Twelve superb arrangements of Christmas favourites for SATB mixed voices, guaranteed to add sparkle and glitz to every choral concert. Christmas Pops! is an essential addition to every choir library and should be on every choral singer's Christmas list! This festive collection covers a wide range of styles and festive moods from simple four part settings to extended divisi arrangements wittily and inventively crafted by the cream of today's choral arrangers including: Richard Allain, Henry Capper-Allen, Ralph Allwood, Hywel Davies, John Gardner, Matthew O'Donovan, Tom Recknell, Bertie Rice and Jonathan Wikeley. / Chant Et Piano

Amoureux de Variété Internationale Et Divers, vous trouverez la partition de vos rêves, que ce soit en format séparé ou en recueil.Cette partition Ultimate Gospel Choir Book Vol.3 Ss/Ssa/Piano est idéale pour les amateurs ou professionnels de musique qui souhaitent acquérir une partition pour Chant Et Piano. / Chant Et Piano / Partition

Par KEYS ALICIA. Empire State Of Mind (Alicia Keys/Jay Z) arranged for upper voices with piano accompaniment. This arrangement is part of the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto, with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also includes chord symbols./ Feuillet / Piano, Chant et Guitare

Arrangeur: Alexander L\'Estrange. These three Christmas songs are arranged for soprano, alto, and combined men\'s voices with a straightforward piano accompaniment - ideal for choirs in which the male singers are few or at the stage when their voices are changing. Featured are: Rockin? Around The Christmas Tree, Let It Snow! Let It Snow! Let It Snow! and All I Want For Christmas Is You. The arrangements are part of the Choral Basics Series, which has been carefully designed to provide rewarding, varied repertoire for beginner choirs. Perfect for singers of all ages, the series offers attractive, idiomatic arrangements for SA and SAMen choirs, with carefully considered vocal ranges and straightforward piano accompaniments that support the singers. Embracing world music, spirituals, folk song, pop classics, hit shows and original pieces, this series offers everything a budding choir could wish for. Get into the festive spirit with this trio of wonderful new arrangements for choir, featuring all-time favorites Rockin\' Around the Christmas Tree, Let It Snow and All I Want for Christmas, Is You. Guaranteed to have your audiences reaching for the mistletoe in no time! Choral Basics is a recently created series that offers straightforward and rewarding repertoire for the beginner choir. Perfect for singers of all ages, the series offers simple 3-part choral arrangements for soprano, alto and a combined male voice part. Consultant editor Alex L\'Estrange has brought together an array of repertoire including world music, spirituals, pop classics, show hits andoriginal pieces. Carefully considered for the level, the arrangements pay particular attention to breathing, vocal ranges and technique whilst straightforward piano accompaniments support the vocal lines. The series offers great value for money, as each volume comprises a set of contrasting songs for easy programming./ Méthode / Piano

Ten easy three-part a cappella arrangements of inspirational songs, for either SSA or SAT choirs, with a piano part for convenient rehearsal. All of these rousing pieces are presented in new arrangements by Barrie Carson Turner. Bringing together ten timeless songs of faith, celebration and inspiration, Just Voices: Classic Pop is an ideal introduction to mastering the a cappella style. Perfect for your next concert or as a fun treat for your choir. / Piano

Par MARTIN MATTHEW. Commissioned for the Choir of St Paul?s Cathedral, this superb festive choral work brings together the traditional French melody of Veni, veni Emmanuel with the Advent Antiphon O Oriens. The relatively accessible choral lines are underpinned by a wonderfully majestic organ accompaniment, which exhibits Matthew Martin?s genius for creating a new sound-world from the perfect balance of tradition and innovation. O Oriens is suitable for Advent services and concerts and would be an ideal choice for choirs performing in vast acoustics./ Recueil / Piano, Chant et Guitare

Arrangement and nbsp - for and nbsp - voice and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song, it's and nbsp - the biggest threat to X-Factor chart domination this year. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John: Wherever you are, my love will keep you safe - My heart will build a bridge of light, across both time and space. Wherever you are, our hearts still beat as one, I hold you in my dreams each night, until your task is done. Light up the darkness, my wondrous star, Our hopes and dreams, my heart and yours, forever shining far. Light up the darkness, my prince of peace - May the stars shine all around you, may your courage never cease. Wherever I am, I will love you day by day, I will keep you safe, cling on to faith, along the dark, dark way. Wherever I am, I will hold on through the night - I will pray each day, a safe return, will look now to the light. Greater love hath no man than this, that a man lay down his life for his friends. John 15:13 / Voix Et Piano

