Promenade (VANLANCKER
AMAURY) Tous Claviers (Vibraphone et Xylophone
ou Marimba)[Partition] - Facile Alfonce Production
Vanlancker Amaury (Arr.). Par VANLANCKER AMAURY. Piece pour clavier 2 baguettes ...(+)
Vanlancker Amaury (Arr.). Par VANLANCKER AMAURY. Piece pour clavier 2 baguettes avec accompagnement de piano. / Niveau : Facile / Répertoire / Tous Claviers (Vibraphone et Xylophone ou Marimba)
La référence GB4012 de l'éditeur Billaudot dont l'auteur célèbre est Meynau...(+)
La référence GB4012 de l'éditeur Billaudot dont l'auteur célèbre est Meynaud Michel, qui a pour titre NELLY II VIBRAPHONE ET PIANO, a été écrite et composée pour Percussions et plus particulièrement pour Percussions Et Piano. Cette partition musicale appartient à la catégorie Classique. / Percussions Et Piano / Partition
nach dem Bild-Titel Kleinwelt von Paul Klee. Par HEIDER WERNER. Erner Heider, n...(+)
nach dem Bild-Titel Kleinwelt von Paul Klee. Par HEIDER WERNER. Erner Heider, né en 1930 à Fürth, Bavière est un logiciel gratuit compositeur lance, le pianiste et chef d'orchestre. Ce travail est basé sur le titre d'un tableau de Paul Klee. Voir aussi la transposition de deux vibraphones (ZM 31540)./ Recueil / Piano
Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist t...(+)
Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano
Flute, Violin, Vibraphone, Guitar or Piano. Par GORDON / MARK VEGA. Suitable for...(+)
Flute, Violin, Vibraphone, Guitar or Piano. Par GORDON / MARK VEGA. Suitable for Flute, Violin, Vibes, Guitar or Piano. Suitable for Flute, Violin, Vibes, Guitar or Piano. / Niveau : 2 / Etudes et exercices / Etude / Flûte Traversière, Violin, Vibraphone, Guitar Or P
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...(+)
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
1001 Nights in the Harem. Par SAY FAZIL. 'My Violin Concerto consists of four mo...(+)
1001 Nights in the Harem. Par SAY FAZIL. 'My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazade’s One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance – in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds.
As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudüm or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments.
As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Öçal we have utilised this material to create a trio version for violin, piano and percussion.' Fazil Say/ Répertoire / Violon et Piano
Designed to introduce the young intermediate-level pianist to playing the blues ...(+)
Designed to introduce the young intermediate-level pianist to playing the blues Jazzin' the Blues presents fifteen original blues compositions in various keys styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part so the student can play along with a professional rhythm section which includes piano vibraphone alto flute drums andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory blue notes grace notes pedal-points tremolos trills syncopation anticipation delayed beats slash chords boogie-woogie left-hand patterns walking bass stride piano style straight eighths swingeighths passing tones rolled chords riffs 'filler' chords substitutions and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping); in addition the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping practice and jazzsoloing plus a list of noteworthy jazz pianists a key to chord symbols and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book you will be by the time youcomplete it! Includes access to online audio.
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders. Piano Solo a...(+)
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders. Piano Solo and Orchestral Reduction.Dedicated Becky Starobin. Written for Vassily Primakov. Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Programme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonoroustreasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing for one of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts.
Instrumentation : piano solo, onde Martenot solo, célesta, vibraphone, percussi...(+)
Instrumentation : piano solo, onde Martenot solo, célesta, vibraphone, percussions, ch?ur de voix de femmes à l'unisson et orchestre à cordes Partitions vendues séparément / Classique / Partition / Broché /
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...(+)
Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Benetti Didier et éditée par Billaudot cette partition est idéale pour les joueurs de Percussions. Si l'instrumentation Percussions Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Percussions Et Piano / Partition
Face A Face En Duo En Français Percussion, Piano (duo)[Partition] Billaudot
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...(+)
Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Deleruyelle Thierry et éditée par Billaudot cette partition est idéale pour les joueurs de Percussions. Si l'instrumentation Percussions Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Percussions Et Piano / Partition
Vibra Blues En Français Percussion, Piano (duo)[Partition] Billaudot
Professionnel ou amateur de Jazz & Blues vous apprécierez cette partition de mu...(+)
Professionnel ou amateur de Jazz & Blues vous apprécierez cette partition de musique. Composée par Jorand Marcel et éditée par Billaudot cette partition est idéale pour les joueurs de Percussions. Si l'instrumentation Percussions Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Percussions Et Piano / Partition
Voyages... En Français Percussion, Piano (duo)[Partition] Billaudot
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...(+)
Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Benetti Didier et éditée par Billaudot cette partition est idéale pour les joueurs de Percussions. Si l'instrumentation Percussions Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Percussions Et Piano / Partition