Following Three jazz carols and Three more jazz carols is a pair of further innovative jazz arrangements of carols originally created in 2012 for a service of Jazz Carols at St Martin in the Fields London by Will Todd. Todd’s iconic rich harmonies and toe-tapping rhythm serve to bring new expression to familiar Christmas material which is written for SATB voices and piano with scope for optional congregational singing. They can be performed using the supplied piano part or embellished using the supplied chord symbols. Double bass may also be used in addition to piano again following the supplied chord symbols and parts for optional jazz ensemble (brass quintet and jazztrio) accompaniment are available for download.

Jolly Old Saint Nicholas gets a bit jazzy in this new arrangement for the holidays. Starting with the familiar tune it moves into a relaxed-rock feel with easy jazz harmonies and continues into a jazz waltz. There's even a classical section and plenty of opportunities for solos. A terrifically musical choice for your holiday concert!

Here's a handy jazzy collection that's great for both concerts and caroling! Set in an easy swingy style these tunes will be a big hit with your audiences. Includes: Carol of the Bells Jingle Bells and We Wish You a Merry Christmas. Available for SATB SAB SSA Instrumental Pak (R) ShowTrax CD. Performance Time: Approx. 4:30.

Ding Dong Merrily on High Jingle Bells and Carol of the Bells-Three short a cappella jazz arrangements within one choral is a fabulous find for the holidays! Ding Dong Merrily on High Jingle Bells and Carol of the Bells have been creatively arranged in tempo and styleby Jay Rouse. They are full of fun with a touch of challenge that pays off when mastering the wonderful harmonies and rhythms.

Will Todd’s Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible short setting which embraces a variety of jazz styles from the swinging jazz waltz Kyrie to the up-beat Latin-groove Gloria. The smooth jazz ballad Sanctus 7/8 Benedictus and soulful Agnus Dei complete this inspiring Mass setting. Underpinned by Todd’s characteristic jazz harmonies and melodic craftsmanship it is suitable for performance both liturgically and as part of a concert by Mixed Choirs of all abilities. The work can be accompanied by Piano alone (as written or extemporised) Jazz Trio (Piano Bass and Drums)or jazz ensemble (Alto Saxophone 2 Trumpets and jazz trio – parts available separately).

A second set of innovative jazz arrangements of three carols originally created for a service of Jazz Carols at St Martin in the Fields London by Will Todd. Rich harmonies serve to bring new expression to familiar Christmas material written for SATB Voices and Piano with scope for optional congregational/audience singing. They can be performed using the supplied Piano part or embellished using the chord symbols above. Double bass may also be used in addition to Piano again following the supplied chord symbols. We three kings is also available in an arrangement for mixed voices and jazz ensemble (jazz trio and optional brass quintet) compatible with this vocal score.

Will Todd's Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible, short setting which embraces a variety of jazz styles, from the swinging jazz waltz Kyrie to the up-beat Latin-groove Gloria. The smooth jazz ballad Sanctus, 7/8 Benedictus and soulful Agnus Dei complete this inspiring Mass setting. Underpinned by Todd's characteristic jazz harmonies and melodic craftsmanship, it is suitable for performance both liturgically and as part of a concert by mixed choirs of all abilities. The work can be accompanied by piano alone (as written or extemporised), jazz trio (piano, bass and drums) or jazz ensemble (alto saxophone, 2 trumpets and jazz trio - parts available separately). / Choeur Mixte (SATB) Et Instruments Divers

Three jazz hymns. These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of Come down, O Love divine supplies some new harmonic moves to Vaughan Williams? lovely tune Down Ampney, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of God is Love, which can also be sung to the supplied words of Charles Wesley?s hymn Love Divine, again adds more of Todd?s iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of Let all mortal flesh keep silence is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for ?Lord most high?. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.

'ENTRE JAZZ ET SALSA? Cette chanson alternant les rythmes de salsa et de swing a été composée en 1998 pour le'Choeur Artie Shaw,? ensemble vocal de jazz Français,Elle figure sur un des albums de cetteformation 'Entre jazz et ,,,?paru en 1999, Cette pièce peut être le final d'un spectacle car elleprésente chaque pupitre du choeur et remercie le public de sa présence, / Jazz

Jazz classics for SATB choir with piano accompaniment. Suitable for Secondary School choirs. Includes Satin Doll and Dream A Little Dream. Arranged by Berty Rice.

Un nombre de production totalement irrésistible de la Chicago musical. Tempo modéré de hauban Broadway met en lumière les paroles super qui ramènent chaud jazz des années folles ! / Voix Mixtes

This unique service opening and closing offers truly fresh and creative options for worship. From the jazz waltz introit to the soothing benedictus, Craig Curry is at his finest! The harmonies are fully supported by the keyboard accompaniment. / Choeur (SATB)

Cet hymne d'adoration est comme rien que vous avez entendu! En utilisant seulement le mot 'Alleluia' dans des harmonies de jazz luxuriants, la pièce est une célébration de louange qui s'élève rempli. / Choeur Mixte (SATB)