Par HARVEY JONATHAN. Predominantly hushed and serene, Plainsongs for Peace and Light proved to be Jonathan Harvey’s final work. It sees Harvey re-examining the very fundamentals of his craft – superimposing lines of plainsong, relishing the simple clash of note againstnote and creating rich, otherworldly sonorities through an elaborate use of canon. Harvey was a composer who always embraced and sought-out the very latest in musical technologies but the simplicity of the a cappella choir became something of aconstant to which he returned throughout his life. Writing in Tempo, Paul Conway noted this work’s ‘understated but extremely affecting, numinous power’. The piece is for mixed voices of SATB in 16 parts. Plainsongs for Peace and Light for unaccompanied mixed voices sees Harvey re-examining the very fundamentals of his craft - superimposing lines of plainsong, relishing the simple clash of note against note and creating rich, otherworldly sonorities through an elaborate use of canon. Harvey was a composer who always embraced and sought-out the very latest in musical technologies but the simplicity of the a cappella choir became something of a constant to which he returned throughout his life. / Musique contemporaine / Recueil / Piano, Chant et Guitare

One World traite d'un monde fracturé (gouvernements populistes, fléaux, changement climatique, traite des êtres humains, non-respect des droits humains fondamentaux, terrorisme, guerre) et annonce la vision d'une planète pacifique et égalitaire. L'un des textes de l'exposition résume le mieux l'oeuvre : Tikkun Olam », qui signifie en hébreu ?réparer le monde?, un concept juif de gestion de la création divine. L'oeuvre est écrite pour solistes, choeur et orchestre dans le style inimitable de Jenkins, bien connu pour des oeuvres telles que Adiemus : Songs of Sanctuary, The Armed Man : A Mass for Peace, Requiem et The Peacemakers. Sa vision d'un monde unique s'inspire de textes divers tels que la Bible, le Gayatri Mantra hindou, la poésie du romantique anglais Percy Bysshe Shelley, l'abolitionniste afro-américaine Frances Harper (vers 1850) et l'écrivain libano-américain Kahlil Gibran. Comme dans de nombreuses oeuvres de Jenkins, Carol Barratt apporte des textes et des adaptations percutants. Enregistré sur Decca par Lucy Crowe soprano, Kathryn Rudge mezzo-soprano, Roderick Williams baryton, le World Choir for Peace, The Stay At Home Choir et le World Orchestra for Peace, sous la direction de Karl Jenkins. / Piano / Boosey and Hawkes

Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question./ Répertoire / Flûte Traversière et Piano

Written by Benny Andersson and Bjorn Ulvaeus, I Have a Dream is the only Abba song to feature vocals from outside the four-piece group - Anni-Frid Lyngstad is joined in the final chorus by a children's choir in the original recording. The song was also included in the blockbuster Abba musical, Mamma Mia! .Arranged for SATB choir, this version of the pop classic is an upbeat piece perfect for groups seeking a relaxed and positive addition to their pops repertoire. / Chant Et Piano

Et moi, je me glisse sous une porte cochère. À l'abri des regards, je pleure aussi désespérément que dans le train de Téhéran. Quand je me croyais guéri d'elle. La grande fontaine des regrets éternels. Impossible à endiguer? Hélas, je n'ai pas sur moi le mouchoir brodé de la petite Shadie qui parlait si bien le français. Je n'ai plus sa magie à portée de main. Alors je me déverse. Et mon chagrin inonde la rue, la place, le quartier. Le déluge lacrymal gagne la Lombardie et de proche en proche l'Italie toute entière jusqu'à ce que la mer Tyrrhénienne rejoigne l'Adriatique. / Livre

Leonard Cohen's masterful, enduring and poignant song Hallelujah has also been recorded by John Cale, Jeff Buckley, Bono, Rufus Wainwright, Kathryn Williams, K.D. Lang, Willie Nelson, Aled Jones, Michael McDonald, Katherine Jenkins, Alexandra Burke (Winner of 2008's 'X-Factor'), and a multitude of other artists. This classic anthem is arranged here for SATB choir and Piano accompaniment. / Chant Et Piano

Par GOUNOD CHARLES. The modal character of this piece, with some unexpected harmonic moments, underscores the sentiments of the beginning of Holy Week. Most of the choral writing is two part (ST/AB), breaking into four parts occasionally. Organ writing has nice independent moments, including the use of a solo reed stop, but also supports the choir./ Répertoire / Piano