| Take Your Bow: Cello:
Instrumental Album Violoncelle, Piano [Partition + Accès audio] - Débutant Trinity College London
Take Your Bow is a collection of 20 concert pieces for beginner string players w...(+)
Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series in any combination making it an excellent resource for individual or group teaching. Take Your Bow is available in 4individual editions — for violin viola cello and double bass each with piano accompaniment — and as a separate full score.
15.45 GBP - vendu par Musicroom GB |
|
| Take Seven Violoncelle, Piano Schott
Take Seven is a tried and trusted showpiece with audience appeal. The title Take...(+)
Take Seven is a tried and trusted showpiece with audience appeal. The title Take Seven is of course a play on Paul Desmond's famous Take Five and its recording by the Dave Brubeck Quartet. As there, the rhythms in this piece are largely based on an asymmetric metre - in this case, 7/4 time. Unlike most jazz pieces with an uneven metre, however, Take Seven goes through various moods, sections and tempo changes, illuminating the main theme from different angles. / Violoncelle Et Piano
19.42 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
|
| Barratt: Bravo Cello:
Cello: Instrumental Album Violoncelle, Piano [Conducteur et Parties séparées] Boosey and Hawkes
The pieces in Bravo! Cello take the student progressively through the early grad...(+)
The pieces in Bravo! Cello take the student progressively through the early grades. They consist mainly of orignal material with a few arrangements too - some well known some more unusual. These pieces are intended to encourage the student to perform rather than merely play.
12.99 GBP - vendu par Musicroom GB Délais: En Stock |
|
| Sonata For Violoncello
And Piano F Major Op. 99 Violoncelle, Piano Barenreiter
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. T...(+)
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano
17.34 EUR - vendu par LMI-partitions Délais: En Stock |
|
| Sonata in E minor for
Violoncello and Piano op.
38: Cello: Instrumental
Work Violoncelle, Piano Barenreiter
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed...(+)
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-
15.00 GBP - vendu par Musicroom GB Délais: En Stock |
|
| Recital Repertoire For
Cellists Book 1 (LLOYD
WEBBER JULIAN) Violoncelle, Piano [Partition] Faber Music Limited
Par LLOYD WEBBER JULIAN. Recital Repertoire for Cellists Book 1 is a lively coll...(+)
Par LLOYD WEBBER JULIAN. Recital Repertoire for Cellists Book 1 is a lively collection of originals and arrangements for the student who has already acquired a sound grasp of basic technique. The pieces are arranged progressively, and take the cellist from intermediate to advanced level./ Recueil / Violoncelle et Piano
11.34 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
|
| Season of Carols: Cello
and Accomp.: Instrumental
Album Violoncelle, Piano Hal Leonard
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (...(+)
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
13.99 GBP - vendu par Musicroom GB |
|
| Johann Sebastian Bach:
Ruht Wohl Bwv245
(Johannes): Cello:
Instrumental Work Violoncelle, Piano - Intermédiaire/avancé Spartan Press
'Ruht Wohl' is the final Chorus from the St. John Passion and takes the form of ...(+)
'Ruht Wohl' is the final Chorus from the St. John Passion and takes the form of a Da Capo Aria with opening ritornello.This beautiful music cri de coeur for the human heart and spirit comes at a dark point in the Passion story yet there is constant play of light and colour hinting at the hope and renewal of Easter. Sweeping melodic lines are a gift for cello and the arrangement retains all counterpoint dramatic episode formal symmetry of the original. Technically accessible to Grade 6 & 7 students 'Ruht Wohl' makes an impressive concert item for Grade 8 and above.
