Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the ...(+)
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. J. S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannespassion zählt neben der doppelchörigen Matthäuspassion, dem Weihnachtsoratorium, dem Magnificat und der h-Moll-Messe zu den groß en Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. Im Gegensatz zu den ubrigen oratorischen Werken hat Bach / Musique religieuse / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières
Ces arrangements pour choeur et orgue répondre à la demande souvent fait pour ...(+)
Ces arrangements pour choeur et orgue répondre à la demande souvent fait pour être en mesure d'effectuer des mouvements bien connus des cantates de Bach sans les frais d'un plus grand ensemble / orchestre. Les mouvements de cantates peuvent être effectuées en conformité avec l'année liturgique, mais conviennent également pour la performance dans les services festives et des concerts. choeurs festifs (GER / ENG), arrangés pour choeur et orgue Pour les services de l'église et des concerts Facile à jouer réductions d'organesD'après le contenu:'Gott, wie dein Name, afin ist auch dein Ruhm' (BWV 171/1) / 'Bleib bei uns, denn es sera Abend werden' (BWV 6/1) / 'Wer da gläubet und wird getauft' (BWV 37 / 1) / 'Aussi chapeau Gott die Welt geliebt' (BWV 68/1) / 'Bringet dem Herrn Ehre seines Namens' (BWV 148/1)Ingo Bredenbach a travaillé comme Cantor et Organiste à Tübingen depuis 2010. Jusqu'en 2009, il a été professeur et recteur de la Hochschule de Kirchenmusik à Tübingen. Il a déjà organisé 'Requiem' de Gabriel Fauré pour la série de choeur et orgue. / Choeur Mixte (SATB)
Nach Dem 2. Menuett Aus Bachs Partita In B, Bwv 825. Par BACH JOHANN SEBASTIAN /...(+)
Nach Dem 2. Menuett Aus Bachs Partita In B, Bwv 825. Par BACH JOHANN SEBASTIAN / CORNELIUS PETER. based on the 2nd Minuet from Bach's Partita in B flat Major, BWV 825/ Répertoire / Choeur SATB
Bachs Ave Maria-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus...(+)
Bachs Ave Maria-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier das Ave Maria von J.S. Bach (nach Charles Gounod). Die Bearbeitung für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16160O. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
Bachs Ave Maria-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus...(+)
Bachs Ave Maria-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier das Ave Maria von J.S. Bach (Charles Gounod). Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16160G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
Bachs famous instrumental arioso is set here with a simple Latin text. The expre...(+)
Bachs famous instrumental arioso is set here with a simple Latin text. The expressive piano accompaniment can be used alone or with the optional string parts richly enhancing this choral work. A beautiful way to introduce your singers to importantworks of the master composers.
Bachs famous instrumental arioso is set here with a simple Latin text. The expre...(+)
Bachs famous instrumental arioso is set here with a simple Latin text. The expressive piano accompaniment can be used alone or with the optional string parts richly enhancing this choral work. A beautiful way to introduce your singers to importantworks of the master composers.
from Cantata No. 147-Johann Sebastian Bach is regarded as one of the greatest co...(+)
from Cantata No. 147-Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. This chorale movement is one of his most enduring works however the melody was originally composed before Bach’s time in 1642 by Johann Schop. Utilising the already existing melody Bach wrote this setting of Jesu Joy Of Man’s Desiring in 1716 as the 10th and last movement of the church cantata ‘Herz und Mund und Tat und Leben’ (BWV 147) one of the over three hundred cantatas written by the master of the Baroque period.This edition of the familiar melody which is often performed at weddings and Christian festive seasons like Christmas and Easter is arranged for SATB Chorus and Organ. All four verses of the lyrics are provided in English translation along with the original version in German.
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...(+)
Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata...(+)
Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus- the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias./ Répertoire / Choeur Mixte (SATB) et Piano
Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata...(+)
Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus- the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias./ Répertoire / Choeur Mixte (SATB) et Orchestre
Kantaten. Urtext Der Neuen Bach-Ausgabe. Par BACH JOHANN SEBASTIAN. The cantata ...(+)
Kantaten. Urtext Der Neuen Bach-Ausgabe. Par BACH JOHANN SEBASTIAN. The cantata ' Ich hatte viel Bekümmernis ” dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle . Its assigning to the third Sunday after Trinity probably only occurred the following year. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach's best-known cantatas today. The cantata is published here in a vocal score based on the New Bach Edition with an idiomatic, straightforward piano reduction by Martin Focke .
