This edition of John Thompson's Easiest Piano Course introduces a number of First Hit Songs to the beginner pianist, providing easy-to-play hits in the well-loved John Thompson style with simplified arrangements and large notation.A number of the most popular chart songs are included in First Hit Songs, which have all been simplified so that pupils working through parts two to four of the Easiest Piano Course are able to play some familiar and famous tunes. The songs are ordered progressively, so as pupils learn more challenging theory and techniques, they can put that into practice by getting to grips with more advanced songs. All the songs included here are well-known hits, with most being modern chart-toppers.The 15 hits in this songbook include Piano-based ballads like Tom Odell's Real Love and Sam Smith's I'm Not The Only One, as well as more upbeat pop tunes arranged for Piano like Style by Taylor Swift and Meghan Trainor's Lips Are Movin'. Other hits like See You Again, Hold Back The River, Blame It On Me and Ed Sheeran's Thinking Out Loud are included, along with two all-time classics, Love Is All Around and We Are The Champions. Popular songs like these enable pupils to enhance their learning by using the techniques to play songs they know and love, helping them to develop deeper musicality.Because dynamics and phrasing are not introduced until part three of the Easiest Piano Course, some of the songs early in First Hit Songs do not feature this, while some outline fingering is included throughout, helping pupils at this level. As well as being a fun and enjoyable complement to learning, the book can also provide invaluable sight-reading practice for advanced students. For a complement to the acclaimed John Thompson's Easiest Piano Course, the famous and popular songs included in First Hit Songs will enhance musicality while building a solid repertoire of songs that all pupils will love to learn. / Piano

20 terrific tunes from today's top recording artists are included in this collection for Piano, Voice and Guitar.Includes: Blank Space, Budapest, Cheerleader, Earned It (Fifty Shades of Grey), Heartbeat Song, I Really like You, Lay Me Down, Lips Are Movin, Love Me like You Do, One Last Time, See You Again, Shut up and Dance, Sugar, Thinking Out Loud, Uptown Funk, Want to Want Me and more. / Piano/Vocal/Guitare (PVG)

The 2015's 20 biggest hits arranged at an easier level so even beginning players can enjoy them.Includes: Blank Space, Budapest, Cheerleader, Earned It (Fifty Shades of Grey), Heartbeat Song, I Really like You, Lay Me Down, Lips Are Movin, Love Me like You Do, One Last Time, See You Again, Shut up and Dance, Sugar, Thinking Out Loud, Uptown Funk, Want to Want Me and more. / Piano

An entertaining collection of exciting and inspiring music from the best in classic and contemporary feature-length animation, including Yellow Submarine, Chicken Run, The SpongeBob SquarePants Movie, Howl's Moving Castle, Toy Story and Shrek! All of these 25 exhilarating and imaginative animation themes are arranged for solo piano, many for the first time in print!

Jason Robert Brown's popular Broadway musical The Last Five Years was adapted for the screen in 2014 with Anna Kendrick and Jeremy Jordan playing the leading roles in this dramatic comedy.This songbook features 14 songs as presented in the movie: I Can Do Better Than That - If I Didn't Believe in You - Moving Too Fast - Nobody Needs to Know - A Part of That - See I'm Smiling - Shiksa Goddess - Still Hurting - When You Come Home to Me and more. / Piano/Vocal/Guitare (PVG)

Classic Hits, arranged for keyboard. Hits include, Eternal Flame', From A Distance, Get Here, I'd Do Anything For You, Moving On U, You're The One That I Want and more. / Niveau : Facile / Recueil / Clavier Electronique et Ligne Mélodique

