This great play-along pack lets instrumentalists play solo along with backing tr...(+)
This great play-along pack lets instrumentalists play solo along with backing tracks so they can sound like a pro. It features all 12 tracks from Lizzo\'s breakout album, including: Better in Color · Crybaby · Cuz I Love You · Exactly How I Feel · Heaven Help Me · Jerome · Juice · Like a Girl · Lingerie · Soulmate · Tempo · Truth Hurts. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
Mauricio Sotelo’s Muros de dolor...I (2005) speaks of the pain and sorrow of t...(+)
Mauricio Sotelo’s Muros de dolor...I (2005) speaks of the pain and sorrow of the soul. The strong and expressive character is achieved via a precisely calculated succession of “micro-intervals” and an expanded palette of “micro-qualities” of the tone. Mauricio Sotelo wrote Muros de dolor…I for saxophonist Marcus Weiss, who supported him significantly in the composition of the work with his knowledge of the saxophone’s capabilities and his experience as an interpreter. A fingering chart for eighth tones for tenor saxophone is contained in UE33034. / Partitions classique / Bois / Saxophone / UNIVERSAL EDITION
Saxophone Play-Along Volume 1-Learn to play your favourite rock 'n' roll songs o...(+)
Saxophone Play-Along Volume 1-Learn to play your favourite rock 'n' roll songs on the Saxophone quickly and easily with this volume in the Saxophone Play-Along? series. Just follow the music listen to the online audio to hear how the Saxophone should sound and then play along using the separate backing tracks. The melody and lyrics are also included in case you want to sing or to simply help you follow along. This volume features the songs Bony Moronie Charlie Brown I'm Walkin' Lucille (You Won't Do Your Daddy's Will) and more.
Showstopping tunes dans mélodie simple ligne solos. Pour alto ou ténor, avec l...(+)
Showstopping tunes dans mélodie simple ligne solos. Pour alto ou ténor, avec les symboles de la corde. Les titres comprennent ' I Feel Pretty ' et ' Don't Cry For Me Argentina '. / Saxophone / 48 pages / Partition
Amoureux de Variété Internationale Et Divers, vous trouverez la partition de v...(+)
Amoureux de Variété Internationale Et Divers, vous trouverez la partition de vos rêves, que ce soit en format séparé ou en recueil.Cette partition When I'M Sixty Four Sax Quartet Kendor est idéale pour les amateurs ou professionnels de musique qui souhaitent acquérir une partition pour Saxophone. / Saxophone / Partition
For Saxophone Choir-There’s a Boat Dat’s Leavin’ Soon for N...(+)
For Saxophone Choir-There’s a Boat Dat’s Leavin’ Soon for New York/It Ain’t Necessarily So/Summertime/I Got Plenty o' Nuttin’ is a song from the American opera Porgy and Bess composed in 1935 by George Gershwin (1898-1937) to a libretto by DuBose Heyward and his brother Ira Gershwin after Heyward’s novel Porgy - a story about the love between the crippled negro beggar Porgy and the girl Bess in the city of Charleston in South Carolina. The première - not a huge success - took place on 10 October 1935 in New York.With his opera Gershwin wanted to gain recognition as a composer of classical music. Incidentally he demanded that all parts were sung by black performers; only a few unimportant parts without sung lyrics were allowed to be performed by white actors. This rule still applies: Gershwin has stated in the terms of his will that only black people were allowed stage the opera.Porgy & Bess has become popular only after Gershwin’s death. In 1959 a wonderful film was made; the soundtrack won a Grammy Award. The work is not very often performed possibly because of the difficulty of finding a whole cast of black opera singers. However various pieces from the opera are still regularly performed in numerous arrangements.
