Transcription for Guitar Quartet Score and Parts. Composed by Johann Sebasti...(+)
Transcription for Guitar
Quartet Score and Parts.
Composed by Johann
Sebastian
Bach (1685-1750) and
Heitor
Villa-Lobos (1887-1959).
Arranged by Alessandro
Borin. Guitar. Softcover.
Ricordi #ER3071.
Published
by Ricordi
Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. BWV 243. S...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Alfred Durr. BWV 243.
Study score for SSATB
choir and mixed orchestra
(3 tr, timp, 2 fl, 2 ob,
2 vl, vla, organ). Urtext
of the New Bach Edition.
With introductory text. D
Major. Text language
Latin. 58 pages.
Published by
Baerenreiter-Taschenparti
turen (German import).
(A Fun and Comprehensive Overview of Latin Guitar Playing). By Doug Munro. For G...(+)
(A Fun and Comprehensive
Overview of Latin Guitar
Playing). By Doug Munro.
For Guitar. Book; CD;
Guitar Method or
Supplement;
Method/Instruction. The
Total Guitarist. Jazz.
128 pages
(All-Time Hits from Latin America). Arranged by John Kember. For Piano. Book; Pi...(+)
(All-Time Hits from Latin
America). Arranged by
John Kember. For Piano.
Book; Piano Collection;
Piano Supplemental. Faber
Edition: Play Latin.
Latin. Intermediate.
Published by Faber Music
Composed by Johann Sebastian Bach (1685-1750), edited by Emil Platen. BWV 236. F...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Emil Platen. BWV 236. For
SATB solos, SATB choir
and piano accompaniment.
Urtext of the New Bach
Edition. Format: vocal
score. With choral
notation and piano
reduction. Baroque. G
Major. Text language
Latin. 47 pages. 7.5x10.5
inches. Duration 30m.
Published by
Baerenreiter-Ausgaben.
Composed by Johann Sebastian Bach (1685-1750), edited by Chrisoph Wolff, Johanne...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Chrisoph Wolff, Johannes
Muntschick. BWV 232. For
SSATB solos, SSATB choir
and piano accompaniment.
Urtext. Format: vocal
score. With choral
notation, piano reduction
and introductory text.
Baroque. Text language
Latin. 199 pages.
7.5x10.5 inches.
Published by C.F. Peters.
From Magnificat. Composed by Johann Sebastian Bach (1685- 1750). Arranged by Ru...(+)
From Magnificat. Composed
by
Johann Sebastian Bach
(1685-
1750). Arranged by
Russell L.
Robinson. Choral
Exploration.
Baroque, Concert,
Festival,
General Worship, Latin,
Mass,
Sacred. Octavo. 8 pages.
Duration 130 seconds.
Published by Hal Leonard
Choral (SSA a cappella) From Magnificat. Composed by Johann Sebastian Bach (168...(+)
Choral (SSA a cappella)
From Magnificat. Composed
by
Johann Sebastian Bach
(1685-
1750). Arranged by
Russell L.
Robinson. Choral
Exploration.
Baroque, Concert,
Festival,
General Worship, Latin,
Mass,
Sacred. Octavo. 8 pages.
Duration 130 seconds.
Published by Hal Leonard
By Johann Sebastian Bach. Arranged by John W. Schaum. For Piano. Piano - Schaum ...(+)
By Johann Sebastian Bach.
Arranged by John W.
Schaum. For Piano. Piano
- Schaum Method
Supplement. Schaum Master
Composer Series. Book. 32
pages. Published by
Alfred Publishing.
Composed by Charles Francois Gounod (1818-1893), Franz Schubert (1797-1828), Joh...(+)
Composed by Charles
Francois Gounod
(1818-1893), Franz
Schubert (1797-1828),
Johann Sebastian Bach
(1685-1750). For high
voice, medium voice, low
voice, piano
(accompaniment and solo)
and organ (accompaniment
and solo). Format:
Vocal/piano/organ book.
With vocal melody, vocal
text, piano
accompaniment, organ
accompaniment, piano
solo, organ solo and
introductory text.
Baroque and classical
period. 80 pages. 9x12
inches.
By Rolando Morales-Matos. For Percussion Ensemble (marimba, vibraphone, and 3 pe...(+)
By Rolando Morales-Matos.
For Percussion Ensemble
(marimba, vibraphone, and
3 percussion). Includes 5
parts and score. Score
and set of parts.
Duration 12-20 minutes.
Published by Bachovich
Music Publications
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Violin 1.
Sacred vocal music,
Masses, Latin. Part.
Duration 12 minutes.
Carus Verlag #CV
35.009/11. Published by
Carus Verlag
(CA.3500911).
ISBN
M-007-25279-3.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Viola 1.
Sacred vocal music,
Masses, Latin. Single
Part, Viola 1. Duration
12 minutes. Carus Verlag
#CV 35.009/13. Published
by Carus Verlag
(CA.3500913).
ISBN
M-007-25281-6.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Complete
orchestral parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Duration 12
minutes. Carus Verlag #CV
35.009/19. Published by
Carus Verlag
(CA.3500919).
ISBN
M-007-25284-7.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Violin 2.
Sacred vocal music,
Masses, Latin. Part.
Duration 12 minutes.
Carus Verlag #CV
35.009/12. Published by
Carus Verlag
(CA.3500912).
ISBN
M-007-25280-9.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Sacred
vocal music, Masses,
Latin. Vocal score.
Duration 12 minutes.
Carus Verlag #CV
35.009/03. Published by
Carus Verlag
(CA.3500903).
ISBN
M-007-24549-8.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Sacred
vocal music, Masses,
Latin. Full Score.
Duration 12 minutes.
Carus Verlag #CV
35.009/00. Published by
Carus Verlag
(CA.3500900).
ISBN
M-007-24548-1.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Masses, Latin. Part.
Duration 12 minutes.
Carus Verlag #CV
35.009/49. Published by
Carus Verlag
(CA.3500949).
ISBN
M-007-24550-4.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Viola 2.
Sacred vocal music,
Masses, Latin. Single
Part, Viola 2. Duration
12 minutes. Carus Verlag
#CV 35.009/14. Published
by Carus Verlag
(CA.3500914).
ISBN
M-007-25282-3.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Basso
continuo. Sacred vocal
music, Masses, Latin.
Single Part, basso
continuo. Duration 12
minutes. Carus Verlag #CV
35.009/15. Published by
Carus Verlag
(CA.3500915).
ISBN
M-007-25283-0.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Complete edition in 23 volumes. Composed by Johann Sebastian Bach (1685-1...(+)
Complete edition in 23
volumes. Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger, Uwe
Wolf. Stuttgart Urtext
Edition: Bach vocal. Set
with study scores. Sacred
vocal music, Cantatas,
Masses, Latin,
Oratorios, Passions.
Package. 12808 pages.
Carus Verlag #CV
31.500/00. Published by
Carus Verlag
(CA.3150000).