Wiegenlied Piano Trio: piano, violon, violoncelle [Conducteur et Parties séparées] PWM (Polskie Wydawnictwo Muzyczne)
Violin, Cello and Piano SKU: BT.PWM9679010 Composed by Hanna Kulenty. Con...(+)
Violin, Cello and Piano
SKU: BT.PWM9679010
Composed by Hanna
Kulenty. Contemporary
Music. Set (Score &
Parts). Polskie
Wydawnictwo Muzyczne
#PWM9679010. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM9679010).
String Quartet SKU: HL.14036341 Composed by Hugh Wood. Music Sales Americ...(+)
String Quartet
SKU:
HL.14036341
Composed
by Hugh Wood. Music Sales
America. Classical. Set.
Composed 2001. Chester
Music #CH60931. Published
by Chester Music
(HL.14036341).
ISBN
9780711955080.
Comm
issioned by the BBC and
premiered by the
Chilingirian String
Quartet. Quoting Wood: In
my Second and Third
Quartets I attempted
sectional, agglutinative
forms: in my Fourth I
return to the
conventional four
movement form of my First
Quartet of 1962. Both
works build up (as in the
19th century symphony) to
the Finale, thus making
it the most substantial
movement, which provides
a climax to the work. The
First Movement has, in
both works, only the
status of an
Introduction. But there
the consciously willed
resemblances end. This
Introduction follows the
Second Quartet to a
certain extent, in that
it provides a sort of
'cauldron', from which
elements to be used later
can all be plucked. Its
opening will reappear at
various points throughout
the work, most completely
at a climatic point of
the Finale (bar 110).
Subsequent material will
be more fully worked out
in the second movement, a
large Scherzo. The
Introduction concludes
with an unusually placed
violin cadenza (itself a
rare feature in a string
quartet, the idea lifted
from Elliott Carter's
First Quartet) of which
the opening is to
reappear halfway through
the Finale. The Scherzo
(which follows attacca)
does not have at its
centre a discretely
characterized Trio: a
figure in double-stops
like a distant fanfare
supplies the necessary
contrast of a second
idea. The Slow Movement
has a secondary idea
first heard on the cello
and marked appassionato:
an agitato middle section
recalls the opening of
the work, but in a
formulation which will be
found closely to
anticipate its
reappearance in the
Finale. The Finale is
planned on a broad scale.
Only after a fully worked
exposition of both
primary and secondary
material does the opening
of the whole work return,
now in a greatly extended
form. Then, at bar 140,
the tune of the violin
cadenza is first
harmonized in fanfare
style on the upper
instruments, then
presented as a chorale on
the lower ones, with a
rushing semiquaver
accompaniment above. This
climatic activity mounts
to the very end. The work
is dedicated to the
Chilingirian Quartet, old
friends over many years.
Score available
separately: SOS04044.
Trio Melancolique Clarinette, Violoncelle, Piano (trio) [Conducteur et Parties séparées] Rosewood Publications
By Natalia Rusu-Kozulina. For clarinet, cello (violin/viola). Winds, Strings and...(+)
By Natalia Rusu-Kozulina.
For clarinet, cello
(violin/viola). Winds,
Strings and Piano.
Alternate parts provide
many options for
performance. First
Edition. 20th Century.
Score and set of parts.
Published by Rosewood
Publications
By Donald Martino (1931-2005). For Violin, Violin, Viola, Cello. This edition: P...(+)
By Donald Martino
(1931-2005). For Violin,
Violin, Viola, Cello.
This edition: Playing
score. Contemporary
Classical. Contemporary
Classical. Grade 6. Sheet
Music. Published by
Dantalian, Inc.
By Antonio Vivaldi. For with Piano. String Trio - Two Violins and Cello. Kalmus ...(+)
By Antonio Vivaldi. For
with Piano. String Trio -
Two Violins and Cello.
Kalmus Edition.
Masterwork. Score and
Parts. 32 pages.
Published by Alfred
Publishing.
By Heinrich von Herzogenberg. For Violin, Cello, Piano. Score with 2 parts. Lang...(+)
By Heinrich von
Herzogenberg. For Violin,
Cello, Piano. Score with
2 parts. Language: all
languages. 24. 84 pages.
Duration 38 min.
Published by Carus Verlag
(German import).
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Violoncello, Piano. Sco...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Violoncello,
Piano. Score; Single
Part; Urtext Edition.
Published by
Baerenreiter-Ausgaben
(German import).
Lyric Variations Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.144403670 Composed by Francis ...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.144403670
Composed
by Francis Thorne. Set of
Score and Parts. With
Standard notation.
Composed 1972. 29+7+7
pages. Duration 12
minutes, 40 seconds.
Theodore Presser Company
#144-40367. Published by
Theodore Presser Company
(PR.144403670).
Cello SKU: LM.28777 Composed by Annick Chartreux. Classical: 20th Century...(+)
Cello
SKU:
LM.28777
Composed by
Annick Chartreux.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#28777. Published by
Editions Henry Lemoine
(LM.28777).
SKU: HL.50562231 Cello and Piano. Composed by Heitor Villa-Lobos. ...(+)
SKU: HL.50562231
Cello and Piano.
Composed by Heitor
Villa-Lobos. Editions
Durand. Classical. 68
pages. Editions Durand
#ME0217400. Published by
Editions Durand
(HL.50562231).
Cello and Piano SKU: BT.SLB-00594500 Sur Des Themes De L'Ancien Folklo...(+)
Cello and Piano
SKU:
BT.SLB-00594500
Sur Des Themes De
L'Ancien Folklore.
Composed by Charles
Koechlin. Book and
Part(s). Composed 2015.
32 pages. Editions
Salabert #SLB 00594500.
Published by Editions
Salabert
(BT.SLB-00594500).
Composed by Rudolf
Kelterborn. Stapled. Set
of parts. Composed
1988/1989. No. 5.
Baerenreiter Verlag
#BA07205_22. Published by
Baerenreiter Verlag
(BA.BA07205-22).
Composed by Rudolf
Kelterborn. Stapled.
Score. Composed 2013. 20
pages. Duration 12
minutes. Baerenreiter
Verlag #BA11056_00.
Published by Baerenreiter
Verlag (BA.BA11056).
ISBN 9790006502387.
34.5 x 27.3 cm
inches.
In his
seventh string quartet,
the well-known Swiss
composer Rudolf
Kelterborn has achieved
something special in
terms of form: the title
and subtitle already
suggest that this quartet
plays with a
distinctively fragmented
inner structure. It is
highly appealing how the
succession of short
individual fragments
becomes a cohesive
one-movement
whole.
Both
performers and audience
encounter a skilful
dramaturgy enabling them
to experience the diverse
spectrum of expression
which this genre, steeped
in tradition, opens
up.