Twelve essential sacred favourites for classical singers. Includes 'Panis Angelicus' 'Ave Maria' and 'Crucifixus'. Piano and voice arrangements. CD includes songs with and without piano accompaniment.

This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

With diction lessons recorded by Irene Spiegelman German diction coach at the Metropolitan Opera and piano accompaniments recorded by Laura Ward this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it showing flow of the language and mood followed by a slow deliberate lesson allowing time for the student to repeat each line. This experienced language coach adapts the ?R? in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between word sounds in the musical settings.

With diction lessons recorded by Irene Spiegelman German diction coach at the Metropolitan Opera and piano accompaniments recorded by Laura Ward this collection of the most often taught Brahms songs is an excellent introduction to lieder.

Par SCHUMANN ROBERT. Ger. inc. Dichterliebe, Myrthen, Frauenlibe und Leben, Liederkreis / Classique / Répertoire / Chant et Piano

Il s'agit de la plus grande collection de chansons de Brahms disponibles commercialement. Notes historiques sur toutes les chansons adresse compositionnelle contexte dans la carrière du compositeur, remarques sur les poètes et les débuts de la performance. Une nouvelle traduction apparaît sur la première page de chaque chanson. Nouvelles recherches musicales, Claire nouvelles gravures font une source distinguée de la littérature de la chanson. / Chant Et Piano

Thou Art My Joy-Gottfried Heinrich Stolzel's Bist Du Bei Mir previously attributed to J.S. Bach. This version for Low Voice in the key of B Flat with Piano accompaniment by Carl Deis.

This all-in-one package includes the original Arias for Bass book from the G. Schirmer Opera Anthology along with two accompaniment CDs AND the corresponding Diction Coach book/two CD set.Diction Coach includes recorded diction lessons IPA and word for word translations. In addition to piano accompaniments playable on both your CD player and computer the enhanced accompaniment CDs also includetempo adjustment software for CD-ROM computer use.

Revised & Expanded Edition-Revised and expanded edition of Edition Peters Art Of Song Grade 7 for Low Voice and Piano.

20 Romanzen-Tchaikovsky's songs are part of a ricj musical and social tradition; the Russian Romance. They are exhilarating to perform and have a speical way of expressing the emotional essence of a poem. This collection of 20 Romances is scored for Medium/Low Voice and Piano accompaniment. The text is printed in both Russian and English.