| Zoroastre rct 62B (RAMEAU
JEAN-PHILIPPE) Piano, Voix Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...(+)
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
70.60 EUR - vendu par LMI-partitions Délais: Sur commande | |
| The Rake's Progress
(STRAVINSKY IGOR) Piano, Voix Boosey and Hawkes
Oper in drei Akten. Fabel von W. H. Auden und Chester Kallman. Par STRAVINSKY IG...(+)
Oper in drei Akten. Fabel von W. H. Auden und Chester Kallman. Par STRAVINSKY IGOR. Opera In Three Acts. Fable By W. H. Auden And Chester Kallman / Opéra-opérette / Répertoire / Chant et Piano
107.70 EUR - vendu par LMI-partitions Délais: Sur commande | |
| The Hackney Chronicles
(DOVE JONATHAN) Piano, Voix Peters
Oper in 4 Akten für Kinder, Solisten und Chor. Par DOVE JONATHAN. The Hackney C...(+)
Oper in 4 Akten für Kinder, Solisten und Chor. Par DOVE JONATHAN. The Hackney Chronicles, an opera for children in four acts by Jonathan Dove. / Musique contemporaine / Répertoire / Chant et Piano
17.40 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Songs II GA/CE vol. 11
(SZYMANOWSKI KAROL) Piano, Voix [Partition] PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...(+)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
72.61 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Der Ferne Klang Vocal
Score (SCHREKER FRANZ) Piano, Voix Universal Edition
Par SCHREKER FRANZ. Oper In Drei Aufzügen/ Répertoire / Chant et Piano
121.65 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Il Teuzzone RV 736
(VIVALDI ANTONIO) Piano, Voix Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI...(+)
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed./ Répertoire / Chant et Piano
48.80 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Love Of Spirits (YUN
ISANG) Piano, Voix Bote and Bock
Par YUN ISANG. Oper In 2 Acts/ Répertoire / Chant et Piano
37.51 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Eine Florentinische Op.
15 Vocal Op. 16
(ZEMLINSKY ALEXANDER) Piano, Voix Universal Edition
Par ZEMLINSKY ALEXANDER. Oper In Einem Aufzug/ Répertoire / Chant et Piano
100.17 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Antonio Vivaldi: Il
Teuzzone RV 736: Vocal
and Piano: Vocal Score Piano, Voix Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teu...(+)
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
33.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Bizet G. - Carmen -
Piano-chant Piano, Voix
Oper in drei Akten Kritische Neuausgabe nach den Quellen mit den nachkomponierte...(+)
Oper in drei Akten Kritische Neuausgabe nach den Quellen mit den nachkomponierten Rezitativen von Ernest Guiraud
48.00 EUR - vendu par Woodbrass Délais: Sur commande | |
| Lieder Und Chansons Band
3 Piano, Voix Schott
Georg Kreisler - das ist scharfer, tiefsinnig schwarzer Humor am Klavier. Ganz n...(+)
Georg Kreisler - das ist scharfer, tiefsinnig schwarzer Humor am Klavier. Ganz neu erscheint nun der 3. Band mit den beliebtesten Liedern und Chansons des österreichischen Ausnahmekünstlers. Die Ausgabe beinhaltet die Themenkreise ?Heimat und Heimatlosigkeit', ?Liebe, Erotik und Sex' sowie ?Diskriminierung, Intoleranz und Antisemitismus'. Mit Titeln wie Wien ohne Wiener, Biddla Buh, Schlag sie tot! oder Wir sind doch alle Terroristen. / Voix Et Piano
39.40 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Die Große Oper Band
2 Piano, Voix Schott 23.60 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Die Große Oper Band
1 Piano, Voix Schott 84.70 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Die Schaubudengeschichte
(WIMBERGER GERHARD) Piano, Voix Schott
Par WIMBERGER GERHARD. Détails de la formation instrumentale: 2 (auch Picc.) ·...(+)
Par WIMBERGER GERHARD. Détails de la formation instrumentale: 2 (auch Picc.) · 1 (auch Engl.Hr.) · 2 (1. auch Altsax. u. Es-Klar. - 2. auch Es-Klar. u. Bassklar.) · 1 - 2 · 1 · 1 · 1 - P. S. (Trgl. · 3 Gl. · Beckenpaar · hg. Beck. · Tamt. · Tamb. · 2 Tomt. · 2 Bong. · kl. Tr. · gr. Tr. · Woodbl. · Glsp. · Xyl. · Vibr.)(2 Spieler) - Hfe. - Str. - Durée: 130' - Langue: German -/ Recueil / Chant et Piano
65.40 EUR - vendu par LMI-partitions Délais: Sur commande | |
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