Each songbook in the Big Book series provides musicians of all ability levels with a big list, over 40 songs, of the very best songs from a favourite musical genre. This Boog Book of TV songs features classics such as Fantasy Island, Road Runner, A-Team and many more. Anywhere The Heart Goes (Meggie's Theme); As Long As We Got Each Other; Bad Boys; The Ballad Of Davy Crockett; The Ballad Of Gilligan's Isle; Batman Theme; Best Friend; Cagney & Lacey Theme; California; Charlie's Angels; Dallas; Daniel Boone; Dreamlove; ER; Every Beat Of My Heart; Everybody Loves Raymond; Final Frontier; (Meet) The Flintstones; Free Willy; The Fugitive; Go Go Power Rangers; Good Ol' Boys; Green Hornet Theme; High Upon This Love; Huckleberry Hound; I Want To Be the One; I'll Be There For You; If This Isn't Love; In The Heat Of The Night; It's A Jungle Out There; The Jetsons; Josie And The Pussycats; L.A. Law; Late Show Theme; The Masterpiece; Mickey Mouse March; Moon Over Parma; Movin' On Up; Mr. Lucky; Mystery; One Day At A Time; Peter Gunn; The Pink Panther; Saturday Night Live; Scooby-Doo, Where Are You?; Sex And The City; M*A*S*H; Stargate SG-1; The Syncopated Clock; Thank God For A Friend Like You; Theme From 'The A-Team'; Theme From 'CHiPs'; Theme From 'Dr. Kildare'; Theme From 'F-Troop'; Theme From 'Fantasy Island'; Theme From 'The Greatest American Hero'; Theme From 'Hardcastle and McCormick'; Theme From 'Hunter'; Theme From 'Peyton Place'; Theme From 'The Road Runner'; Theme From 'The Rosie O'Donnell Show'; Theme From 'Stardust'; Theme From 'Wiseguy'; Theme From 'Zorro'; Thirtysomething; This Is It!; The Bugs Bunny Show; Those Were The Days; Tie A Yellow Ribbon 'Round The Ole Oak Tree; Time For You; Turn It All Around; Viewer Mail Theme (Late Night With David Letterman); Walls Of Love; Welcome To The Edge; The West Wing; Where There Is Hope; Whose Line Is It Anyway?; Yogi Bear Song; The Young Riders Theme.

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ' a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy'he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book'encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation and pivot, and the application to tunes. The reader will be tempted to stop on every page and compose. I found the Lost Chord, but won't tell you the page number. Bert Ligon Jazz Pianist/Guitarist, Composer, Arranger, Educator, Director of Jazz Studies, University of South Carolina Ever wonder how to move harmony around instead of repeating the same chord voicing over and over' Then Chords in Motion is a must have book for you! Andy has included a ton of information that will open up your comping and should keep you busy with new ideas for a long time! I highly recommend it! Dan Haerle Jazz Pianist, Composer, Author, Educator, Professor Emeritus, University of North Texas Chords in Motion is an essential guide to expanding one's conception of modern Jazz Piano Harmony. Andy LaVerne has managed to outline in a very practical and concise way, modern principles of piano chord voicings, as they pertain to the Jazz Pianist's primary group function of comping. David Hazeltine Jazz Pianist, Composer, Educator, SUNY Purchase College Conservatory of Music Chords in Motion should be fun to take into the practice room to explore new ways of sustaining harmonies over the entire register of the piano. It is encyclopedic and thorough in its content. No stone is left unturned! Stephany Tiernan Pianist, Composer, Educator, Chair, Piano Department, Berklee College Of Music Chords In Motion is an excellent practicing resource that provides a garden of harmonic sonorities for a musician to choose and explore at the piano. I like the way that Andy has made the information accessible to any level of student. I look forward to discovering some different sounds with this book. Phil DeGreg Jazz Pianist, Author, Educator, University of Cincinnati College Conservatory of Music I am delighted to recommend Andy LaVerne's Chords In Motion to aspiring jazz pianists! Andy is a superb pianist, very capable of addressing this topic. Prior to pianists like McCoy Tyner, Herbie Hancock, Bill Evans, and others, most pianists were content to have acquired a small handful of chord voicings, generally with the chord roots on the bottom of the voicings. Though 'rootless voicings' were adopted in later years, they were primarily for the left hand and generally only used the 3rd or 7th on the bottom. But now the serious jazz pianist needs to be able to move his or her voicings in a more diatonic manner, as shown in Andy's book. Jerry Coker Jazz Saxophonist, Author, Educator Andy LaVerne's Chords in Motion is a study of encyclopedic scope on the use of harmonies based on fourth intervals in the context of jazz harmony. There is a wealth of information in terms of voicings, voice leading and chord/scale relationships and their application to common harmonic formulae (ii-V, etc.) and the chord progressions used in blues and common standard tunes. Jazz musicians interested in this vocabulary should find this book to be a useful launching pad for exploring this important corner of the world of jazz harmony. Bill Dobbins Jazz Pianist, Composer, Arranger, Author, Educator, Professor of Jazz Studies, Conductor, Coordinator Jazz Composition and Arranging, Eastman School of Music Chords in Motion is a highly detailed, informative and filling-in-the-gap text. It's an important and welcome addition to the jazz piano literature, which can be applied to any level of proficiency. Stefan Karlsson Jazz Pianist, Educator, Professor/Jazz Studies Division, University of North Texas Fantastic pianist Andy LaVerne has put together an amazing, detailed, and incredibly comprehensive guide for effectively implementing quartal and related voicings. He has honed in on the 'secret' to using these structures musically and creatively: moving the voicings through changes in logical and interesting ways. Clearly presented, extremely thorough, and loaded with information, Chords in Motion is a must-have for any pianist! Martin Bejerano Jazz Pianist, Composer, Educator, Assistant Professor, Jazz Piano, Frost School of Music University of Miami Chords in Motion is an in-depth look at fourth and related voicings that give an atmosphere that you want to improvise on. We play over the voicing, not the chord symbol. Chords in Motion targets that modal atmosphere that horn players love playing over. Love this book - can't wait to start practicing it! Jerry Bergonzi Jazz Saxophonist, Composer, Author, Educator, New England Conservatory I was thrilled when Jazz Piano Great Mulgrew Miller agreed to write a quote for this book. I was deeply saddened to hear of Mulgrew's passing just days before publication. All who loved Mulgrew and his music will sorely miss him, and are grateful for the rich musical legacy he left us. Rest easy, Mulgrew. Andy LaVerne

