The conclusion to this power-packed jazz method starts with a review of concepts from Intermediate Jazz Keyboard and quickly moves on to more-advanced concepts like chord voicings, modal soloing, substitution, reharmonization, modes of the minor scales, diminished and whole tone scales, walking bass, stride piano technique, non-diatonic progressions, and much more. The perfect launching pad for a lifetime of discovery and joy from playing music, Mastering Jazz Keyboard is essential to any keyboardist's journey into jazz. Companion MP3 audio demonstration tracks are included and can be streamed online or downloaded. / Clavier

Par SATIE ERIK. Erik Satie was an influential composer of the Parisian avant-garde in the early 20th century. His most treasured works for piano are found here in one book. Each of the three Gymnopédies is written in two sections, with a melodic line formed from a modal scale placed over a rhythmically static accompaniment. There is no motivic or harmonic development. The three Gnossiennes are experimental in form, rhythm, and chordal structure. All are notated in ?free time? (i.e., lacking time signatures and bar lines), although each can easily be considered metric (4/4 time signature). / Date parution : 2022-02-10/ Recueil / Piano

Arrangeur: Lee Evans. Par EVANS LEE. 17 chansons avec playbacks au format MP3 joué en live par des musiciens de jazz bien connue (avec moins-un instrument de versions harmoniques, basse et batterie). Un aperçu complet et détaillé d'enseignement sur ??la musique jazz, précédé par une préface éclairante de la voiture rend immédiatement le sens, mais ouvert à la nature stricte du travail. Un travail stimulant, qui encourage les nouvelles études et en même temps, suggère une réorganisation progressive mais significative des priorités à la lumière des divers paramètres musicalinterno de cet art, comme en témoigne le chapitre entier consacré au thème de la polyrythmie. Contenu: accords et les gammes fondamentales balancer les tendances, les échelles modales et des cadences, de plus, d'autres échelles, du blues, des changements Coltrane, triton et de revirements, le jazz, le contour du jazz modal, polyrythmies et des rythmes irréguliers, formes et le répertoire, l'accompagnement, et les divers aspects de l'exécutif . / Jazz / Recueil / Piano

Parmi les professeurs de piano, sa musique est 'bon tuyau de' an: Né en Osiyek (maintenant la Croatie), le compositeur Marko Tajcevic (1900-1984) a écrit de nombreux morceaux pour piano facile pour des leçons de musique et, comme Bartók, se consacre à la musique folklorique de son pays d'origine qui était une source d'inspiration pour lui. Après des études à Prague et à Vienne, il a d'abord vécu à Zagreb du 1924-1940 où il a travaillé comme professeur de musique et une série de concerts organisée avec la musique folklorique de sa région natale. Après la Seconde Guerre mondiale, il s'installe à Belgrade où il a été professeur de théorie musicale et de composition à l'Académie de musique locale. Le présent volume contient les cycles pour piano de nombreuses facile à jouer et instructive: pour les jeunes - Miniatures Six (sur des mélodies folkloriques slaves du Sud) - 2 petites suites - pour les enfants - Sonatina (1923) - Sonatine en fa (1947), et - que la première publication - Tabatière une Musque (une boîte à musique), une courte pièce dans le registre aigu notée en clé de sol qui n'est pas sans rappeler une boîte à musique. Enseignement de la littérature précieuse, facile, mais pas simple, tonalité intéressante en raison de l'utilisation des échelles modales, de la variété technique et formelle grande - une vraie découverte pour les leçons et la compétition 'Jugend musiziert'. / Piano / 52 pages / niveau : Facile / Intermédiaire / Partition