4.95 GBP - vendu par Musicroom GB |
|
| Sonnets (NORMAN ANDREW) Violoncelle, Piano Schott
Par NORMAN ANDREW. Sonnets is a collection of miniatures for cello and piano. To...(+)
Par NORMAN ANDREW. Sonnets is a collection of miniatures for cello and piano. To me, these micro-pieces are sonnets not in the rigorously formalized Elizabethan or Petrarchan senses of the word. Rather, they grow from the term's older, freer roots in the Italian word sonetto, meaning 'little song' or 'little sound.' Each of my five little songs takes as its title and point of inspiration a fragment from a Shakespeare sonnet. - Andrew Norman/ Répertoire / Violoncelle et Piano
44.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
|
| Concerto for Cello and
Orchestra
(Concertstück) Violoncelle, Piano [Partition] Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...(+)
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
21.05 EUR - vendu par LMI-partitions Délais: En Stock |
|
| A New Tune A Day:
Performance Pieces:
Cello: Instrumental Album Violoncelle, Piano [Partition + CD] - Facile Boston Music
The celebrated and award-winning series continues with a selection of pieces in ...(+)
The celebrated and award-winning series continues with a selection of pieces in a wide range of styles and varieties chosen to give you a superb repertoire of music at an early stage.From well-known classical melodies andshowstoppers of the stage to jazz hits folk songs and film themes - the diversity of these accessible arrangements will provide vital early experience in all manner of performance styles. The music includes full accompanimentsfor Piano Keyboard or Guitar making this volume the perfect companion to A New Tune A Day Book 1. Furthermore a professionally produced audio CD packed with stunning recorded accompaniments and demonstrations willallow you to develop your confidence and skills at home as well as offering spectacular backing tracks for your showcase performances.Take your playing to a new level with this superb collection.Voted Best InShow at NAMM 2006 by Music Inc. Magazine.
12.99 GBP - vendu par Musicroom GB Délais: En Stock |
|
| Cello Time: Cello:
Instrumental Album Violoncelle, Piano [Partition] - Débutant Novello & Co Ltd.
Cello Time is a sequel to Colin Evans' Take a Cello and Basic Bass. Cellists wh...(+)
Cello Time is a sequel to Colin Evans' Take a Cello and Basic Bass. Cellists who have moved on from the open string writing can now take up the challenge of these seven new pieces written for the first position.
10.99 GBP - vendu par Musicroom GB |
|
| Leos Janacek: Werke:
Cello: Instrumental Album Violoncelle, Piano [Partition] Barenreiter
Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fa...(+)
Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fairy Tale) became established in the concert repertoire. Although he completed the work the composer did not want to have it published. The history of the work’s composition is long and complicated. Janacek began writing the work before 1910 however the Pohadka (Fairy Tale) only received its final form after a series of corrections in 1923. The second composition the Presto is incomplete. Only a sketch exists which Janacek did not develop further. The original tempo marking of Allegro was changed by Janacek himself to Presto. The work has beendiscussed under this title in recent Janacek literature. In the supplement of this edition an early version of A Tale is included. The source to this version is a copy owned by Antonin Vana one of the first interpreters of the composition. The early version of A Tale offers a valuable and interesting alternative to today’s known version with its marked differences such as the considerably changed ending of the first movement and the original form of four movements. Urtext from the Janacek Complete Edition All available sources have been taken into consideration A detailed new foreword by Jiri Zahradka (Czech English German) “Again Bärenreiter sets the industry standard for scholarship clarity of type layout and paper qualitiy.”(Strings July 2009)
17.00 GBP - vendu par Musicroom GB |
|
| Tenor Clef Violoncelle, Piano Clifton Edition
Par TAYLOR LORNA. Cello part with pull-out piano accompaniment and alternative f...(+)
Par TAYLOR LORNA. Cello part with pull-out piano accompaniment and alternative free backing tracks downloadable from www.cliftonedition.com/C323 The third book in the series, this book is designed to take cellists through the process of learning to read the tenor clef in a step-by-step, structured approach. To read the higher notes it is necessary to use 5th, 6th, 7th and 8th positions all of which are covered. The book thus provides a follow-up to Lorna Taylor's 'Go Fourth' and 'Taylor-Made'. / Date parution : 2023-10-31/ Recueil / Violoncelle et Piano
21.22 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| E.J. Moeran: Sonata For
Cello & Piano: Cello:
Score and Parts Violoncelle, Piano [Partition] Novello & Co Ltd.
In the second half of his life Moeran greatly extended his sensibilities and hi...(+)
In the second half of his life Moeran greatly extended his sensibilities and his musical palate to include more energetic and vigorous rhythms harmonic colours and tonalities. In the Sonata for ViolonCello and Piano the listener will find grandeur in the first movement and an intricate rondo in the finale. It is a piece by a composer who has taken an expansive step beyond his immediate surroundings and first influences.E J Moeran was a 20th century British composer of Anglo-Irish background who spent his early years in Norfolk and influences of folksong and programmatic elements can be easily heard in this composer’s main body of work. Moeran tended toward thesmaller ensembles in his compositions which gave an appropriate frame for his lyric gifts.
