Un arrangement de cette pièce charmante bien connue de Nabucco de Verdi. / Piano 4 Mains / niveau : Elémentaire / Recueil

Vocal Score / Softcover. Par VERDI GIUSEPPE. In a letter of 2 January 1851, Verdi suggested for the first time Antonio Garcia Gutierrez play El Trovador as a possible subject for his new Opera: 'It seems to me very beautiful, imaginative, and full of strong situations'. Once he had settled on the subject, the composer immediately began looking for a theater in which to produce the Opera and after protracted negotiations he decided to stage Il Trovatore in Rome. The premiere occurred on 19 January 1853 at the Teatro Apollo and was an enormous success. The appreciation of the new work increased from performance to performance. The third performance was the last the composer was contractuallyobliged to attend: at the end of the evening the audience presented Verdi with two laurel wreaths. Verdi 's account of the performances, contained in a letter to his friend Clarina Maffei, was eloquent: 'They say that this Opera is too sad and that there are too many deaths. But ultimetley in life everything is death! What exists?. . . ' Notwithstanding Verdi 's pessimism, Il Trovatore circulated rapidly. In fact, no other Opera of Verdi except 'Ernani' enjoyed such instant and widespread success./ Répertoire / Chant et Piano

Vocal Score-This is the Complete Vocal score of the entire opera with singing text in Italian and English. A beautiful imaginative opera and it is one of Verdi’s most famous works and most successful opera. The premiere occurred on 19 January 1853 at the Teatro Apollo in Rome and was an enormous success. The appreciation of the new work increased with each performance. The third performance was the last that Verdi was contractually obliged to attend: at the end of that evening the audience presented Verdi with two laurel wreaths.

Chorus of the Hebrew Slaves is a chorus from the third act of the opera Nabucco (1842) by Giuseppe Verdi. It recollects the story of Jewish exiles in Babylon after the loss of the First Temple inJerusalem. The opera with its powerful chorus established Verdi as a major composer in 19th-century Italy. Upon the composer’s death along his funeral's cortege in the streets of Milan bystanders started spontaneouschoruses of 'Va pensiero…' A month later when he was reinterred alongside his wife at the 'Casa di Riposo' a choir of eight hundred performed the famous hymn.The masterpiece is here arranged by Richard H. Lloydfor Grade 5-6 solo Piano.

Ed. Critica di Helen M. Greenwald - riduzione per canto e pianoforte-Attila Verdi?s ninth opera and the second of five that he composed for Venice?s Teatro La Fenice had its premiere on 17 March 1846. Verdi was inspired to compose an opera on the subject of Attila by two rather unusual sources Attila König der Hunnen a curious play by a now-forgotten German playwright Friedrich Ludwig Zacharias Werner and Madame de Staël?s discussion of it in her magisterial work on Germany De l?Allemagne. This present reduction is based on the critical edition of the full score that - published in 2012 - is the first complete published version of the full orchestral score and the product of the study of numerous manuscript sources: the autographsources (now kept at the British Library in London at the Library of Congress in Washington D.C. and at the ?Museo del Teatro alla Scala? in Milan) manuscript sources (those kept at Teatro La Fenice in Venice and at Teatro San Carlo in Naple) andthe first piano vocal scores.

Œuvres de E. Elgar Fr.v.Flotow L. Delibes G. Verdi L. M. Gottschalk R. Schumann ainsi que des airs traditionnels. 1 E. Elgar (1857-1934): Salut damour in G-Dur2 F. Fr. von Flotow (1812-1883): The last Rose of Summer in F-Dur3 L. Delibes (1836-1891): Pizzicati in C-Dur4 G. Verdi (1813-1901): La donna è mobile in G-Dur5 'Oh when the saints' in F-Dur6 L. M. Gottschalk (1829-1869): The dying Poet in Es-Dur7 'Nobody knows the trouble' in G-Dur8 R. Schumann (1810-1856): Wilder Reiter in a-moll

Andrea Bocelli - Verdi. A selection of arias from the operas of Verdi, arranged for piano and solo voice. Selected by Andrea Bocelli, incuding arias from operas such as La Traviata, Rigoletto and Aida.

Favourite Italian melodies. Par DIVERS AUTEURS (ARR.ZAMARIN ARNOLD). Italian culture infects many art forms and perhaps none more so than music. In this album, Arnold Zamarin has arranged, for flute and piano, eleven well-known pieces that simply shout 'ITALY” at you! 'Italian Classics” includes the unforgettable 'O Sole Mio”, 'La Donna e Mobile”, 'Funiculi, Funicula” and Verdi's 'Chorus of the Hebrew Slaves”. For intermediate players, 'Italian Classics” should complement your repertoire collection just as a glass of Soave accompanies Pasta alla Carbonara. And for antipasto, try Zamarin's 'Classical Favourites from Russia” for two flutes (and maybe a glass of vodka!)/ Recueil / Flûte Traversière et Piano

Ce document, unique par son ISBN 9790041402260 a été conçu par Verdi Giuseppe et a pour titre PIU' BELLE ARIE PER SOPRANO PER CANTO E PIANOFORTE . Il fait partie de la catégorie Classique. / Voix Et Piano / Partition

Par VERDI GIUSEPPE. / Opéra-opérette / Répertoire / Flûte Traversière et Piano