Par LABROUSSE-BAERT SARAH. Un cahier de gammes et arpèges complet, pour le 1er cycle, en 1ère position, où les élèves étudieront avec plaisir / Niveau : Facile / Etude / Violon

Niveau 2 Volume 1. Par LABROUSSE-BAERT SARAH. Un recueil de 5 chefs d'oeuvre classiques arrangés pour Violon et Piano : 1 - HAYDN - Serenade du Quatuor à Cordes Op. 3 No. 5, 2 - FAURE - Berceuse Op. 16, 3 - CORELLI - La Follia, 4 - MASSENET - Méditation de Thaïs, 5 - RIES - Perpetuum Mobile Op. 34 No. 5 - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violon 1 Piano - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : Plus de 15 mns - Style Musical : Classique, Pédagogique - Catégorie : Arrangement - Compositeur : Sarah LABROUSSE-BAERT - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Intermédiaire à Avancé / Classique, Pédagogique / Recueil / Violon et Piano

Klezmer Play-les Alongs de Vahid Matejko pour violon est parfaite pour le joueur qui souhaite étudier la musique Klezmer plus intensive. Le livre couvre tout le spectre émotionnel complet du style Klezmer, et ce sera un plaisir pour tous les violonistes à se familiariser avec les subtilités de ce langage musical unique. Là où certains passages semblent techniquement difficile en raison de la grande plage d'octaves, le compositeur recommande artistes, n'hésitez pas à transposer et à jouer ces passages à l'octave inférieure précisément comme un joueur 'authentique' peut-être. Les changements d'accords ci-dessus la gravure peut être joué comme un accompagnement par des pianistes, claviéristes, accordéonistes, guitaristes ou, et le play-along CD inclus vous donne accès à votre propre groupe de musique klezmer. / Violon

Music Minus One Violin-Here are many of the best-loved melodies by the 'three B's' for violin and orchestra. Suitable for a range of technical levels they will challenge and delight any violinist amateur student or professional for years to come. The solo parts are performed by American violinist Geoffrey Applegate then you take his place in these beautiful classics alongside maestro Emil Kahn and the Stuttgart Symphony Orchestra. Includes a high-quality printed music score and a compact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel) then a second version in full stereo of the orchestral accompaniment minus the soloist. Includes: BRAHMS- Arioso Sleeper's Awake Come Sweet Death Gigue BEETHOVEN - Moonlight Sonata Prometheus In God's Honor BRAHMS - 3 Waltzes Lullaby Hungarian Dance No. 2. Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn

Seit längerem setzt sich Manfred Trojahn kompositorisch mit Texten auseinander die ?das Scheitern des Künstlers aus unterschiedlichen Perspektiven? reflektieren. Vor allem ?Le Ceneri di Gramsci? von Pier Paolo Pasolini und ?Ein Brief? von Hugo von Hofmannsthal bilden den geistigen die gleichnamigen Kompositionen Trojahns den ästhetischen und klangsprachlichen Hintergrund des V. Streichquartetts. Es wurde für das Kuss Quartett geschrieben. In drei Sätzen komponierte Trojahn eine expressive Musik mit zum Teil schroffen Kontrasten in der sich polyphone und blockartige Strukturen gegenüberstehen und ein dichtes vom Hörer nachvollziehbares Netz motivischer Verbindungen geschaffenwird.

Fünf Ausgewählte Lieder-Mahler for violin and piano? Why not! The violin is probably the instrument most akin to the human voice and Mahler was a prolific song writer. Georgian violinist Lisa Batiashvili has chosen five songs in arrangements by Ronald Kornfeil to enhance her own and others? concert repertoire. She offers a selection from ?Aus der Jugendzeit? ?Fahrenden Gesellen? and ?Des Knaben Wunderhorn? including the gorgeous ?Urlicht?. The full-throated piano accompaniments of these originally orchestral songs will not only do the songs justice but also remind us of their use in Mahler?s symphonies where of course the solo violin often featured. With no huge technicaldemands these arrangements can be tackled even by intermediate players and will offer students a rewarding exercise in powerful yet lyrical playing.

Manfred Trojahn ont amplement dimensionné quatuor avec piano en quatre mouvements d'une durée d'env. 40 minutes a été composé et développé en plusieurs étapes.Les mouvements intérieurs, un Vivace caractérisé par des rythmes lombards et de la vitalité et un adagio de rêve ont été écrits dans l'année Mozart 2005. En 2008, les mouvements extérieurs ont été achevés.L'ouverture Adagio 'Zerbrochenes Lied' est une lamentation d'imposer des morts tandis que le Finale, une profonde, se déplaçant 'Wanderlied', a été consacrée à un ami Trojahn et compositeur Wilhelm Killmayer à l'occasion de son 60e anniversaire.De cette façon, les travaux de Trojahn s'inscrit dans la tradition des quatuors de Mozart pour piano de deux, mais ajoute un élément biographique.C'est un grand, travail musicalement exigeant mais gratifiant pour les musiciens ambitieux. / Violon, Violoncelle, Alto Et Piano

Par AHO KALEVI. Kalevi Aho (b. 1949) composed ER-OS in 2015 as a wedding gift for conductor-clarinetist Osmo Vänskä and violinist Erin Keefe and named the work with the initials of their names. The virtuosic work is divided in three parts, the overall duration c. 11 minutes. The package includes two copies of playing score (page size B4)./ Répertoire / Violon et Clarinette

For flute, alto saxophone, guitar and percussion. Par AHO KALEVI. Kalevi Aho composed Quartet for flute, alto saxophone, guitar & percussion in 1982 for Cluster ensemble, which is the reason for the particular combination of instruments. The work was premiered in Amsterdam. Dramatic and tragic evolution of the three-movement work culminates in the wild percussion cadenza, which is followed by a quiet epilogue. Duration: 22'. Percussion instruments needed: vibraphone, xylophone, crotales,glockenspiel, snare drum, field drum, 2 tom-toms (low&very low), chinese cymbal, tam-tam. A bow is also needed. This product includes a study score (A4) and a set of parts (B4). / Date parution : 2023-06-01/ Répertoire / Flûte, Saxophone Alto, Guitare et Percussion

Un 2ème volume qui accompagne les élèves à partir du 2ème cycle jusqu'au cycle spécialisé, avec de nombreux exercices complémentaires et une écriture très pédagogique des gammes en double-cordes.Formation : Violon SoloInstrumentation : ViolonNiveau de Difficulté : IntermédiaireDurée : Plus de 15 mnsStyle Musical : PédagogiqueCatégorie : Composition Originale, MéthodeCompositeur : LABROUSSE-BAERT Sarah

Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn's compositions are possibly not as well-known as they ought to be. Sonata In C Major for Violin and Piano however shatter these prejudices held representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was a magical art andhis compositions often contain expressions of his otherwise hidden emotions and moods. Sonata In C Major contains a variety of different features making for a pleasant and evocative piece for advanced violinists.

Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes

Double Concerto in a minor op.102-The cellist Robert Hausmann had actually requested a Cello concerto - but Brahms paired the Cello with a Violin in his 'Double Concerto'. The unusual work has already been available as part of the newBrahms Complete Edition for several years.Using Brahms? original Piano reduction Johannes Umbreit has produced a playable Piano setting that optimally renders the colourfulness of the score. The fingerings andbowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts based on the Complete Edition are available from Breitkopf & Härtel (PB/OB 16104).