Arturo Himmer Sax Plus Band 1 8 weltbekannte Titel für Alt- oder Tenorsaxophon ...(+)
Arturo Himmer Sax Plus Band 1 8 weltbekannte Titel für Alt- oder Tenorsaxophon mit Playback-CD Besetzung: Saxophon mit CD Wer das Besondere sucht, ist bei Sax Plus! genau richtig. Weltnummern, anspruchsvoll arrangiert, und eine Top-Band auf der Playback-CD machen diese Serie einmalig. Phil Collins You'll Be In My Heart Céline Dion When I Need You Gloria Estefan Oye Mi Canto Gloria Gaynor / Hermes House Band I Will Survive Michael Jackson Heal The World Kenny G Songbird Spyro Gyra Morning Dance Zucchero Diamante
14 favoris de Disney arrangé pour les instrumentistes, y compris: Can You Feel ...(+)
14 favoris de Disney arrangé pour les instrumentistes, y compris: Can You Feel the Love Tonight - Circle of Life - Colors of the Wind - Cruella De Vil - Forget About Love - Hakuna Matata - I Just Can't Wait to Be King - Just Around the Riverbend - Mine, Mine, Mine - Out of Thin Air - Strange Things - This Land - The Virginia Company - You've Got a Friend in Me. / Saxophone
Arturo Himmer Sax Plus Band 6 8 weltbekannte Titel für Alt- oder Tenorsaxophon ...(+)
Arturo Himmer Sax Plus Band 6 8 weltbekannte Titel für Alt- oder Tenorsaxophon mit Playback-CD Besetzung: Saxophon mit CD Wer das Besondere sucht, ist bei Sax Plus! genau richtig. Weltnummern, anspruchsvoll arrangiert, und eine Top-Band auf der Playback-CD machen diese Serie einmalig. Chameleon Conga Easy Harlem Nocturne I Feel Good Just The Two Of Us Mercy, Mercy, Mercy Mission: Impossible
This book is designed to help saxophonists develop fluency in the jazz language ...(+)
This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn.
Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing.
Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions.
Imagine someone who has worked as an international saxophonist, an educator, a t...(+)
Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.
Initially composed by Paul Taffanel and Philippe Gaubert this edition of Big Da...(+)
Initially composed by Paul Taffanel and Philippe Gaubert this edition of Big Daily Finger Exercises was adapted for the Saxophone and transcribed by Frederic Juranville. It includes fourteen different exercises: 1. Scales 2. Scales by the chromatic order and according to the cycle of fifths 3. Intervals 4. Chromatic scales 5. Whole –tones scales 6. Arpeggios 7. Broken arpeggios 8. Arpeggios 9. Broken arpeggios 10. Diminished fifth chords – Arpeggios and broken arpeggios 11. Diminished seventh chords – Arpeggios andbroken arpeggios 12. IV-V-I progressions 13. IV-V-I progressions with different rhythmic combinations 14. II-V-I progressions Frédéric Juranville is a French musician born in 1957 who won the First Prize of the Paris Conservatoire for Chamber music and Saxophone. He is now a Saxophone professor in France and works on the composition of new pedagogic methods.
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...(+)
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.\'Take the Lead 90s Hits\' features idiomatic arrangements of 90s pop classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun.Contents: Air That I Breathe; Angels; Frozen; How Do I Live; I Don\'t Want To Miss A Thing; I\'ll Be There For You; My Heart Will Go On; Something About The Way You Look Tonight
La collection Omnibook propose aux musiciens de jazz une collection ultime pour ...(+)
La collection Omnibook propose aux musiciens de jazz une collection ultime pour apprendre les classiques des maîtres avec des transcriptions exactes note à note. Cette dernière publication de l'Omnibook permet aux instrumentistes en Sib et en Mib de jouer la musique de certaines des plus grandes icônes du jazz au saxophone de tous les temps et propose 53 chansons transcrites exactement à partir de solos enregistrés par des artistes tels que Cannonball Adderley, John Coltrane, Stan Getz, Joe Henderson, Jackie McLean, Gerry Mulligan, Charlie Parker, Sonny Rollins, et bien d'autres encore ! Titres inclus : All the Things You Are - Anthropology - Body and Soul - Cherokee (Indian Love Song) - Donna Lee - A Foggy Day (In London Town) - Frenesí - Georgia on My Mind - I Can't Give You Anything but Love - I Remember You - Just One of Those Things - Lester Leaps In - Lover Man (Oh, Where Can You Be ') - Luck Be a Lady - Mood Indigo - Seven Come Eleven - Take Five - Walk on By - What a Little Moonlight Can Do - et bien d'autres encore. La reliure spirale permet une ouverture à plat pour les répétitions ou les concerts ! All The Things You Are Alone Together Angel Eyes Anthropology Bags' Groove Bernie's Tune Body And Soul Cherokee (Indian Love Song) Cotton Tail Donna Lee Emily Everything Happens To Me Flying Home A Foggy Day (In London Town) Footprints Frenesí Georgia On My Mind Giant Steps Ginger Bread Boy Groovin' High Hot House I Can't Give You Anything But Love I Hadn't Anyone Till You I Love Paris I Remember Clifford I Remember You I'm Old Fashioned Idaho Inner Urge Jam For Bobbie Just One Of Those Things Lester Leaps In Line For Lyons Lover Man (Oh, Where Can You Be') Luck Be A Lady Lulu's Back In Town Mood Indigo My Melancholy Baby My One And Only Love Oh, Lady Be Good! Oleo On A Slow Boat To China Quiet Nights Of Quiet Stars (Corcovado) Ramblin' Recorda Me St. Thomas Seven Come Eleven Take Five Turnaround Undecided Walk On By What A Little Moonlight Can Do Work Song / Instrument en mib / Hal Leonard
