Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For piano/orchestra (piano/2 flutes/2 oboes/2 clarinets/2 bassoons/2 horns/2 clarin trumpets/timpani/2 violins/viola/cello/contr abass). This edition: Urtext edition. Paperback. Score. Opus 73, no. 5. Duration 38 minutes. Published by Baerenreiter Verlag

String Orchestra and Piano

SKU: BT.EMBZ14253

By Lajos Vigh. By Arpad Pejtsik. EMB Music for Beginners. Educational Tool. Book Only. Composed 2000. 92 pages. Editio Musica Budapest #EMBZ14253. Published by Editio Musica Budapest (BT.EMBZ14253).

Hungarian-English-Germ an-French.

The volume comprises works by classical and romantic masters for beginners. The chamber ensemble includes violin, viola, violoncello and piano, but if the viola is missing, its part can be played by a second violin from the version enclosed in the appendix. The string parts do not go beyond the first position. As opposed to the basso continuo part that children are less fond of, the piano assumes a soloistic role alternating with the strings. A certain part of the pieces can already be played after two years of serious studies. The colourful music containing dance movements and larger forms alike offers possibilities of common music making for string players andpianists.

String Orchestra and Piano

SKU: BT.EMBZ6338

Composed by Bela Bartok. Set (Score & Parts). Composed 1970. 304 pages. Editio Musica Budapest #EMBZ6338. Published by Editio Musica Budapest (BT.EMBZ6338).

Béla Bartók composed his Piano Quintet while at grammar school in Pozsony (Pressburg, now Bratislava), and it still shows the influence of Brahms in its melody and harmony. The work was always resoundingly successful at his youthful concerts. When on 7 January 1921 the Waldbauer Quartet wanted to repeat the programme of a concert given ten years previously, Bartók was displeased that this early work of his should be performed once again. Finally he consented to the performance, and played the piano part himself. The quintet was greeted with tumults of applause, unlike the other pieces on the programme, which were written later. According to a communication by Márta Ziegler,Bartók threw away the score in anger, and for many years it was believed to have been destroyed. In 1963, the editor Denijs Dille received a package inside which were the score and parts, which had been thought lost. Denijs Dille wrote: 'In preparing the text of this edition for practical purposes, I used the autograph score, and Bartók's own handwritten parts for the first and second violins, viola, and cello. [...] Bartók made so many deletions and significant changes in the score that the resulting version was somewhat different from the original. In this edition we give the last version, supplemented with the minor changes and signs that can be found in the string parts.'.

For Piano and Orchestra. By Lowell Liebermann. For Piccolo, Flute, Oboe, Clarinet (in Bb), Bass Clarinet, Bassoon, Contra Bassoon, English Horn, Horn, Trumpet, Tenor, Tuba, Timpani, Percussion, Piano, Violin, Viola, Cello, Contrabass. Classical. Solo Part with Piano Reduction. Composed 1983. Opus 12. 61 pages. Duration 22:00. Published by Theodore Presser Company.

Opera in One Act. By Hugo Weisgall. Arranged by Richard Hart. For Alto Saxophone, Clarinet, Tenor Saxophone, Trumpet, Violin, Viola, Cello, Contrabass, Piano. Classical. Full Score - Study. 54 pages. Duration 25:00. Published by Theodore Presser Company.