(zum Osterfest Christ lag in Todes Banden ). Composed by Georg Philipp Telemann...(+)
(zum Osterfest Christ
lag in Todes Banden ).
Composed by Georg Philipp
Telemann (1681-1767).
Edited by Klaus Hofmann.
For SATB choir, basso
continuo, [2 oboes, 2
violins, viola, cello,
violins/double bass,
bassoon]. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Missa brevis uber
Christ lag in Todes.
Missa brevis in Latin,
Easter and Eastertide.
Full score. Language:
Latin. Composed 1720.
TVWV 9:3. Duration 10
minutes. Published by
Carus Verlag
By Wolfgang Amadeus Mozart. Arranged by Patrick M. Liebergen. For Opt. 2 Flutes....(+)
By Wolfgang Amadeus
Mozart. Arranged by
Patrick M. Liebergen. For
Opt. 2 Flutes. (SATB).
Choral Octavo. Choral
Designs. Masterwork.
Choral Octavo. 12 pages.
Published by Alfred
Publishing. Level:
Level 4 (grade L4).
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Willi Schulze. This e...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Willi Schulze. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa brevis in d KV 65
rev.2000. Missa brevis in
Latin. Complete
orchestral parts.
Composed 1769. KV 65
(61a). Duration 15
minutes. Published by
Carus Verlag
(CA.4062219).
By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Pau...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Bernhard Janz.
Arranged by Paul Horn.
For Soli SATB, SATB
Choir, 2 Violins, Basso
continuo, [3 Trombones].
This edition: paperbound.
KV 275 (272b). Score
available separately -
see item CA.4062900.
Missa brevis, Latin;
Stuttgart Urtext
Editions. Level 3.
Piano/Vocal score.
Language: Latin. Composed
1777. 44 pages. Duration
24 min. Published by
Carus Verlag
By Franz Joseph Haydn. Edited by Schulze, Willi. For Soli SS, SATB Choir, 2 Viol...(+)
By Franz Joseph Haydn.
Edited by Schulze, Willi.
For Soli SS, SATB Choir,
2 Violins,
Cello/Contrabass, Organ.
Hob. XXII:1. Missa
brevis, Latin. Score.
Language: Latin. Composed
1749-50 (?) (dazwischen).
32 pages. Duration 13
min. Published by Carus
Verlag (German import).
Missa brevis in G Chorale SATB [Set de Parties séparées] Carus Verlag
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Willi Schulze. This...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Willi Schulze. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa pastoralis in G KV
140 rev.2001. Missa
brevis in Latin. Complete
orchestral parts.
Composed circa 1773. KV
140 (235d). Duration 17
minutes. Published by
Carus Verlag
(CA.4062319).
By Dietrich Buxtehude (1637-1707). For SSATB Choir, Basso continuo. This edition...(+)
By Dietrich Buxtehude
(1637-1707). For SSATB
Choir, Basso continuo.
This edition: paperbound.
BuxWV 114. Missa brevis,
Latin. Score. Language:
Latin. 24 pages. Duration
8 min
By Wolfgang Amadeus Mozart. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 ...(+)
By Wolfgang Amadeus
Mozart. Arranged by Paul
Horn. For Soli SATB, SATB
Choir, 2 Violins, Viola,
Basso continuo, [3
Trombones]. KV 49 (47d).
Full score available
separately - see item
CA.4062100. Missa brevis,
Latin; Stuttgart Urtext
editions. Choral score
with Soli. Language:
Latin. Composed 1768. 16
pages. Duration 18 min.
Published by Carus Verlag
(German import).
By Wolfgang Amadeus Mozart. Edited by And Arr. Patrick M. Liebergen. For Choir. ...(+)
By Wolfgang Amadeus
Mozart. Edited by And
Arr. Patrick M.
Liebergen. For Choir.
(SATB). Choral Octavo.
Belwin Festival Series.
Masterwork. Level:
Moderate (grade 3).
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
Missa in c Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Waisenhausmesse). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by ...(+)
(Waisenhausmesse).
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Mathias Siedel. For SATB
vocal soli, SATB choir, 2
oboes, 2
clarinos/trumpets, 2
trumpets, 3 trombones,
timpani, 2 violins, 2
violas, basso continuo.
This edition: Paperbound.
C-Moll (C minor).
Stuttgart Urtext Edition.
German title: Missa in c
(Waisenhaus-Messe)
rev.2002. Latin Masses.
