Complete Edition. Supplementary Volume 16 of the New Liszt Edition contains free arrangements and technical exercises. In the first section can be found early versions of three arrangements. The first consists of the first and intermediary versions of a transcription of Die Rose, a song Schubert composed to a poem by Schlegel. The arrangement of the second movement of Berlioz's Harold Symphony also draws on literary inspiration: Lord Byron's (1788-1824) narrative poem Childe Harold's Pilgrimage (1812-18) was a literary experience Liszt shared with Berlioz. The fantasy on themes from Bellini's opera La sonnambula [The Sleepwalker] (here the first version of 1842, and the second version dating from the following decade are given) is important in music history because it was while he worked on this (and other operatic fantasies) that Liszt developed a new concept of the form, which took shape in more complex and more concentrated fantasies than before. Particularly interesting material can be found in the appendix. In addition to sketches and drafts for arrangements of Spanish themes, there are three sources published here for the first time, which shed light on technical aspects of Liszt's piano teaching. These are three sets of exercises: the first written by Liszt himself for Valérie Boissier in 1832; the second a copy in an unidentified hand from the same period or slightly later; and finally the third which was noted down in 1871 by Henri Maréchal in Rome based on the composer's dictation. This latest volume of the New Liszt Edition includes a detailed preface in German, English, and Hungarian containing new research findings, together with five manuscript facsimiles and critical notes. Simultaneously with the cloth-bound Complete Edition, a practical paperback version has been published, the contents of which are identical to those of the hardcover edition, minus the inclusion of critical notes.

En 1826, âgé de 15 ans Franz Liszt a écrit son premier cycle d'études qu'il voulait vraiment être considéré comme un grand étude consistant en 12 exercices différents, comme une Etude en douze exercices. Chacun de ces exercices, cependant, est une étude indépendante portant sur un certain problème technique. Bien qu'ils sont devenus un modèle d'études grand de Liszt ('Grandes Etudes') plus tard, ces premières oeuvres étaient encore loin d'exigences techniques de leurs grands frères et soeurs. Ils conviennent surtout dans les enseignements avancés comme une excellente alternative aux études plus exigeants de Czerny. / Piano

Études d'exécution transcendante Publié par Szelényi István, Gárdonyi Zoltán Instrument: Piano Série: New Liszt Edition I. 'B' Genre: Romantic Langue: English, German Pages: 132 pp Date du parution: 1970 Contenu: 1. Preludio R. 2/b G. 139 2. (a-moll - A minor - a-Moll) R. 2/b G. 139 3. Paysage R. 2/b G. 139 4. Mazeppa R. 2/b G. 139 5. Feux follets - Irrlichter R. 2/b G. 139 6. Vision R. 2/b G. 139 7. Eroica R. 2/b G. 139 8. Wilde Jagd R. 2/b G. 139 9. Ricordanza R. 2/b G. 139 10.(f-moll - F minor - f-Moll) R. 2/b G. 139 11.Harmonies du soir R. 2/b G. 139 12.Chasse-neige R. 2/b G. 139

Par HENSELT ADOLPH. The composer and pedagogue Adolph von Henselt (1814?1889) can truly be considered one of the founding fathers of the Russian School of piano playing. He counted among his pupils Nicolai Sergeyvich Zverev, the teacher of Rachmaninoff and Scriabin. Rachmaninoff considered Henselt?s Etudes the equal of those by Liszt and Chopin for their great beauty. Henselt?s music was well-known in his time, and in the repertoire of the greatest virtuosos of the 19th century, including Clara Schumann (who premiered his F minor Concerto with Mendelssohn conducting), Franz Liszt, Hans von Bülow, Vladimir de Pachmann and Alexander Scriabin. The two sets of Etudes Opp. 2 and 5 were composed just before Henselt moved permanently to Russia and each set was originally published as two books of six études. This new Edition Peters Urtext edition collects each set in its own volume, together with, in volume 1, a selection of Henselt?s Exercices préparatoires and, in volume 2, two additional etudes. It is edited by Daniel Grimwood, one of the composer?s most highly regarded interpreters, whose recording of the complete Etudes is available from Edition Peters Sounds. This is the only available modern Urtext edition of these important piano works. / Date parution : 2023-06-01/ Etude / Piano

