Par BRITTEN BENJAMIN. Scored for solo voice, unison chorus and piano, The Twelve Apostles was written for Peter Pears and the London Boy Singers. The text was adopted from The Ten Commandments as given in 'English Folk Songs from the Southern Appalachians' (1932)./ Répertoire / Choeur (Unisson), Voix Hautes et Voix Egales

Here are more flexible folksongs to introduce young singers to beginning part-singing and experience a variety of world cultures. The reproducible singer songsheets feature each folksong and its partner on separate pages for a variety of teaching options. Teach these world folksongs in the lower grades. When singers are ready, teach the partner songs, and add twelve more songs to their singing repertoire. For further challenge, partner them up for twelve more performance options! A helpful teaching sequence and extension activities are also included. Accompany your singers live with simple piano parts in the printed collection, or use quality performance/accompaniment MP3 recordings available via audio access in the Performance Kit. Fresh new originals partnered with these world folksongs: Ging Gang Goolie, Tum Balalaika, Andale Juana, Sansa Kroma, Haru Ga Kita, Old Dan Tucker, Sarasponda, Ma Bella Bimba, and more! Suggested for grades 1-6. / Choeur A L'Unisson

Following on the success of her two operatic works for children and teens - Douce et Barbe Bleue, Les Fables Enchantées, Little Thummie and Cendrillon (based on Perrault), as well as the adaptation of Maupassant's short story The Dumpling (2014) - Isabelle Aboulker once again hits the bull's eye with Myla And The Boat-Tree, a commission from the Villecroze Music Academy. In 2015, this musical tale for Narrator, Children's Choir and Instrumental Accompaniment, was awarded the 'Music for Young Performers Prize? by the French Music Publishers Association. Both in the French version and Marci Meth's excellent English translation, it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing.With her trademark finesse and sensitivity, the composer tells the story of a little girl dealing with the death of a person she'd cherished above all: her grandfather. Written for choir in unison, this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart.The work was written in three versions:for Narrator, Children's Choir and Piano (AL30732)for Narrator, Children's Choir and Trio (Clarinet in Bb, Cello and Piano: AL30733)for Narrator, Children's Choir and instrumental ensemble (Flute, Oboe, Clarinet in Bb, Bassoon, Horn, Trumpet in C, Trombone, Percussion, 2 Violins, Alto, Cello, Bass: AL30734)Choral score: AL30743 / Choeur A L'Unison Et Piano

Jenkyns’ songs for children can best be described as art songs for the youngest singers. Their ranges and technical requirements are just right for the younger age groups and their lyrics as in The Five Little Mice are perfectly gauged for their performers. NB The Five Little Mice come to a sad end in this tale courtesy of a watchful cat.Peter Jenkyns was a 20th century British composer singer and educator who wrote a series of songs for primary-aged children sensitively arranged and with appropriate lyrics. Jenkyns was the headmaster of two primary schools outside of London for whose choirs he composed songs for the St Albans’ Schools Music Festival. He wasalso a highly-regarded Gilbert and Sullivan patter-song singer and he founded a local Gilbert & Sullivan society which is still thriving.

Jenkyns’s songs for children can best be described as art songs for the youngest singers. Their ranges and technical requirements are just right for the younger age groups and their lyrics as in The Little Elf are perfectly gauged for their performers.Peter Jenkyns was a 20th century British composer singer and educator who wrote a series of songs for primary-aged children sensitively arranged and with appropriate lyrics. Jenkyns was the headmaster of two primary schools outside of London for whose choirs he composed songs for the St Albans’ Schools Music Festival. He was also a highly-regarded Gilbert and Sullivan patter-song singer and he founded a localGilbert & Sullivan society which is still thriving.

Simple little Christmas piece to be sung for or by the children written for unison choir with keyboard accompaniment

Four traditional Polish children's songs for unison voices and piano with music by Witold Lutos awski. Translated and arranged by Richard Steinitz.

The joy and drama of Easter come vividly to life through the eyes of animals and those who witnessed the events of Holy Week in this new musical for young voices. Delightful and touching songs are linked with easily-learnedrhyming dialog to create a charming presentation which relates the emotional events of Holy Week and Easter making the season all the more understandable and enriching for children. 15 minutes.

Written for unison voices and piano.Polish titlesNo.1-Przybiezeli do BetlejemNo.2-Wzlobie lezy.

Adam-In-Eden is a popular style cantata telling the story of Adam and Eve. The scoring is for unison voices (with divisions) with a small part for narrator. The accompaniment for Piano with Guitar Chord Symbols would suit the addition of Drums and Double Bass if available. 21mins

The question in the title may seem abstract but learning that the poet was five and the profundity behind her thoughts is the first impressive moment. The first melody line holds the weight of the question. The second melody dances while your thoughts become dazzled. Returning to the first theme you enjoy the unanswered questions of the ages from the innocence of youth. Easy.

This setting of the well-known hymn text 'Christ the Lord is risen again!' features bright vocal lines and an energetic accompaniment. The scoring is flexible allowing performance with either one or two vocal parts made up of upper lower or mixed voices.

Par NIX BRAD. Sing and Celebrate 10! honors the tenth anniversary of this outstanding series for sacred, younger elementary choirs! This special, multi-purpose volume contains 2 Mini-Musicals or 10 Stand-Alone Anthems for use throughout the church year. Each mini-musical provides five songs with age-appropriate scripts plus flexible suggestions for sets, props, staging, costumes, and cast assignments. The songs in each mini-musical may also be sung separately as individual anthems. Sing and Celebrate 10! comes packed with creative lesson plans, teaching resources, and rehearsal planning ideas necessary for building a successful, engaging choir program-in one value-packed Book with digital download access! Digital downloads include accompaniment and performance tracks, reproducible singers\' pages, supplemental teaching resources, and colorful PDF song charts for projection options. Like every volume in the series, Sing and Celebrate 10! promises to nurture the musical and spiritual growth of your singers to last a lifetime. Included in this volume are Creation Celebration! (General Mini-Musical) and The Greatest Gift of All (Christmas Mini-Musical). Also available in the Sing and Celebrate! series: the original Sing and Celebrate! (35028238), Sing and Celebrate 2! (35028755), Sing and Celebrate 3! (35029219), Sing and Celebrate 4! (35029809), Sing and Celebrate 5! (35030476), Sing and Celebrate 6! (35031059), Sing and Celebrate 7! (35031739), Sing and Celebrate 8! (35032293), Sing and Celebrate 9! (00295391) / Date parution : 2022-06-14/ Recueil / Choeur à L\'Unisson

New settings of the two evening canticles which incorporate jazz elements, including harmony in voice parts and organ and many 'blue' notes. Despite these jazz elements, the music is very approachable, with natural syncopation and mostly homophonic writing. It is also available for mixed choir (ISMN 979-0-060-13011-3). Either version would be enjoyable and rewarding additions to a church choir's modern liturgical repertoire, or indeed concert repertoire of all choirs. / Choeur Et Orgue

The Holly And The Ivy arranged by Witold Lutoslawski for unison Voices and Piano.