La collection Omnibook propose aux musiciens de jazz une collection ultime pour ...(+)
La collection Omnibook propose aux musiciens de jazz une collection ultime pour apprendre les classiques des maîtres avec des transcriptions exactes note à note. Cette dernière publication de l'Omnibook permet aux instrumentistes en Sib et en Mib de jouer la musique de certaines des plus grandes icônes du jazz au saxophone de tous les temps et propose 53 chansons transcrites exactement à partir de solos enregistrés par des artistes tels que Cannonball Adderley, John Coltrane, Stan Getz, Joe Henderson, Jackie McLean, Gerry Mulligan, Charlie Parker, Sonny Rollins, et bien d'autres encore ! Titres inclus : All the Things You Are - Anthropology - Body and Soul - Cherokee (Indian Love Song) - Donna Lee - A Foggy Day (In London Town) - Frenesí - Georgia on My Mind - I Can't Give You Anything but Love - I Remember You - Just One of Those Things - Lester Leaps In - Lover Man (Oh, Where Can You Be ') - Luck Be a Lady - Mood Indigo - Seven Come Eleven - Take Five - Walk on By - What a Little Moonlight Can Do - et bien d'autres encore. La reliure spirale permet une ouverture à plat pour les répétitions ou les concerts ! All The Things You Are Alone Together Angel Eyes Anthropology Bags' Groove Bernie's Tune Body And Soul Cherokee (Indian Love Song) Cotton Tail Donna Lee Emily Everything Happens To Me Flying Home A Foggy Day (In London Town) Footprints Frenesí Georgia On My Mind Giant Steps Ginger Bread Boy Groovin' High Hot House I Can't Give You Anything But Love I Hadn't Anyone Till You I Love Paris I Remember Clifford I Remember You I'm Old Fashioned Idaho Inner Urge Jam For Bobbie Just One Of Those Things Lester Leaps In Line For Lyons Lover Man (Oh, Where Can You Be') Luck Be A Lady Lulu's Back In Town Mood Indigo My Melancholy Baby My One And Only Love Oh, Lady Be Good! Oleo On A Slow Boat To China Quiet Nights Of Quiet Stars (Corcovado) Ramblin' Recorda Me St. Thomas Seven Come Eleven Take Five Turnaround Undecided Walk On By What A Little Moonlight Can Do Work Song / Instrument en sib / Hal Leonard
Saxophone-Metamorphoses after Britten was written for Melinda Maxwell for UYMP'...(+)
Saxophone-Metamorphoses after Britten was written for Melinda Maxwell for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010.I - A MountainII -FixationIII - FlowersIV - Fountains Metamorphoses after Britten by philipvenables 'Metamorphoses after Britten arejust that: four miniatures each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement over its short course transforms gradually from one thing to another ending with the exception ofFountains in a short cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces.I very much viewed these pieces as musical Haiku and in that sense I hope they embody a sense ofpeace brevity and simplicity.The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell.The saxophone version of Metamorphoses after Britten with an additional movement is dedicated to Vickiand Andrew Vaughan' - Philip Venables
Studies for Saxophone- This collection by Jayson Mackie contains 20 solo compos...(+)
Studies for Saxophone- This collection by Jayson Mackie contains 20 solo compositions in a Latin style for the Eb Alto Saxophone. Latin music has been a particular favourite genre of mine to write in having grown up listening to jazz bands and playing in them as a teenager. Most people can name a handful of the more well-known dances (thanks to the popularity of Strictly Come Dancing!) but I knew there were many more lesser-known Latin styles out there. So in August 2015 I decided to research some of the many dance forms of the Caribbean and South America. After listening to these and discovering a little of theirhistory and musical characteristics I decided to write my own versions. Latin Lovelies is the result. - Jayson Mackie
Par SCOTT ANDY. Saxon Place is an opportunity to explore and improvise with colo...(+)
Par SCOTT ANDY. Saxon Place is an opportunity to explore and improvise with colour and inflection, within a fully notated work. When I was writing Saxon Place I was hearing some of the saxophonists that I admire from the contemporary classical, jazz and funk worlds. Divided into three main sections that run continuously, part one is dynamic and articulate, part two has a free time introduction before settling into a slower groove, whilst part three is about energy and drive and musical conversation. The alternative fingerings that feature in part three do not need to have exact intonation, in fact the effect is better if they aren’t exactly in tune with the notated pitch! You may need to experiment with which palm keys that you use depending on saxophone of choice. Andy Scott / Date parution : 2021-12-09/ Répertoire / Saxophone
