The reminiscent piano works of John Ireland are brought together in their entirety in this five-volume set. These authoritative editions arrange all of Ireland's solo piano compositions in chronological order with corrections on previous editions made by Alan Rowlands and Eric Parkin.

The reminiscent piano works of John Ireland are brought together in their entirety in this five-volume set. These authoritative editions arrange all of Ireland's solo piano compositions in chronological order with corrections on previous editions made by Alan Rowlands and Eric Parkin.

Edited by John HarleyCONTENTSAire, T45C; An Aire, T451; An Ayre T452; Almand; The Bonny Gray Ey'd Morn, T363; Chacone, T420; Cibelle, T453; A New Cebell, T462; Come Sweet Lass, T336; A Farewell, T454; King James'sFarewell, T457; Gavott, T455; Hornpipe, T456; The Country Mans Jigg, T342; Mdm. Subligny's Jigg, T458; A March, T433; The Prince of Denmark's March, T435; Prince Eugene's March, T436; The Emperour of Germany's March, T431; TheDuke of Glocester's March, T430; The Kings March, T432; Minuet, T459; Minuett, T460; Round O Minuett, T 492; Round O Minuett, T464; Round O; Scotch Aire, T465; A New Scotch Tune, T463; The Serenade, T437; A Trip to Berry, T466;ATrip to Case-horten, T467; A Trumpet Minnuett, T439; Trumpet Tune, T438; Scotch Trumpet Tune, T434; Untitled, T408.5 / Clavecin / Stainer And Bell

Twelve pieces by John Bull Giles and Richard Farnaby Orlando Gibbons Leonhard Woodson and others are here collected to make an attractive anthology of English keyboard music found in the precious Lynar A manuscripts which also contain primary sources for the keyboard music of Sweelinck Peter Philips and Tarquinio Merula. Edited by Pieter Dirksen.CONTENTSANONYMOUS: (A toij; Courant; Courant; Masque; O neijbour Robert; Robin)BULL John: (Bonni swet Robin; My Grief)FARNABY Giles: (Kempes Moris)FARNABY Richard: (Flet Stret)GIBBONS Orlando: (The Queenes Command)WOODSON Leonhard: (Malle Siemon)

Bridge's major piano work reissued in 1980 with an introduction by John Bishop is a masterpiece of the 20th century.

Edited by Peter le Huray. A selection of pieces including works by Byrd Bull and Gibbons newly transcribed with the original fingerings given in the ms.CONTENTSBEVIN Edward (Prelude)BULL John (Galliard; Miserere; Prelude; Prelude (attributed); Preludium; Why aske you? (attributed))BYRD William (Fortune)GIBBONS Orlando (Italian Ground; Preludium; Whoop do me no harm good man)

Musica Britannica XIV-Edited by John Steele & Francis Cameron and revised Alan Brown.Bull's skill as a composer and performer was acknowledged throughout Europe. This volume the first of two contains fantasias ostinati and plainsong settings keyboard canons preludes and a group of 'Dorian' pieces by this intriguing and ingenious master of the virginals. First published in 1960 revised 1967 and 2001.

Edited by Thurston Dart. A critical edition of the famous book first published in 1612-13 with 21 pieces by Byrd Bull and Gibbons.CONTENTSBULL John (Galiardo in D (XIIII); Galiardo in D (XV); Galiardo: St Thomas Wake; Galiardo to Pavana 12; Pavana in G; Pavana: St Thomas Wake; Preludium in G)BYRD William (Galiardo: Mistress Mary Brownlo; Galiardo Secundo: The Earl of Salisbury; Galiardo: Sir William Petre; Galiardo: The Earl of Salisbury; Pavana: Sir William Petre; Pavana: The Earl of Salisbury; Preludium in C; Preludium in G)GIBBONS Orlando

The reminiscent piano works of John Ireland are brought together in their entirety in this five-volume set. These authoritative editions arrange all of Ireland's solo piano compositions in chronological order with corrections on previous editions made by Alan Rowlands and Eric Parkin.

Par HENRY VIII. Thirty-Five Compositions By King Henry VIII is a unique collection, containing King Henry VIII’s complete secular works. These works consist of part-songs and instrumental consorts, and have been transcribed and edited by John Stevens. The collection is a mixture of instrumental pieces and pieces for vocal ensemble, mostly in three parts, with about half-a-dozen in four. Seventeen of the pieces are instrumental, though it is perfectly possible (and historically accurate) to play the vocal pieces on instruments if preferred. In the instrumental pieces no instruments are stipulated. The top staff is treble, the second is written in the trebleclef but sounds an octave lower, as for vocal tenor, and the lowest line is a for a bass clef melody instrument. Either flute or recorder would work well for the top line in most of these pieces, which usually go no lower than around middle C. The bassoon could play either the second or third line. And the line left over could be played on keyboard. This is not harmonic music however. There are no chords, nor would it be easy of idiomatic for the keyboard player to vamp or otherwise extemporise harmonies. The pieces are printed in score, so two players might share one copy, but two copies would be ideal if the keyboard player is also taking part, and three of course if the players want to practise separately./ Recueil / Piano

Facsimile of the First Edition (John Walsh 1756) with introduction by Gwilym Beechey and Thurston Dart.

Edited by Thurston DartCONTENTSAlman (Robert Johnson set Farnaby); Corranto (attributed); Farnabyes Conceit; Galiarda; Galliard: His Rest; His Humour; Loath to Depart; Mal Sims; Maske; New Sa-hoo; Old Spagnoletta; Pavan: Giles Farnabys Dreame; Rosasolis; Spagnioletta; Tell me Daphne; Tower Hill; Toye