Parfait pour un concert ou l'obtention de leur diplôme, cette nouvelle version de Josh Groban partage un message d'espoir et d'encouragement pour tous. Vous me soulever jusqu'alors I Can stand sur la montagne - vous m'élever jusqu'à marcher sur les mers déchaînées - et je suis forte lorsque je suis sur vos épaules - vous me lever jusqu'à plus je peux être. Source d'inspiration ! / Voix Basses

The beautiful Franz Schubert melody is carefully and tastefully set in this TTB (opt. TTBB) edition with both English and German texts, making it a wonderful selection for both concert and church programming. Available separately: SATB, TTB. Duration: ca. 2:30. / Choeur TTB

This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music, set for 6-part treble choir on the text Hear my prayer, Oh Lord, is polyphonic at a subdued dynamic level. The second phrase of the verse, and let my crying come unto thee, is homophonic and builds to a full climax before diminishing to a very soft and passionate ending. ScorePlay - click to view score with recording. / Choeur SSA

Let Us Give Thanks! A singular song of thanksgiving, this lightly rhythmic offering is seasoned with a tasteful jazz syntax. The theme in minor is an easy sing and well-balanced with unison and fuller harmonies. Displaying a spirit of gratitude for the blessings of life, this piece is usable any time of the church year. A special moment occurs when the early American hymn tune RESTORATION appears joined with the lyrics of Come Ye Thankful People, Come.

A beautifully simple musical setting of a very timely text skillfully arranged with a beautiful but optional flute part. Sure to be an instant hit with your choir and congregation/audience. Excellent as a closing or meditative piece.

Uses: General Hymn Arrangement Reformation Scripture: Numbers 12:6; Psalm 16:5-8; Psalm 61:1-5 This sensitive setting of a beloved Irish hymn is truly a worshipful experience. A contrasting a cappella section adds interest and emotional depth while optional use of harp and cello brings the concept to a beautiful level of expressivity. It is a work that your choir and congregation will ask for again and again and we are proud to offer this best-selling anthem in a variety of new voicings.Stunning! Instrumental parts (vc hp) available as a digital download.

with Sheep May Safely Graze-(with Sheep May Safely Graze). A creative pairing of J.S. Bach's Sheep May Safely Graze and the familiar carol While Shepherds Watched Their Flocks. The optional two flutes will enhance the performance; or add a string quartet for a beautifully baroque moment this Christmas! Available: SAB 2-Part Instrumental Pak ChoirTrax Cassette.

How Can I Keep From Singing? (SAB)-Emily Crocker's arrangement of How Can I Keep From Singing? by Rev. Robert Lowry is a moving and inspiring song of celebration for unaccompanied SAB chorus.

He Hath Entered The Heven is a work by John Tavener originally composed for Upper Voices while this is the Vocal Score for Mixed Voices arranged by Gregory Rose. Lasting around 8 minutes itwas commissioned by Lady Margaret Hall Oxford. This new arrangement for Mixed Voices was made in 2013 and was first performed on the 9th of August 2013 by the CoMA Summer School Voices and the St VedastHandbell Ringers at St James' Church High Melton Doncaster conducted by Rose himself. In the September 2015 issue of the Organists' Review David Lindley writes: 'the piece is a powerfulone ending with an imploring repetition of the refrain in octaves'

John Rutter's A Clare Benediction for SAMen and Piano.An easy anthem with words and music by John Rutter. There are four different versions of the vocal parts: unison (or two-part) with Keyboard upper voices with Keyboard SA and Men with Piano or SATB unaccompanied or with Keyboard.

Messe - for ligestemmigt kor (SSA) og orgel af Bendt Fabricius. Fra forordet: I 1980'erne var jeg organist i Mosede Kirke og jegvar så heldig her at have et dygtigt pigekor. DenneMesse for lige-stemmigt kor og orgel er komponerettil mine piger i Mosede.Messen tager sit tekstlige udgangspunkt i denromersk-katolske højmesse på latin med dens femfaste liturgiske led Kyrie Gloria Credo Sanctus ogAgnus Dei. Jeg har valgt i min messe at oversætteteksterne til dansk hvilketgør at værket bådeved indstudering og fremførelse får det speciellenærvær som en umiddelbar forståelse af en tekstaltid vil fremkalde. De fem satser kan opføres enten samlet eller hverfor sig. Satserne har forskellige sværhedsgrader således at Kyrie og Credo er de enkleste at udføre mens de tre øvrige satser stiller større krav bådehvad angår melodik rytmik og harmonik.En stor udfordring ved fremførelsen af messenvil være den obligate orgelstemme som udgør etkoncertant element i forhold til korstemmerne.Orgelstemmen er overordnet akkompagnerende men optræder af og til solistisk på en måde derudfordrer og kontrasterer korstemmerne. Bendt Fabricius 2018

(in C with Orchestra)-Malotte's setting of The Lord's Prayer has been lovingly adapted for SSA chorus in the key of C by Janet Klevberg Day.This heart-warming version is the perfect choice whatever the service or occasion.

Uses: General Hymn Arrangement ReformationScripture: Numbers 12:6; Psalm 16:5-8; Psalm 61:1-5This sensitive setting of a beloved Irish hymn is truly a worshipful experience. A contrasting a cappella section adds interest and emotional depth while optional use of harp and cello brings the concept to a beautiful level of expressivity. It is awork that your choir and congregation will ask for again and again and we are proud to offer this best-selling anthem in a variety of new voicings. Stunning! Instrumental parts (vc hp) available as a digital download.