Step into the spotlight and play along with the specially recorded audio. Demons...(+)
Step into the spotlight and play along with the specially recorded audio. Demonstration and playalong tracks are available to stream and download Top line arrangements for ten of the best film songsarranged for Alto Saxophone. Born Free (From \'Born Free\'), Eye Of The Tiger (From \'Rocky III\'), Georgia On My Mind (From \'Ray\'), I Will Always Love You (From \'The Bodyguard\'), (I\'ve Had) The Time Of My Life (From \'Dirty Dancing\'), Kiss From A Rose From (\'Batman Forever\'), Nothing\'s Gonna Stop Us Now (From \'Mannequin\'), Oh, Pretty Woman (From \'Pretty Woman\'), Ring Of Fire (From \'Walk The Line\') and Stayin\' Alive (From \'Saturday Night Fever\')As well as the printed score, this book is supported by SoundWise:eBook: a digital edition of your music to read on any device.Audio: full demonstration recordings of each piece, plus accompaniment-only, solo-only and rehearsal backing tracks. / Saxophone
Par O'NEILL JOHN. These methods provide complete courses for players off all age...(+)
Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers.
Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals.
With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher.
'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold)
'...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist)
The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument.
'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers.
Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation.
With step by step instruction and a progression of specially written pieces, the fundamental elements of good saxophone technique-breath control, tone-production, embouchure, tonguing and fingerings-are introduced alongside the rhythmic subtleties of jazz (for example, 'swung' and syncopated rhythms). Improvisation is encouraged from an early stage, given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With additional information on practical matters such as choosing reeds and earing for the instrument, as well as supplementary suggestions for listening and reading, 'The Jazz Method for Saxophone' is ideally suited both to students working alone and those learning with a teacher. / Méthode / Recueil / Saxophone
Par O'NEILL JOHN. These methods provide complete courses for players off all age...(+)
Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers.
Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals.
With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher.
'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold)
'...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist)
The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument.
'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers.
Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. / Méthode / Méthode / Saxophone
Saxophone Play-Along Volume 2 Includes Parts for Bb & Eb Saxophones-Learn to pla...(+)
Saxophone Play-Along Volume 2 Includes Parts for Bb & Eb Saxophones-Learn to play your favourite R&B songs on the Saxophone quickly and easily with this volume in the Saxophone Play-Along™ series. Just follow the music listen to the audio to hear how the Saxophone should sound and then play along using the separate backing tracks. The melody and lyrics are also included in case you want to sing or to simply help you follow along. The audio is enhanced with playback tools to adjust the recording to any tempo without changing pitch loop passages and pan left or right! This volume features the songs Soul Serenade Unchain My Heart Cleo's Mood I Got a Woman and more.
from R&B Pop and Smooth Jazz-Perform some of the best-known sax solos of all ti...(+)
from R&B Pop and Smooth Jazz-Perform some of the best-known sax solos of all time! Playing these clearly rendered and meticulously detailed transcriptions will give you insight into the styles of sax greats such as Michael Brecker Kenny G David Sanborn Jay Beckenstein and many others. Berklee professor Jeff Harrington's introduction offers tips on how to practice and perform. Features solos from 17 songs: Against All Odds ? Baby I Love Your Way ? I Heard It Throughthe Grapevine ? Love Is a Wonderful Thing ? Morning Dance ? Still Crazy After All These Years ? Time Passages ? Walk on the Wild Side ? and more.?I love the clarity with which all the different solos aretranscribed and it's great to have the opportunity to see all this incredible work from such a wide variety of soloists.? Kenny G