (Winner of 2008's 'X-Factor') and a multitude of other artists.This classic anthem is arranged here for SATB choir and Piano accompaniment.
