lyric. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Lyrique

Soprano Book Only. 32 Chansons de la scène de Broadway. Un trésor de chansons de théâtre musical dans leurs clés originales, sélectionnés par la voix. Pour les chanteurs aspirants et professionnels qui aiment à Broadway, bibliothèque de théâtre du chanteur d'Alfred Musical présente un élégant collectiohe plus aimés du théâtre musical chansons dans leurs clés originales, authentiquement transcrits de leurs scores vocales originales. Parfait pour l'étude et aussi propice pour les auditions de la plus importantes et plus encore.../ Recueil / Soprano et Piano

With companion recordings online-With companion CDs. This outstanding series is an encouragement to beginning singers in preparing a vocal solo. Songs have been carefully chosen for each voice type after consulting many official state contest repertoire lists. All the songs for instance are on the Texas list. The series will be useful to any novice singer not just limited to those preparing an actual contest solo. Each volume contains 10 songs: 5 art songs in English an African-American spiritual 2 songs in Italian a song in German and a song in Spanish. There are new editions and engravings of all songs. Biographical information is included on each composer. Interpretive suggestions are givenfor each song and the preface on Learning a Song is especially instructive. Each companion CD includes beautiful performances of all the songs by a professional singer and excellent accompaniments by pianist Laura Ward. Also on the CD are pronunciation guides in Italian German and Spanish. Soprano Book Contents: Didn't My Lord Deliver Daniel · Do Not Go My Love · El tra la la y el punteado · I Attempt from Love's Sickness to Fly · It Was a Lover and His Lass · Lachen und Weinen · Nel cor più non mi sento · Se tu m'ami · Solveig's Song · 'Tis the Last Rose of Summer.

A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and

Composed in 1741 Handel's Messiah has remained a popular choice for choir performances for nearly 275 years. With 3 Steps To Sing anyone can now learn and rehearse the piece at home, regardless of their ability to read music.This easy-to-follow learning method for the Soprano part includes the following steps:Step 1 - Visual Learning DVDA voice part recorded by a professional singer (Soprano, Alto, Tenor or Bass). The notes and words are displayed on the screen and change colour in time with the music - all you have to do is join in as if singing a duet to learn your part.Step 2 - Voice Part Rehearsal CDIn this second step a narrator guides you, telling you when to sing and calling out where you are so that you don't get lost. Rehearse using your vocal score (available separately) and you will soon know the words and be singing the right notes.Step 3 - Chorus Backing Track CDPut what you've learned into practice with the third step, the Chorus Backing Track CD. Listen out for your part and sing along with the choir and background music - it's like singing with a real choir. / Soprano

Brian Elias 'Peroration' arranged for solo Soprano.Peroration was written in 1973 in response to a commission from Jane Manning to whom the work is dedicated. It was stimulated by a few lines from Robert Browning’s‘Dominus Hyacinthus de Archangelis’ (The Ring and the Book). The poem recounts the trial of a certain Count Guido Francdeschini who murdered his adulterous wife and his daughter to preserve his honour. The extracted lines fromthe conclusion of Count Guido’s defence are in the form of peroration. The use of Latin words and phrases so immediately followed by the English as to give the impression of simultaneous translation gave the composer the ideafor the musical form namely two almost simultaneous parts. The first and last sections of the piece contain a third part which acts as a kind of commentary. The different parts move between the English and Latin freely.

Nicola Vaccai's Practical Vocal Method (Soprano Or Tenor) is complete and scrupulous providing an ideal preparation for a certain type of 'pre-Rossinian vocalism' which is attracting renewed interest. This edition is a critical and technical revision of the composer's original work by Elio Battaglia.The completeness and centrality of Vaccai's method is further demonstrated by the practical examples on the accompanying CD. The CD contains a recording of the whole method for both female and male voice.

Performed by Zvetelina Maldjanska soprano Accompaniment: Festival Orchestra of Bulgaria Conductor: Nayden Todorov A treasure-trove of Puccini masterpieces together in one package performed for you by European opera star Zvetelina Maldjanska then performed again with full orchestra minus you the soloist! Includes a high-quality printed vocal score and a CD G graphics-enabled compact disc with complete versions (with soloist) followed by stereo orchestral accompaniments to each piece minus the soloist.

Orchestra Accompaniment Series. Recorded in Prague with the Czech Symphony Orchestra. The CDs in these packs contain two versions of each selection: one with a singer and one with orchestra accompaniment only. All books in the series contain historical and plot notes about each opera operetta or show and piano/vocal reductions of the music. The singers heard on these recordings are top professionals from Covent Garden English National Opera and other main stages.

Soprano Accompaniment CDs-Two accompaniment CD's in each package and work in unison with the Anthology music books and contain a collection of songs from the musical stage categorized by voice type. The selections are presented in their authentic settings excerpted from the original vocal scores.