Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Rock Et En Hommage A Bartok de Carre-Chesneau. Cette partition qui est éditée par les éditions Leduc fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition

Par BARTOK BELA. The editor has selected seventeen of the the forty-two pieces in the 1909 version of Béla Bartók?s seminal work, For Children, Volume One. These selections were chosen as a result of the editor?s teaching experiences with this music: pieces that are both pedagogically advantageous for the teacher, and the most enjoyed by students. Although Bartók?s intention was to write a set of pieces for young people, the charm and depth of these masterful works makes them equally appealing to students of all ages and levels. For Children has been played in concert and recorded by great pianists such as György Sándor, Zoltán Kocsis, Géza Anda, Menahem Pressler, and June de Toth. There is also a recording available on YouTube of Béla Bartók himself playing a selection of pieces from For Children in a 1945 radio broadcast. / Date parution : 2022-11-08/ Recueil / Piano

Par BARTOK BELA. For many countries, folk dances are important cultural treasures. While a first glance at these compositions shows their clear and simple structure with a distinct musical message, a closer look reveals rhythmic curiosities, interesting harmonic shifts, and a diverse expressive range. These characteristics must have enthralled Bartók, as he undertook several research trips to collect original folk tunes. Doing so, he experienced a wealth of culture, as well as a great diversity of people and nature, which he documented musically without altering the charm and authenticity of each encounter. Following a number of arrangements of the pieces (originally composed for piano), the Romanian Folk Dances are now available for Flute and Piano. Gergely Ittzé has captured the spirit of the Hungarian composer perfectly with his arrangements, combining an authentic treatment of the classical original with a sprinkle of contemporary elements. The resulting sound effects are a wonderful match for the old Rumanian peasant style of music. ? Style and atmosphere have been captured in six colourful duo movements of intermediate to more advanced difficulty ? These dances with such diverse melodies, rhythms and origins make sophisticated and entertaining concert pieces ? Elementary pedagogical topics such as technique, meter, harmony, and articulation are addressed within authentic pieces of musical art/ Répertoire / Flûte Traversière et Piano

Par BARTOK BELA. Composed in 1910/11, Bartók's Allegro barbaro is one of his best-known and most popular works for piano. The composer himself enjoyed performing it in concerts, and recorded it several times. The recording from 1929, which he referred to as the 'authentic recording”, contains very interesting divergences from the printed version as far as articulation, tempo and even the number of ostinato measures are concerned. For the first time, these have been included in the musical text of our Urtext edition, and also annotated. With this first Bartók Urtext edition, László Somfai gives an insight into the many and varied musical impulses awaiting us in the Béla Bartók Complete Critical Edition, which will be jointly published by Editio Musica Budapest and G. Henle Publishers from 2016. / Niveau : Intermédiaire / Répertoire / Piano

Par BARTOK BELA. Eine Sammlung Von Bartók Persönlich Ausgewählter, Zwischen 1908 Und 1911 Geschriebener Stücke Für Klavier/ Répertoire / Piano

Béla Bartók Complete Critical Edition Volume 38. Par BARTOK BELA. The third volume in the Complete Edition contains Bartók's works for piano solo composed between 1914 and 1920. Bartók's pianistic oeuvre from the years of World War I span a broadly varied spectrum; in addition to simple arrangements of folk music (15 Hungarian Peasant Songs, Sonatina) and original pieces for the concert podium (Suite, op. 14), we find Bartók's audaciously innovative Etudes (op. 18) inspired by Liszt, as well as Improvisations (op. 20), perhaps his most abstract and original folk music adaptations. The appendix of the volume reproduces movements originally intended for, but eventually discarded from, Suite and 15 Hungarian Peasant Songs, as well as all original sources for the folk-inspired pieces. The introductory essays in English, Hungarian, and German not only explore the genesis and reception of the works more thoroughly than ever before, but also orient the reader in issues of notation and performance. The critical commentary presents all manuscript and print sources of the works in detail (including folk music sources), it documents the compositional processes and surveys the range of textual variants and problems. / Somfai, László / Répertoire / Piano