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ' a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy'he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book'encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation and pivot, and the application to tunes. The reader will be tempted to stop on every page and compose. I found the Lost Chord, but won't tell you the page number. Bert Ligon Jazz Pianist/Guitarist, Composer, Arranger, Educator, Director of Jazz Studies, University of South Carolina Ever wonder how to move harmony around instead of repeating the same chord voicing over and over' Then Chords in Motion is a must have book for you! Andy has included a ton of information that will open up your comping and should keep you busy with new ideas for a long time! I highly recommend it! Dan Haerle Jazz Pianist, Composer, Author, Educator, Professor Emeritus, University of North Texas Chords in Motion is an essential guide to expanding one's conception of modern Jazz Piano Harmony. Andy LaVerne has managed to outline in a very practical and concise way, modern principles of piano chord voicings, as they pertain to the Jazz Pianist's primary group function of comping. David Hazeltine Jazz Pianist, Composer, Educator, SUNY Purchase College Conservatory of Music Chords in Motion should be fun to take into the practice room to explore new ways of sustaining harmonies over the entire register of the piano. It is encyclopedic and thorough in its content. No stone is left unturned! Stephany Tiernan Pianist, Composer, Educator, Chair, Piano Department, Berklee College Of Music Chords In Motion is an excellent practicing resource that provides a garden of harmonic sonorities for a musician to choose and explore at the piano. I like the way that Andy has made the information accessible to any level of student. I look forward to discovering some different sounds with this book. Phil DeGreg Jazz Pianist, Author, Educator, University of Cincinnati College Conservatory of Music I am delighted to recommend Andy LaVerne's Chords In Motion to aspiring jazz pianists! Andy is a superb pianist, very capable of addressing this topic. Prior to pianists like McCoy Tyner, Herbie Hancock, Bill Evans, and others, most pianists were content to have acquired a small handful of chord voicings, generally with the chord roots on the bottom of the voicings. Though 'rootless voicings' were adopted in later years, they were primarily for the left hand and generally only used the 3rd or 7th on the bottom. But now the serious jazz pianist needs to be able to move his or her voicings in a more diatonic manner, as shown in Andy's book. Jerry Coker Jazz Saxophonist, Author, Educator Andy LaVerne's Chords in Motion is a study of encyclopedic scope on the use of harmonies based on fourth intervals in the context of jazz harmony. There is a wealth of information in terms of voicings, voice leading and chord/scale relationships and their application to common harmonic formulae (ii-V, etc.) and the chord progressions used in blues and common standard tunes. Jazz musicians interested in this vocabulary should find this book to be a useful launching pad for exploring this important corner of the world of jazz harmony. Bill Dobbins Jazz Pianist, Composer, Arranger, Author, Educator, Professor of Jazz Studies, Conductor, Coordinator Jazz Composition and Arranging, Eastman School of Music Chords in Motion is a highly detailed, informative and filling-in-the-gap text. It's an important and welcome addition to the jazz piano literature, which can be applied to any level of proficiency. Stefan Karlsson Jazz Pianist, Educator, Professor/Jazz Studies Division, University of North Texas Fantastic pianist Andy LaVerne has put together an amazing, detailed, and incredibly comprehensive guide for effectively implementing quartal and related voicings. He has honed in on the 'secret' to using these structures musically and creatively: moving the voicings through changes in logical and interesting ways. Clearly presented, extremely thorough, and loaded with information, Chords in Motion is a must-have for any pianist! Martin Bejerano Jazz Pianist, Composer, Educator, Assistant Professor, Jazz Piano, Frost School of Music University of Miami Chords in Motion is an in-depth look at fourth and related voicings that give an atmosphere that you want to improvise on. We play over the voicing, not the chord symbol. Chords in Motion targets that modal atmosphere that horn players love playing over. Love this book - can't wait to start practicing it! Jerry Bergonzi Jazz Saxophonist, Composer, Author, Educator, New England Conservatory I was thrilled when Jazz Piano Great Mulgrew Miller agreed to write a quote for this book. I was deeply saddened to hear of Mulgrew's passing just days before publication. All who loved Mulgrew and his music will sorely miss him, and are grateful for the rich musical legacy he left us. Rest easy, Mulgrew. Andy LaVerne

La référence GB1556 de l'éditeur Billaudot dont l'auteur célèbre est Gallet Jean, qui a pour titre BERCEUSE MODALE ET SCHERZETTO, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Série de Piano Jazz du Conseil associé est une introduction complète pour le monde du jazz. Un ensemble de pionnier des publications et un syllabus rigoureusement planifié fournissent les blocs de construction, vous avez besoin pour jouer jazz avec imagination, de compréhension et de style et d'improviser efficacement dès le départ. Cinq livres de pièces graduées fournissent une foule de répertoire jazz pour vous de jouer, de la grande tradition afro-américaine de la nature dynamique, dynamique et multiculturelle de jazz aujourd'hui. Tout au long, il y a une vaste gamme de styles : rainures rock funky, tempo swing tunes, des calypsos, des morceaux de latin, jazz valses, pièces modales, be-bop Evangile etc.. Il y a des airs classiques par ces grands du jazz comme Miles Davis et Thelonius Monk en plus de pièces neuves qui ont été spécialement commandées de pianistes de jazz britanniques professionnels et les éducateurs. Au sein de chaque album, il y a 15 pièces présentées dans trois catégories - blues, de normes et de jazz contemporain. Chaque pièce fournit une tête whi... / Piano / 32 pages / Partition

This elementary piece in 4/4 meter frequently alternates phrases of staccato and legato. The modal tonality is enhanced through multiple accidentals that serve as an excellent study in reading sharps and naturals. The steps, skips, varied dynamics, and adventure-like modal sound help the music portray the foreign world of teeny creatures and objects observed through a microscope. An optional duet accompaniment provides a solid harmonic foundation. / Piano

Par BERLE ARNIE. Not just another book of scales and patterns, this is a method that trains the mind, the ears and the fingers to work in perfect synchronization to respond instantaneously to any given chord progression. This ability is of paramount importance to any musician who wants to improvise in the jazz idiom. Leading jazz players have used this method for years, but this is the first time it has been published in book form. The author offers a comprehensive guide to improvisation on any instrument through chord changes in any key. A great source book for dozens of scales from the traditional major and minor forms to the modal scales used by jazz musicians. Even scales from other cultures Arabian, Balinese, Iranian, Hungarian, can be found here. A must-have for any musician who aspires to improvise with authority. / Niveau : Débutant à Intermédiaire / All Styles - Theory and Harmony / Etude / Tout Instrument