- One of Bach's best-known cantatas
- Urtext based on the ' New Bach Edition”
- Clear straightforward piano reduction/ Répertoire / Solistes (SATB), Choeur Mixte (SATB) et Orchestre
for Sight-Singing and Performance-As a follow-up to his popular 31 Bach Chorales...(+)
for Sight-Singing and Performance-As a follow-up to his popular 31 Bach Chorales for Sight-Singing and Performance (HL 08743236) here is a collection of 30 more! Each chorale includes English and German texts along with pedagogical suggestions to help yoursingers build skills and develop musical literacy. A great tool for school church and community groups. For chorale titles click on “songlist”.
Bach, Johann Sebastian Now my soul exalts the Lord BWV 10 Cantata for the Feast ...(+)
Bach, Johann Sebastian Now my soul exalts the Lord BWV 10 Cantata for the Feast of Visitation B. V. M. With his cantata 'Meine Seel erhebt den Herren' which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme. With a small scoring of one trumpet (which if need be can be omitted), two oboes, strings and basso continuo along with four soloists and choir, Bach succeeds in writing a festive music of 20-25 minutes. This performing edition is based on the Urtext of the 'New Bach Edition'. - Festive cantata based on the Urtext of the 'New Bach Edition' - With a duration of 20-25 minutes Edition no.: BA 10010-90 ISMN: 9790006561520 Editor: Wolf, Uwe Arranger: Grünert, Matthias Language(s) of work: German, English Language(s) of text: English, German Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: IV, 33 S. - 27,0 x 19,0 cm
Adapted from the chorales of J.S. Bach and previously found in the Novello Pari...(+)
Adapted from the chorales of J.S. Bach and previously found in the Novello Parish Chior Book PCB.1167. This short set of chorale movements is written for unaccompanied SATB choir. Text is provided in Latin with English translation.
(Let the Children Come)-In this piece the title (which means 'Let The Children ...(+)
(Let the Children Come)-In this piece the title (which means 'Let The Children Come' in Swahili) is used as a refrain. The original verse text by Herb from Bach tells us that Jesus loves us all especially the children. This is a perfect piece for your adult and children's choirs to sing together. The optional percussion adds a rhythmic intensity and requires three players. Try it for Confirmation or festival of the Christian home.
Par BACH JOHANN SEBASTIAN. Ausgaben Für Die Praxis Nach Der Neuen Bach-Ausgabe....(+)
Par BACH JOHANN SEBASTIAN. Ausgaben Für Die Praxis Nach Der Neuen Bach-Ausgabe. Urtext/ Répertoire / Solistes (SSATB), Choeur Mixte (SSATB) et Orchestr
Description Carl Philipp Emanuel Bach's Magnificat for soli, chorus and orc...(+)
Description Carl Philipp Emanuel Bach's Magnificat for soli, chorus and orchestra, with English text adapted by Henry S. Drinker. This vocal score is edited, and the orchestral accompaniment adapted for piano or organ, by Carl Deis. Songlist Deposuit Potentes (Mighty Ones) Cpe Bach Et Misericordia (And His Mercy) Cpe Bach Fecit Potentiam (His Arm Omnipotent) Cpe Bach Gloria Patri (Glory To Father) Cpe Bach Magnificat Anima (My Heart And Soul) Cpe Bach Quia Fecit Mihi (For The Lord) Cpe Bach Quia Respexit (Lo,He Regarded) Cpe Bach Sicut Erat (As It Was) Cpe Bach Suscepit Israel (His Servant) Cpe Bach
The treasured Bach chorale prelude set for brass quintet and voices. Available: ...(+)
The treasured Bach chorale prelude set for brass quintet and voices. Available: SATB Unison/2-Part Instrumental Pak ShowTrax Cassette. Performance Time: Approx. 3:10.
O Teach Us So To Count Our Days a figured Chorale from Cantata 186 by J.S. Bach...(+)
O Teach Us So To Count Our Days a figured Chorale from Cantata 186 by J.S. Bach. Words by J. Montgomery and B. Hall Kennedy. Organ arrangement by Walter Emery.
