The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
George Frideric Handel's Sonatas - Volume 2 written for solo Violin and Piano ...(+)
George Frideric Handel's Sonatas - Volume 2 written for solo Violin and Piano accompaniment. Includes the works Sonata in A major for violin and continuo HWV372 Op. 1 No. 14 Sonata in D major for violin and continuo HWV371 Op. 1 No. 13 and Sonata in E major for violin and continuo HWV373 Op. 1 No. 15.
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric ...(+)
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.This is the Violin 2 part.
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric ...(+)
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.This is the Violin 1 part.
Sonaten 7 B-dur HWV 402 und 1 A-dur HWV 396-Sonaten 7 B-dur HWV 402 und 1 A-dur ...(+)
Sonaten 7 B-dur HWV 402 und 1 A-dur HWV 396-Sonaten 7 B-dur HWV 402 und 1 A-dur HWV 396. Urtext der Hallischen Handel-Ausgabe. By George Frideric Handel. Edited by Siegfried Flesch. For Violin (2) Basso continuo. Playing Score; Set of Parts; Urtext Edition. Published by Baerenreiter-Ausgaben (German import). (BA4242) ISBN M006505371
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre,...(+)
Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Vent : 1 Hautbois 1 Clarinette Sib 1 Cor en Fa 1 Basson - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Philipp TELEMANN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Hautbois 1 Clarinette en Sib 1 Cor en Fa 1 Basson
Play Handel contient douze des plus célèbres oeuvres de Georg Friedrich Haende...(+)
Play Handel contient douze des plus célèbres oeuvres de Georg Friedrich Haendel. L?accompagnement musical sur compact disc a été confié à l?orgue et au violoncelle. Une version de démonstration est également disponible. Goûtez la sérénité et la fougue de la musique de Georg Friedrich Haendel et expérimentez sans plus attendre la sensation unique que procure l?interprétation d?oeuvres aussi brillantes. Play Handel est indispensable pour tout amateur de musique baroque.
Arrgt: Sarah Labrousse-Baert. Par HAENDEL GEORG FRIEDRICH. Formation : Musique d...(+)
Arrgt: Sarah Labrousse-Baert. Par HAENDEL GEORG FRIEDRICH. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 2/6 - Facile - Durée : 1 mn 30 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Friedrich HAENDEL - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Facile / Classique / Répertoire / 2 Violons, Alto et Violoncelle
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel‘s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre,...(+)
Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Cuivres : 1 Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Philipp TELEMANN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba
Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre,...(+)
Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre, Duo - Instrumentation :Duo de Violons : 2 Violons - Niveau de Difficulté : 6/6 - Avancé - Durée : 7 mn 35 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Philipp TELEMANN - Arrangeur : Eric VIRETON / Niveau : Avancé / Classique / Répertoire / 2 Violons
Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre,...(+)
Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Vent : 1 Hautbois 1 Clarinette Sib 1 Cor en Fa 1 Basson - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 00 - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Philipp TELEMANN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Hautbois 1 Clarinette en Sib 1 Cor en Fa 1 Basson
Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre,...(+)
Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre, Duo - Instrumentation :Duo de Violons : 2 Violons - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 6 mn 50 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Philipp TELEMANN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Classique / Répertoire / 2 Violons
TWV 51:a1 A minor, 51:D9 D major, 51:g1 G minor. Par TELEMANN GEORG PHILIPP. Thr...(+)
TWV 51:a1 A minor, 51:D9 D major, 51:g1 G minor. Par TELEMANN GEORG PHILIPP. Three Concertos for Violin A minor TWV 51: a1; D major TWV 51: D9; G minor TWV 51: g1 No fewer than twenty-five violin concertos by Georg Philipp Telemann (1681-1767) have come down to us over the years - presumably only a fraction of his total output in this geme. But even this corpus, though reduced by time, reveals that Telemann, like other composers of his day, regarded the violin as the most important and most versatile of all solo instruments. Two of his operas - Der neumodische Liebhaber Damon (1719, TWV 21:8) and Die last-tragende Liebe oder Emma und Eginhard (1728, TWY 27:25) - open with introductory violin concertos; there are eight concertos for twoviolins; and the violin plays an important role in virtually all his concertos for two or more solo instruments. Urtext of the Telemann Edition Performance material available for hire/ Répertoire / Violon et Orchestre
e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for viol...(+)
e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni und Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. For the source of the first edition of the E minor Sonatathe second version of the work was used. Pisendel composed this version in around 1716, when he accompanied the Crown Prince of Saxony on a trip to Italy./ Répertoire / Violon et Basse Continue
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
Instrumentalsätze Aus Den Trauermusiken Für Die Hamburger Bürgermeister Gerha...(+)
Instrumentalsätze Aus Den Trauermusiken Für Die Hamburger Bürgermeister Gerhard Schröder (1723) Und Daniel Stockfleth (1739). Par TELEMANN GEORG PHILIPP. Mourning music consisting of free and chorale-based instrumental movements [”Nun lasset uns den Leib begrab’n” – “Christus, der ist mein Leben”] from Telemann’s funeral music for the Hamburg mayors Schröder [1723] and Stockfleth [1739]. – Music for Eternity Sunday or for funeral and memorial services./ Répertoire / 2 Hautbois, 3 Trompettes, Timbales, 2 Violons, Alt