Découvrez avec cet album l?histoire du piano jazz avec 25 des plus célèbres pianistes. Le classement des pièces par ordre de difficulté croissante.vous aidera à faire progresser votre technique . en outre un large choix de tempos est abordé, ainsi qu?un grand nombre de styles : Stride, Be-bop, Blues, Boogie, Modal, Latin, Jazz Waltz, Ballad, etc. Avant d?acquérir l?autonomie d?un jazzman, vous trouverez dans ce recueil, les thèmes déjà arrangés et les grilles d?accords avec les improvisations « toutes écrites ». Livre CD Autres volumes hors série disponibles dans la collection : Mes premières pistes , Jazz Story...100 ans de piano jazz .
King Porter Stomp, F. Morton, Carolina shout, J. Johnson, Honeysuckle Rose, A. Razaf et F. Waller, Rosetta, E. Hines et H. Woode, Mood Indigo, D. Ellington, I. Mills et A. Bigard, Jive et Five, C. Basie et H. Edison, The man I love, G. et I. Gershwin, Beguin the beguin, C. Porter, Play piano play, E. Garner, Monk?s Dream, T. Monk, Bouncin?with bud, B. Powell, Peri?s scope, B. Evans, Blue Rondo à la turk, D. Brubeck, Poinciana, B. Bernier et N. Simon, Passion dance, Mc Coy Tyner, Cantaloup Island, H. Hancock, Rachid, M. Petrucciani, Exit Music, T. Yorke, E. O?Brien, C. Greenwood, J. Greenwood et P. Selway, When I fall in love, V. Young et E. Heyman, Hymn to freedom, O. Peterson, Pendulum, R. Beirach, Armando?s Rumba, C. Corea, Dat Dere, O. Brown et B. Timmons, Third Line Samba, A. Ibrahim, Saint Louis Blues, C. Handy

Par ROZYCKI LUDOMIR. Triptych Polish Dances op. 37 is a unique collection compared to Ludomir Rózycki's work. For Rózycki, inspirations from Polish folklore are an excuse to fantasize and create fascinating musical images distinguished by interesting harmonies, original rhythms and articulatory diversity. In these miniatures we will find a synthesis of various dances, modal thinking derived from folklore, interpenetration of major and minor modes, and rhythmic shifts. The nuances of tempo, motivic variability, articulatory diversity and dynamic contrasts are noteworthy. The publication intended for professional pianists. / Date parution : 2023-10-31/ Recueil / Piano

Par BACRI NICOLAS. Trois rêveries opus 111 n°2 propose trois exercices de style (Debussy, Ireland et Grieg) et Petite suite opus 111 n°3 est composée de cinq brefs morceaux dont les quatre premiers existent pour piano seul aux éditions Billaudot ; le cinquième, Humoresque, fut ajouté en 2015 à la demande de Frédéric Chatoux, directeur de la collection consacrée à la flûte, pour clore le cycle, de façon espiègle en rendant hommage aux facéties des chats que j?avais adoptés lorsque je vécus à la campagne, dans le Brabant Wallon. Toutes ces pièces forment un tout cher à mon c?ur, car elles illustrent les premiers pas déjà très assurés dans l?écriture tonale et modale pour un compositeur de quinze-seize ans. Elles font déjà une place au lyrisme et au contrepoint de manière assez exigeante et je les ai remises de nombreuses fois sur le métier afin d?en affiner le plus possible l?écriture. Je suis heureux et honoré que la première de ma Petite Suite ait eu lieu à Bangkok par deux musiciens professionnels. C?est la première fois qu?une création mondiale de ma musique a lieu dans ce pays, qui, comme tous les pays d?Asie, semble se polariser de plus en plus sur la musique classique occidentale. Nicolas Bacri / Date parution : 2022-11-29/ Répertoire / Flûte Traversière et Piano

Success Auteur Hans-Günter Heumann présenté dans ce volume 50 mélodies inoubliables et chansons pour pianistes de niveau avancé. Des pièces telles que (j'ai eu) le temps de ma vie, Rock Around The Clock, Singin 'In The Rain, Azzurro, Chanson de Solveig, Moonlight Serenade, ou Time To Say Goodbye ont été organisées sonore et varié et fournir un prolongement idéal pour tous , qui sont devenus tout simplement les pièces disposées facilement de 'Pianotainment'. Bien connus de piano classiques aux films et mélodies musicales à points saillants de jazz ou pop est quelque chose pour tout le monde ici. Les modalités de primes sont soumis à modérée et un véritable atout pour tout pianiste à la recherche d'un nouveau challenge! / Piano