Par CZERNY KARL. La caractéristique spécifique de 40 des exercices quotidiens la densité extraordinaire des exemples musicaux et des problèmes techniques spécifiques dans cette petite édition. Surtout les formules one-bar, Czerny, avec son imagination didactique presque inépuisable, dresse un cosmos de matériel de formation technique qui pratiquement se condense les idiomes de la musique classique et début romantique piano entre Haydn et de Czerny élève Franz Liszt. Chaque étude porte sur un problème particulier de comédie musicale-technique qui varie en apparence et est habituellement édité pour les deux mains. Toutes les expressions individuelles élargir et d'approfondir les connaissances de base à être pratiquée pour que chaque numéro individuel offre un potentiel considérable d'apprentissage./ Etude / Piano

Par HENSELT ADOLPH. Following his acclaimed first recording of Adolph von Henselt's piano works for Edition Peters Sounds (EPS005), Daniel Grimwood now presents a unique recording of Henselt's complete Études coupled with the complete Préambules. Henselt can truly be considered one of the founding fathers of the Russian School. He counted among his pupils Nicolai Sergeyvich Zverev, the teacher of Rachmaninoff and Scriabin. Rachmaninoff considered Henselt's Études the equal of those by Liszt and Chopin for their great beauty. This double album imaginatively places the two sets of Études Op. 2 and Op. 5 alongside Henselt's improvisatory 'Préambules', one in each key, and also includes the Étude in A minor and the Étude Op. 13 No. 2 'La Gondola' together with the Étude 'Au Jardin' that Balakirev composed to honour Henselt's fiftieth anniversary in St Petersburg. A blizzard of dazzling pianism Observer on EPS005 Henselt Piano Works / Date parution : 2022-12-12/ Etude / Piano

This set of virtuoso etudes by Marc-Andre Hamelin one of the world's leading pianists was composed over a span of 25 years. It includes both original character pieces and also works that incorporate elements of or refer back to works by well-known composers. The publication of this volume coincides with the release of a new recording of the works performed by Hamelin on the Hyperion label. Contents: Detailed foreword by the composer in English and German No.1 in A minor 'Triple Étude after Chopin' No.2 in E minor 'Coma Berenices' No.3 in B minor 'after Paganini-Liszt' No.4 in Cminor 'Étude à mouvement perpétuellement semblable (d'après Alkan)' No.5 in G minor 'Toccata grottesca' No.6 in D minor 'Esercizio per Pianoforte (Omaggio a Domenico Scarlatti) No.7 in E- minor 'after Tchaikovsky (for the left hand alone)' No.8 in B- minor 'Erlkönig (after Goethe)' No.9 in F minor 'after Rossini' No.10 in F+ minor 'after Chopin' No.11 in C+ minor 'Minuetto' No.12 in A- minor 'Prelude and Fugue

Henri J. Bertini, né à Londres en 1798, est mort en 1876. Son frère Auguste, élève de Clementi, lui donna ses premières leçons de piano. Très vite il devint un virtuose apprécié. Le 20 Avril 1828, il participa avec Franz Liszt à l'exécution de la Septième Symphonie en la majeur de Beethoven, dont il avait fait la transcription pour huit mains ! C'est dire la place importante qu'il occupait alors. D'ailleurs, Hector Berlioz lui-même, dans une de ses lettres écrivait qu'il était un grand admirateur du génie d'Henri Bertini et que sa musique ' lui fait battre le coeur énergiquement '. / Piano

Méthodes and études instrumentales / Classique / Sélection : Béatrice Quoniam / Doigtés : Béatrice / Partition /

Die schönsten Etüden von Czerny bis Chopin. Par . / Date parution : 2022-10-12/ Etude / Piano