15.99 GBP - vendu par Musicroom GB |
|
| Sonata Op. 11 Violoncelle, Piano Schott
Composed in 1919, Hindemith thoroughly revised his sonata two years later. Compo...(+)
Composed in 1919, Hindemith thoroughly revised his sonata two years later. Composer and pianist Fazil Say has taken up the challenge to reconstruct the piano part on the basis of the cello part and the structure of the extant middle movement. / Violoncelle Et Piano
53.28 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
|
| BOSSO EZIO- 3 PIECES FOR
CELLO and PIANO Violoncelle, Piano Hal Leonard
This is the first edition of Ezio Bosso's works for cello and piano. It includes...(+)
This is the first edition of Ezio Bosso's works for cello and piano. It includes the acclaimed Unconditioned (Following a Bird) taken from the album ...?And The Things That Remain, published in 2016. This volume is part of a collaborative editorial project between Buxus Editions and Hal Leonard Europe, dedicated to publishing all of Maestro Bosso's compositions for instrumental chamber ensemble. / Violoncelle / Hal Leonard
16.00 EUR - vendu par Woodbrass Délais: Sur commande |
|
| Antonín Dvo?ák:
Slavonic Dances Op. 46:
Cello: Instrumental Work Violoncelle, Piano - Intermédiaire Barenreiter
Arranged For Violoncello and Piano-In 1891 Dvorák arranged the final eighth dan...(+)
Arranged For Violoncello and Piano-In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op.46 for violoncello and piano. The Czech composer Jir Gemrot born in 1957 has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák?s ideal sound Gemrot based his arrangements on the composer's orchestral score.Dvorák?s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of Anton n Dvorák Volume IV/3 (Compositions for Violoncello).First complete edition of the first set of Slavonic Dances arranged for violoncello and pianoby Jir GemrotIncludes Dvorák?s own arrangement of Dance No.8With fingering and bowing by Tomá? Jamn kForeword (Cz/Eng/Ger) by Eva Velická
20.00 GBP - vendu par Musicroom GB |
|
| Sonata No. 1 « The
Roots, (A Tale Sonata) » Violoncelle, Piano [Partition] Hal Leonard
for Cello and Piano. Par BOSSO EZIO. This is the first edition of Ezio Bosso?s S...(+)
for Cello and Piano. Par BOSSO EZIO. This is the first edition of Ezio Bosso?s Sonata No. 1 for cello and piano ?The Roots (A Tale Sonata)?, taken from the 2018 album of the same name, the last one recorded by the composer. This volume is part of a collaborative editorial project between Buxus Editions and Hal Leonard Europe, dedicated to publishing all of Maestro Bosso?s compositions for instrumental chamber ensemble. / Date parution : 2023-03-11/ Répertoire / Violoncelle et Piano
21.68 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Tenor Clef (Cello and
Piano/CD): Cello:
Instrumental Album Violoncelle, Piano [Conducteur et Parties séparées + CD]
This series takes cellists through the process of learning to read the tenor cle...(+)
This series takes cellists through the process of learning to read the tenor clef in a step-by-step structured approach.Complete with Cello part pull-out piano accompaniment and CD. To read the higher notes it is necessary to use 5th 6th 7th and 8th positions all of which are covered. The book thus provides a follow-up to Lorna Taylor's 'Go Fourth' and 'Taylor-Made'.
14.50 GBP - vendu par Musicroom GB |
|
| Ola Gjeilo: Stone Rose -
Three Pieces for Cello:
Cello: Instrumental Work Violoncelle, Piano Peters
Madison for Cello and Piano is taken from Ola Gjeilo's album of Piano and instru...(+)
Madison for Cello and Piano is taken from Ola Gjeilo's album of Piano and instrumental music Stone Rose. This favourite piece from the album is now available in sheet music complete with pull-out Cello part and Piano score.
8.95 GBP - vendu par Musicroom GB |
|