Vocal score. Language:
Latin. Composed circa
1768-69 (no later than
1770). KV 139 (114a). 72
pages. Duration 41
minutes. Published by
Carus Verlag
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For SATB...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Paul Horn. For SATB
choir, 2 oboes, 2
clarinos/trumpets, 2
trumpets, timpani, 2
violins, basso continuo,
[3 trombones]. Stuttgart
Urtext Edition. German
title: Missa in C
(Trinitatis-Messe)
rev.2002. Latin Masses,
Trinity. Complete
orchestral parts.
Language: Latin. Composed
1773. KV 167. Duration 28
minutes. Published by
Carus Verlag
Piano seul [Partition] - Intermédiaire Alfred Publishing
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All
Composed by Michael
Masser, Linda Creed
Homecoming Composed by
Hagood Hardy
Weve Got Tonight Composed
by Bob Seger
Song From M*a*s*h
(Suicide Is Painless)
Composed by Johnny
Mandel, Mike Altman
Misty Composed by Erroll
Garner, Johnny Burke
Other Side Of Midnight
Composed by Michel
Legrand
The Rose Composed by
Amanda Mc Broom
Tears In Heaven Composed
by Eric Clapton, Will
Jennings
Theme From New York, New
York Composed by Fred
Ebb, John Kander
Heart Composed by Richard
Adler, Jerry Ross
Hey There Composed by
Richard Adler, Jerry Ross
Colors Of My Life
Composed by Cy Coleman,
Michael Stewart
Over The Rainbow Composed
by Harold Arlen, E.y.
Harburg
Separate Lives Love Theme
From "white Nights"
Theme From Ice Castles
Composed by Marvin
Hamlisch, Carole Bayer
Sager
Tonight I Celebrate My
Love Composed by Michael
Masser, Gerry Goffin
In This Life Composed by
Mike Reid, Allen Shamblin
Up Where We Belong
Composed by W Jennings, B
Sainte, Marie, J Nitzsche
From A Distance Composed
by Julie Gold
I Will Always Love You
Composed by Dolly Parton
Oh! What It Seemed To Be
Composed by Bennie
Benjamin, George David
Weiss, Frankie
I Believe I Can Fly
Composed by R. Kelly
Valentine Composed by Jim
Brickman, Jack Kugell
How Do I Live Composed by
Diane Warren
Colors Of The Wind
Composed by Stephen
Schwartz, Alan Menken
A Dream Is A Wish Your
Heart Makes Composed by
Mack David, Al Hoffman,
Jerry Livingston
see less... Tell Him
Composed by Linda
Thompson, David Foster
Con Te Patiro / Time To
Say Goodbye Composed by
Lucio Quarantotto,
Francesco Sartori
Karen's Theme Composed by
Richard Carpenter
The Prayer Composed by
Carole Bayer Sager, David
"babyface" Foster
My One True Friend
Composed by Carole Bayer
Sager, Carole King
Love Solo Composed by Dan
Coates
I Don't Want To Miss A
Thing Composed by Diane
Warren
As Time Goes By Composed
by Herman Hupfeld
La Vie En Rose Composed
by Louiguy, Piaf
(French), David (Eng.)
What's New? Composed by
Bob Haggart, Johnny Burke
Summer Me, Winter Me
Composed by Michel
Legrand, Alan, Marilyn
Bergman
Evergreen Composed by
Barbra Streisand, Paul
Williams
Arthur's Theme (Best That
You Can Do) Composed by
Burt Bacharach, Carole
Bayer Sager
Can You Read My Mind
Composed by John
Williams, Leslie Bricusse
Love And Marriage
Composed by Jimmy Van
Heusen, Sammy Cahn
Desperado Composed by Don
Henley, Glenn Frey
The Wind Beneath My Wings
Composed by Jeff Silbar,
Larry Henley
How Do You Keep The Music
Playing? Composed by
Michel Legrand, Alan
Bergman
Anywhere The Heart Goes
Composed by Henry
Mancini, Will Jennings
Once Before I Go Composed
by Dean Pitchford, Peter
Allen
Star Wars - Main Theme
Composed by John Williams
Open Arms Composed by
Steve Perry, Jonathan
Cain
Canon In D Composed by
Johann Pachelbel
That's What Friends Are
For Composed by Burt
Bacharach, Carole Bayer
Sager
Friends Or Lovers Both To
Each Composed by Paul
Gordon, Jay Gruska
Forever Composed by Kenny
Loggins, Eva Loggins,
David Foster
Saving All My Love For
You Composed by Gerry
Goffin, Michael Masser
Miss Celie's Blues
Composed by Quincy Jones,
Rod Temperton, And
Anne's Theme Composed by
Hagood Hardy
One Moment In Time
Composed by Albert
Hammond, John Bettis
Kei's Song Composed by
David Benoit
I Say A Little Prayer
Composed by Burt
Bacharach, Hal David
Happy Birthday To You
Composed by Mildred J.
