After working for three years at the NationalConservatory in New York, Dvorak returnedhome in 1895 feeling extraordinarily happy. The fruit of this ecstatic periodare thecomposer's last two string quartets. The Quartet in G major, Op. 106, waswrittenimmediately after his return from America. The melodic freshness of the light,airythemes, alternating folk idioms in a temperate, unobtrusive musical allusion,betraysthe composer's maturity and mastery. The editor of this work, published as partof the first Complete Critical Edition of Works by Antonin Dvorak, is FrantisekBartos.

This work brings me as much pleasure as if I were writinga major symphony... This washow Dvorak communicated to his publisher Simrock the joy he felt while workingonopus 75a (Miniatures for Two Violins and Viola), and he immediately set aboutreworkingit for violin and piano, giving it a new title, Romantic Pieces. The four shortmovementsfully evoke the atmosphere of home music-making for which it was written. TheCzechedition goes by the title Drobnosti (Miniatures) and is accompanied by a shortGavotte,dated 1890 and also written in a simpler style for three violins. This title ispart of the firstComplete Critical Edition of Works by Antonin Dvorak.

Par DVORAK ANTONIN. À l?été 1879, Dvorák coucha relativement vite sur papier le concerto demandé par son éditeur, mais ensuite, son achèvement dut attendre jusqu?en 1882. Il montra la partie de violon au célèbre violoniste virtuose Joseph Joachim, qui était d?ailleurs le dédicataire de l??uvre. De nombreux remaniements s?ensuivirent. Finalement, Joachim se désintéressa de l??uvre, si bien que la création en fut reprise par le violoniste tchèque Franti?ek Ondrícek. Cette ?uvre à la forme inhabituelle, qui commence et se termine par un rondo de sonate, est entièrement maintenue dans un caractère slave. Après le lyrisme du mouvement central, l??uvre se termine par des rythmes de danses tchèques. Cette édition Urtext est fondée certes sur les premières éditions de la partition, de la partie de soliste et de la réduction pour piano, mais aussi sur le manuscrit autographe. Les indications concernant la partie de soliste ont été confiées à la star du violon Augustin Hadelich, qui est actuellement l?un des meilleurs connaisseurs de l??uvre. / Date parution : 2023-03-11/ Répertoire / Violon et Piano

Par DVORAK ANTONIN. C'est un trésor des plus belles oeuvres de musique de chambre du maître tchèque, chacun affichant une maîtrise de l'instrumentation et riche d'inspiration mélodique. Comprend Quatuor n o 10 en mi bémol majeur, op. 51- n o 11 en ut majeur, op. 61- n o 12 en fa majeur, op. 96, 'L'Américain', #13 in G Major, op. 106, et n o 14 en la bémol majeur, op. 105. Reproduit de N. Simrock, Berlin, 1879-1896 éditions./ Répertoire / Quatuor à Cordes

Par DVORAK ANTONIN. Transcription de Classens / classique / Répertoire / Violon et Piano

The Henle urtext edition of Dvorak's Piano Trio Op.90 (Klaviertrio Opus 90) edited by Klaus Doge with piano fingerings by Andreas Groethuysen.

Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after he was awarded the coveted Premier Prix from the Paris Conservatoire for both violin and composition. After his London debut, the playwright and music critique George Bernard Shaw wrote in his review that Sarasate \'left criticism gasping miles behind him.\' Shaw also declared that there were many composers of music for the violin; there were but few composers like Sarasate for violin music. His vast concert repertory included many works written for and dedicated to him by Bruch, Saint-Saëns, Wieniawski, Dvorak and many others. He performed his own works in an inimitable, brilliant and charming manner. His contemporaries marveled at his perfect intonation and stunning rhythmic acuity. His bowing technique was the pride of the French School of violin playing. The works presented in this volume are among his finest. All are based on Spanish popular music and are a virtuosic set for violin and piano. They are and have been in virtually every great violinist\'s repertory. They are also exceptionally popular as encore pieces, as well as favorites of budding virtuosos. / Date parution : 2022-01-14/ Recueil / Violin et Piano

Popular Classics For Violin and Piano is a rare collection that features Violin part and separate Piano reduction of 25 works by Brahms Dvorak Händel Herbert Saint-Saëns Schubert Schumann Mendelssohn Massenet Elgar and others.Suitable for intermediate-level violinists this is an ideal edition for students teachers hobbyists and professionals to use for practice instruction and recitals.

Josef Suk (1824-1935) était un peu dans l'ombre des deux compositeurs tchèques célèbre Antonin Dvorak et Smetana. Cette Suk affecté surtout parce que Dvo?ák était aussi son beau-père, belle-mère, ce qui a fait son émancipation artistique d'autant plus difficile. Après la mort de Dvo?ák, cependant, il a rapidement réussi à trouver son propre langage musical et va son chemin en tant que musicien. Josef Suk, comme son petit-fils récemment décédé du même nom, était aussi un violoniste, travaillant en particulier comme second violon du Quatuor à cordes tchèque fondée en 1891. Il a écrit, sûrement pour son usage personnel, '4 pièces pour violon et piano op. 17 Publié en 1900 - une musique très romantique épicée avec des sons de Bohême. Pièces de performance passionnante qui sont enrichissants pour les deux instrumentistes. / Violon Et Piano

10 arrangements pour violon de symphonies classiques. Ce songbook vous donnera l'occasion de jouer de mouvement complet accompagné d'un orchestre symphonique. Les enregistrements audio sont de très bonne qualité et vous aideront à progresser rapidement et agréablement. / Violon / Partition + Cd

Dvorák's 'String Quintet in G major? op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo? from his 'String Quartet in E minor? (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno? for string orchestra op. 40. The 'Intermezzo? is included in its original version in the appendix of the score.This edition is based on the 'Complete Edition of the Works of Antonín Dvorák?, the principal source being the first edition of 1888, for which Dvorák subjected the work to revision.- Dvorák's famous quintet with double bass- New detailed foreword by Dvorák scholar David Beveridge (Eng/Cz/Ger)- Musical text based on the 'Complete Edition of the Works of Antonín Dvorák? (series IV, vol. 8) / Quatuor A Cordes