Béla Bartók Complete Critical Edition Volume 37. Par BARTOK BELA. Complete Edition with critical report, Band 37, clothbound. / Vikárius, László / Lampert, Vera / Répertoire / Piano

Par BARTOK BELA. Parmi les nombreuses oeuvres composées par Bartók entre 1914 et 1918 à partir de musiques populaires hongroises et roumaines, ces trois pièces pour piano jouent un rôle particulier. Esquissées à l'origine pour le recueil des 15 Ungarische Bauernlieder (15 chansons paysannes hongroises, éd. Urtext HN 1404), elles sont restées ensuite pendant vingt ans à l'état de projet. Ce n'est qu'en 1941, quand Boosey and Hawkes demanda au compositeur émigré entretemps aux États-Unis une contribution à un album anniversaire destiné au grand pianiste Ignace Paderewski, que Bartók se tourna à nouveau vers ces pièces pour piano tirées de la musique populaire de sa patrie et notées depuis longtemps, afin de les réviser soigneusement. Parue en 1942, la première édition ne reproduit exceptionnellement pas les modèles originaux de musique populaire - mais ils sont bien évidemment présents dans cette édition Urtext fondée sur l'édition intégrale Bartók. L'enregistrement réalisé par Bartók lui-même de ces pièces a été également exploité par László Somfai, responsable de cette édition, pour sa réalisation éditoriale comme pour les Indications pratiques d'interprétation./ Répertoire / Piano

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.
In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.
The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty. / Classique / Préface : Peter Bartok / Partition /

Piano-Original quality repertoire for the absolute beginner. Includes 40 very easy original keyboard miniatures the majority of them in five-finger positions. Contents: 'Dudelsack' (Unknown) 'Old German Dance' (Praetorius) 'Curtain Raiser' (Turk) 'Carefree' (Turk) 'Roundelay' (Von der Hofe) 'Echo Dance' (Philip Hainhofer) 'Allemand' (Praetorius) 'Gavotte' (Handel) 'Minuet' (Reinagle) 'Scherzino' (Reinagle) 'Etude Melodique' (Martin) 'Bagatelle' (Diabelli) 'Minuetto' (Hook) 'Duettino' (Attwood) 'Song in Parallel Motion' (Kohler) 'Two Little Inventions' (Jan Jakub Ryba) 'Quadrille' (Haydn) 'Little Suite' (Wohlfahrt) 'Two Little Canons' (Spindler) 'TheWayside Rose' (Kohl) 'Bear Dance' (Schumann) 'Contredanse' (Wohlfahrt) 'Pass in Review' (Gurlitt) 'Evening Song' (Chovan) 'Morning Call' (Chovan) 'Hungarian Play Tune' (Bartalus) 'Canzonetta' (Horvath) 'Russian Dance' (Goedicke) 'Black Key Frolic' (Gnessina) 'Promenade' (Gnessina) 'Ukrainian Folk Tune' (Kabalevsky) 'Little Polka' (Kabalevsky) 'Cradle Song' (Kabalevsky) 'Spring Song' (Bartok) 'Dialogue' (Bartok) 'Fanfare' (Agay) 'Galloping Home' (Kalmanoff).

Compiled to provide students with a progressive program for technical development this first book contains 21 classic elementary studies carefully chosen for their pedagogical merit as well as their lyrical beauty. A choice series for both teacher and student libraries. Contents include: Andante (J.C. Bach); Legato Study (Bartok); Dialogue (Bartok); Etude Op. 70 No. 9 and No. 16 (Berens); Etude Op. 166 No. 6 (Bertini); Etude Op. 101 No. 68 (Beyer); Etude Op. 823 No. 11 (Czerny); Etude Op. 777 No. 3 (Czerny); Melody (Diabelli); Etude Op. 82 No. 17 (Gurlitt); Vivace Op. 117 No. 8 (Gurlitt); Quadrille (Haydn); Etude Op. 190 No. 31 (Kohler); Etude Op. 163 No. 1 and No. 3(Kohler); Etude Op. 17 No. 5 (LeCouppey); Study in C Op. 13 No. 3 (Rowley); The Little Stream Op. 13 No. 4 (Rowley); Etude in E Minor (Schytte); Etude in C Major (Schytte).