Hill, Patty S. Hill
May You Always Composed
by Larry Marks, Dick
Charles
If My Friends Could See
Me Now Composed by Cy
Coleman, Dorothy Fields
You Can Always Count On
Me Composed by Cy
Coleman, David Zippel
Ashokan Farewell Composed
by Jay Ungar
Everything I Do I Do It
For You Composed by Bryan
Adams, Robert Lange,
Michael Kamen
Send In The Clowns
Composed by Stephen
Sondheim
She Loves Me Composed by
Sheldon Harnick, Jerry
Bock
How Could I Ever Know?
Composed by Marsha
Norman, Lucy Simon
My Unknown Someone
Composed by Cy Coleman,
Adolph Green, Betty
Comden
Favorite Son Composed by
Cy Coleman, Adolph Green,
Betty Comden
I Swear Composed by Gary
Baker, Frank Myers
I Can Love You Like That
Composed by S Diamond, M
Derry, J Kimball
Beauty And The Beast
Composed by Howard
Ashman, Alan Menken
Angel Eyes Composed by
Jim Brickman
If You Believe Composed
by Jim Brickman
Because You Loved Me
Composed by Diane Warren
Un-break My Heart
Composed by Diane Warren
Ragtime Composed by
Stephen Flaherty, Lynn
Ahrens
Complete Advanced Piano
Solos (Music for All
Occasions). Arranged by
Dan Coates. For solo
piano. Piano -
Intermediate / Advanced
Collection; Piano
Supplemental. The
Professional Touch
Series. Contemporary
Instrumental and Pop. SMP
Level 9 (Advanced).
Collection. Standard
notation (does not
include words to the
songs). 304 pages.
Published by Alfred Music
Publishing
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1105035-010 Composed by Claud...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1105035-010
Composed by Claude-Michel
Schonberg. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1105035-010. Published by
De Haske Publications
(BT.DHP-1105035-010).
9x12 inches.
English-German-French-Dut
ch.
The musical
Miss Saigon has touched
millions of hearts
worldwide. This is partly
due to the romantic, yet
equally tragic, love
story set in war-torn
Vietnam during 1975, and
partly to the emotional
and engaging music by
Claude-Michel
Schönberg. Masamichi
Amano’s medley for
concert band combines the
songs: The Heat Is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed and Bui-Doi.
De musical Miss
Saigon wist wereldwijd
een miljoenenpubliek te
ontroeren. Deels lag dat
aan de romantische en
tegelijk tragische
liefdesgeschiedenis die
zich afspeelde in het
door oorlog geteisterde
Vietnam van 1975. Maar
ook komtdat door de
hartveroverende muziek
van Claude-Michel
Schönberg. De medley
van Masamicz Amano voor
harmonieorkest bevat de
titels The Heat Is on
in Saigon, Kim and Chris
Dance, If You Want to Die
in Bed en
Bui-Doi.
Da
s Musical Miss
Saigon rührte
weltweit ein
Millionenpublikum. Das
lag zum einen an der
romantischen und zugleich
tragischen
Liebesgeschichte im
kriegsgeschüttelten
Vietnam von 1975 und zum
andern an der bewegenden
Musik von Claude-Michel
Schönberg. Masamichi
Amanos Medley für
Blasorchester umfasst die
Titel The Heat Is on
in Saigon (Saigon, du
_x001F_fieberst im
Licht), Kim and
Chris, Dance
(Tanz von Kim und Chris),
If You Want to Die in
Bed (Tja, wer stirbt
nicht gern im Bett) und
Bui-Doi.
Il musical Miss
Saigon ebbe un immenso
successo grazie alla
romantica e tragica
storia d’amore tra
una vietnamita e un
soldato americano in un
Vietnam martoriato dalla
guerra, ma anche grazie
alla musica di
Claude-Michel
Schönberg. Il medley
di Masamicz Amano
racchiude i seguenti
titoli: The Heat is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed e Bui-Doi.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1105035-140 Composed by Claud...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1105035-140
Composed by Claude-Michel
Schonberg. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2010. 36 pages.
De Haske Publications
#DHP 1105035-140.
Published by De Haske
Publications
(BT.DHP-1105035-140).
9x12 inches.
English-German-French-Dut
ch.
The musical
Miss Saigon has touched
millions of hearts
worldwide. This is partly
due to the romantic, yet
equally tragic, love
story set in war-torn
Vietnam during 1975, and
partly to the emotional
and engaging music by
Claude-Michel
Schönberg. Masamichi
Amano’s medley for
concert band combines the
songs: The Heat Is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed and Bui-Doi.
