Sleepsong is a rich Celtic-inspired song for choirs looking to test their abilities with a new and exciting challenge.Released by Secret Garden in 2005 the song was written by Brendan Graham and Rolf Løvland who also penned the Westlife hit You Raise Me Up. This beautiful and peaceful choral version has been arranged by Desmond Earley for six part chorus with Soprano solo. It was first performed by UCD Choral Scholars on April 19 2012.The piece is perfect for choruses looking to take their singing forward with specific directions for staggered breathing throughout offering an added challenge forensembles. Although designed to be sung A Cappella the arrangement includes a piano reduction for easy rehearsal.

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-07-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Musique religieuse / Date parution : 1980-07-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-02-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Une Fantaisie chorale basée sur deux airs, David peu jouer sur votre harpe et Swing Low, Sweet Chariot, cette pièce exerce les rythmes de même croche essentiels de David Little et le 8ths de swing de Swing Low. Laissez votre chorale s'amuser avec le contraste entre énergie roulage de David peu active et riche, basse-dans-le-corps bluesy sentir du Swing Low. / Choeur Mixte (SATB) Et Harpe (Ou Piano)

Will Todd, né en 1970, est de forger une solide réputation pour lui-même comme un compositeur qui est tout aussi à l'aise en opéra, oratorio, musique d'église et jazz. Son style est immédiatement accessible et durablement mémorable. Il a passé ses années de formation imprégnées de jazz et de la tradition chorale anglaise donc dans sa musique chorale, il est capable de juxtaposer lecteur rythmique solide et des harmonies riches avec des lignes vocales délicieusement lyriques.Ce paramètre glorieux de mots paraphrasées par Bède le vénérable (une citation d'un des prières de Bède le vénérable qui se bloque sur le mur est au-dessus de sa tombe dans la cathédrale de Durham) a été écrit pour un mariage en 1995. Simple choral écrit soutenues par une partie de l'orgue lumineux se combinent pour créer un hymne de la beauté et la radiance. / Choeur Mixte (SATB) Et Orgue

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Musique religieuse / Date parution : 1980-07-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Musique religieuse / Date parution : 1980-07-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1998-03-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-01-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,