This Songbook for Piano, Vocal and Guitar is the ultimate collection of pieces from Ellie Goulding's 3rd studio album, Halcyon Days. Perfect for any 'Goulddigger' or budding Ellie Goulding wannabe.Halcyon Days also includes Ellie Goulding's 1st ever number one single, Burn. This ground breaking track beat the likes of Lady GAGA, and stayed in the number one position for three consecutive weeks.Also included in this vast collection is How Long Will I Love You. This sentimental and moving piece is perfectly suited to Ellie's delicate and expressive voice. This piece also featured in the romantic drama, About Time. This incredibly moving film was written and directed by Richard Curtis, best known for his hit film Love Actually.Watch Ellie's How Long Will I Love You music video (featuring scenes from About Time) here: / Piano/Vocal/Guitare (PVG)

Par KREADER BARBARA / KERN FRED / REJINO MONA / KEVERE. A piano method to please students, teachers and parents! The Hal Leonard Student Piano Library is clear, concise and carefully graded. Perfect for private and group tuition. Piano Lessons Book 1 covers sitting at the piano, feeling the beat, keyboard structure, black-key groups, white-key groups, playing on all white keys, moving in 2nds and moving in 3rds. / Niveau : Facile / Méthode / Piano

100 songs from the past half-century, arranged for Piano, Vocal and Guitar in this Volume One of Fifty Years Of Hits. Featuring some of the greatest songs spanning decades, genres and entire musical eras, this massive will be a mainstay on any musician's music stand.Featuring many of The Beatles' finest tracks, Fifty Years Of Hits also runs through Joni Mitchell's career, and includes songs by Leonard Cohen and Dusty Springfield. Moving from the early years to the 1990s and Britpop, the book features Piano, Vocal and Guitar arrangements of Oasis and Travis, before moving into the current pop world with Taylor Swift, Ed Sheeran, Jessie J, Little Mix and Emeli Sandé, among many many more. / Piano/Vocal/Guitare (PVG)