De musical Miss
Saigon wist wereldwijd
een miljoenenpubliek te
ontroeren. Deels lag dat
aan de romantische en
tegelijk tragische
liefdesgeschiedenis die
zich afspeelde in het
door oorlog geteisterde
Vietnam van 1975. Maar
ook komtdat door de
hartveroverende muziek
van Claude-Michel
Schönberg. De medley
van Masamicz Amano voor
harmonieorkest bevat de
titels The Heat Is on
in Saigon, Kim and Chris
Dance, If You Want to Die
in Bed en
Bui-Doi.
Da
s Musical Miss
Saigon rührte
weltweit ein
Millionenpublikum. Das
lag zum einen an der
romantischen und zugleich
tragischen
Liebesgeschichte im
kriegsgeschüttelten
Vietnam von 1975 und zum
andern an der bewegenden
Musik von Claude-Michel
Schönberg. Masamichi
Amanos Medley für
Blasorchester umfasst die
Titel The Heat Is on
in Saigon (Saigon, du
_x001F_fieberst im
Licht), Kim and
Chris, Dance
(Tanz von Kim und Chris),
If You Want to Die in
Bed (Tja, wer stirbt
nicht gern im Bett) und
Bui-Doi.
Il musical Miss
Saigon ebbe un immenso
successo grazie alla
romantica e tragica
storia d’amore tra
una vietnamita e un
soldato americano in un
Vietnam martoriato dalla
guerra, ma anche grazie
alla musica di
Claude-Michel
Schönberg. Il medley
di Masamicz Amano
racchiude i seguenti
titoli: The Heat is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed e Bui-Doi.
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Sher Music Company
By Various. Almost 600 pages of world-famous Sher Music transcriptions! Don't go...(+)
By Various. Almost 600
pages of world-famous
Sher Music
transcriptions! Don't go
to the gig without it!.
Various. Fake Book.
Published by Sher Music
Company.
By
Various. Really Easy
Guitar. Blues, Soul.
Softcover. 48 pages.
Published by Hal Leonard
(HL.1354636).
ISBN
9798350116915. UPC:
196288192091.
9.0x12.0x0.125
inches.
The Really
Easy Guitar series makes
it incredibly easy to
play your favorite songs!
This beginner-friendly
collection features
easy-to-follow chord
charts, tablature, and
lyrics, allowing you to
start playing classic
blues and soul songs that
have shaped the genre in
no time. Songs include:
All Your Love (I Miss
Loving) ⢠Green
Onions ⢠The House
Is Rockin' ⢠I Got
You (I Feel Good) â¢
I'm Tore Down â¢
Killing Floor â¢
Mustang Sally ⢠Soul
Man ⢠Superstition
⢠and more!
Composed
by Jason Taurins. Sws.
Bps. Full score. 12
pages. Carl Fischer Music
#BPS132F. Published by
Carl Fischer Music
(CF.BPS132F).
ISBN
9781491158470. UPC:
680160917075. 9 x 12
inches.
Secret
Mission is a cinematic
depiction of a spy on a
mission to defeat a
nefarious villain. This
was inspired by my love
for several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
Itas an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It's an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It’s an epic
journey sure to spark
your imagination.For
smaller ensembles, the
power chords in the low
brass can be divided such
that trombones take the
top note, and euphonium
the bottom, or divide it
as is appropriate for
your ensemble. At m. 9,
and as it recurs, the
students should choose a
note that is comfortably
in their playing range
that they can play
beautifully. They should,
however, strive to choose
a different note than
their neighbor, and can
change the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!
Blood Brothers Piano, Voix et Guitare [Partition] - Intermédiaire Music Sales
Book. Published by Music Sales. From Willy Russell's award-winning musical: Mar...(+)
Book. Published by Music
Sales. From Willy
Russell's award-winning
musical: Marilyn Monroe,
My Child, Easy Terms,
Shoes Upon the Table,
Kids Game, Shoes Upon the
Table (Reprise), Long
Sunday Afternoon/My
Friend, Bright New Day,
Marilyn Monroe 2, That
Guy, I'm Not Saying A
Word, Take A Letter Miss
Jones, Marilyn Monroe 3,
Light Romance, Madman,
Tell Me It's Not True.
Edited by Steve Rawlins. For voice and C instrument. Format: fakebook. With lead...(+)
Edited by Steve Rawlins.
For voice and C
instrument. Format:
fakebook. With leadsheet
notation, vocal melody,
lyrics and introductory
text. Standards. 128
pages. 9x12 inches.
Published by Hal Leonard.