J.C. Bach's wonderful Es Ist Nun Aus Mit Meinem Leben is arranged here for Unacc...(+)
J.C. Bach's wonderful Es Ist Nun Aus Mit Meinem Leben is arranged here for Unaccompanied SATB chorus and expertly edited by Jonathan Wikeley. The lyrics were written by Magnus Daniel Omeis and are in Latin.A review in the June 2016 edition of Organist's Review states that this is 'a chorale-like piece with an attractive melody well-crafted harmonies and only moderate technical challenges.'
Kirchenkantate, Bwv 192, 1730Ca. Par BACH JOHANN SEBASTIAN. The cantata 'Nun dan...(+)
Kirchenkantate, Bwv 192, 1730Ca. Par BACH JOHANN SEBASTIAN. The cantata 'Nun danket alle Gott” (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig)./ Répertoire / Chœur Mixte et Piano
Kantate Zum 23. Sonntag Nach Trinitatis, Bwv 139, 1724. Par BACH JOHANN SEBASTIA...(+)
Kantate Zum 23. Sonntag Nach Trinitatis, Bwv 139, 1724. Par BACH JOHANN SEBASTIAN. Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen” (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout - this is followed by a lively tenor aria 'Gott ist mein Freund” (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria 'Das Unglück schlägt auf allen Seiten” (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello./ Répertoire / Chœur Mixte et Piano
Kantate Zum 2. Sonntag Nach Epiphanias. Par BACH JOHANN SEBASTIAN. J. S. Bach's ...(+)
Kantate Zum 2. Sonntag Nach Epiphanias. Par BACH JOHANN SEBASTIAN. J. S. Bach's Ach Gott, Wie Manches Herzeleid (BWV 3; A-Dur) for SATB./ Répertoire / Solistes SATB, Choeur SATB, (Cor et Trombone), 2 H
Passio secundum Joannem. Traditionelle Fassung (1739/1749). Par BACH JOHANN SEBA...(+)
Passio secundum Joannem. Traditionelle Fassung (1739/1749). Par BACH JOHANN SEBASTIAN. Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach’s lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. J. S. Bach's Johannespassion BWV 245 for SATB and Piano. Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach’s lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns./ Répertoire / Choeur Mixte et Instrument Divers
with Bach's Prelude in C Major-The familiar carol set to J.S. Bach's Prelude in...(+)
with Bach's Prelude in C Major-The familiar carol set to J.S. Bach's Prelude in C Major creates a stunningly beautiful twist to a well-known tune. Though measures have been adjusted from Bach's original work to create a different harmonic sequence itremains true to the original Bach piece. The optional a cappella section includes a simple bell part written in octaves. Available separately: SATB opt. handbells; SAB opt. handbells; 2-part opt. handbells; PianoTrax CD.Duration: ca. 4:02.
Practical performing Urtext edition based on the latest state of Bach research. ...(+)
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition Klaus Hofmann Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach’s intentions. Bach scholars are well aware that Bach’s original score and performance parts running to almost 500 pages of music are full of ambiguities and contradictions particularly regarding articulation which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research.
Par RUTTER JOHN. European Sacred Music est une collection de plus de 50 des plus...(+)
Par RUTTER JOHN. European Sacred Music est une collection de plus de 50 des plus beaux exemples de la musique chorale sacrée de l'Europe continentale, allant du XVIe au XXe siècles. John Rutter a préparé complètement nouvelles éditions de tous les éléments pré-XXe siècle, remontant au manuscrit premiers et les plus fiables ou de sources imprimées. De nouvelles traductions en anglais sont fournies chantant pour la plupart des morceaux, et les réductions de clavier jouable.
Orchestrations sont disponibles à la location pour les huit articles accompagnés (Bach: Jesu O Christ, meins Lebens Licht - Buxtehude: Magnificat - Fauré: Cantique de Jean Racine - Franck: Panis Angelicus - Gabrieli: Jubilate Deo - Mendelssohn: Verleih uns Frieden, Monteverdi: Beatus vir - Mozart: Ave verum Corpus)
Certains articles de ce volume sont disponibles séparément sous forme de brochures de la série Oxford Choral Classics Octavo. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres. / Niveau : Facile à Moyennement Difficile / Recueil / Chant