Originally written by Beethoven for piano, this cool little gem has been adapted for strings by Jack Bullock, and is perfect for contest and festival. The melody moves between all sections allowing for many teaching opportunities. (1:50) / Orchestre A Cordes

Pour la mère de Loreta, Patricia Fin, qui est un grand fan de la musique de Beethoven. Ce dispositif est conçu pour les ensembles qui sont prêts à aborder les concepts de style dans leurs performances. Lors de l'ouverture de la section 4/4, les étudiants devraient être mis au courant des subtilités de styles s'inclinant, comme une légère séparation des noires et des blanches (noires et Minimes), et 'souffles' courts entre les paires de croches (croches). (3:15) / Orchestre A Cordes

Another skilled adaptation of a Beethoven scherzo comes from notable music educator and conductor Jamin Hoffman. Once again you can share the power and artistry of a Beethoven symphony with your intermediate or advanced string ensembles.

Now available for string ensemble this movement from Beethoven's fifth symphony has become the emblem of classical music and continues to be one of the most performed works in orchestral literature. The iconic opening motive isthe essence of the entire symphony and is ingeniously developed in this opening movement. Jamin Hoffman's version is carefully crafted for strings giving student players a great opportunity to perform this famous masterwork.

First movement of Beethoven's 5th carefully and imaginatively arranged.Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

An elegant dance in 3/4 time this Beethoven minuet is a great vehicle for teaching about rondo form. The episodes between the refrains are short – just four measures in most cases – so students hear the recognizablemelody more often and understand the concept quicker. Its early classical style also makes it a perfect choice for concert programs.

What better way to feature a luminary in your school or community (principal superintendent mayor etc.) than by letting them display their leadership skills with your orchestra' This clever musical movement is indeed attributedto Beethoven and steady beat or not can be a great opportunity to feature a wood block soloist with your orchestra.

String Quartet Version - Parts)-The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'. The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'.

Who says Beethoven can't be fun? Here's a clever spin on classical music's most famous four-note motif done up right in a current techno-dance treatment.

Taken from early classical guitar music Allegretto is a sort of period minuet and clearly demonstrates the Italian style that parallels the work of Beethoven. Lloyd Conley brings us this well-crafted version an ideal teaching piece for beginning string orchestras.

7 pièces tirées des méthodes Le Monde du Violon/Le Monde de l\'Alto (vol. 1) pour orchestre à cordes. Par DEZAIRE NICO. Le Monde des Ensembles est une série pour instruments à cordes qui permet aux élèves de jouer ensemble dès le début. Des morceaux sont déjà disponibles pour ceux qui connaissent les rudiments du solfège. La série contient des pièces pour violon, alto, violoncelle et piano, et pour duos, trios, orchestres à corde ou autres ensembles. Elle offre au professeur la possibilité de démontrer ludiquement le résultat des leçons avec un ou plusieurs élèves lors d?une audition ou d?un concert. Le Monde des Ensembles s?apparente aux méthodes en deux volumes Le Monde du Violon et Le Monde de l\'Alto, mais peut également être utilisé séparément. Notre premier concert ! est un recueil de sept courtes pièces tirées des méthodes Le Monde du Violon (vol. 1) et Le Monde de l\'Alto (vol. 1) et arrangées pour orchestre à cordes, afin que les débutants puissent jouer avec des musiciens plus avancés. Les parties pour débutants se limitent au jeu sur cordes à vide et avec la première doigt. Les autres parties sont jouable en première position. L?instrumentation se compose des parties suivantes : violon (débutant), alto (débutant), violoncelle (débutant), violon 1, violon 2, alto (violon 3 ad lib.), violoncelle 1, contrebasse (violoncelle 2 ad lib. .) et piano ad lib. L?ensemble se compose d?une partition et de 11 parties. Les pistes de démonstration sont également disponibles en ligne. Ceux-ci servent d?exemple pour les débutants, particulièrement pour le travail à la maison. / Date parution : 2022-03-05/ Recueil / Orchestre à Cordes et Piano (opt.)

Administration, les étudiants et le public apprécieront cette mélodie au piano chéri et bien reconnu disposés en sol majeur pour orchestre à cordes. Parfait pour travailler sur ton, les passages de cordes, et huitième / XVIe rythme pointé. / Orchestre A Cordes