Following the first two volumes of Haydn’s String Trios in a study score (HN 9424 and 9425) we are now publishing the third and final one. Although Haydn is said to have composed about 60string trios most of them must be discounted for source-critical and stylistic reasons. The eighteen trios which definitely lay claim to authenticity were published in volumes 1 and 2. The third volume contains eight triosattributed to Haydn although his authorship cannot be proven. In addition to the Urtext edition (HN 628) these charming works are now also available in a handy score format. The musical text is that of the HaydnComplete Edition and it has been complemented by a new and informative preface by the Haydn scholar Sonja Gerlach.

Arrgt: Sarah Labrousse-Baert. Par HAYDN JOSEPH. Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violon 1 Piano - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 8 mn 00 s - Style Musical : Classique, Pédagogique - Catégorie : Arrangement - Compositeur : Joseph HAYDN - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Intermédiaire à Avancé / Classique, Pédagogique / Répertoire / Violon et Piano

Joseph Haydn's String Quartets Op.20 were composed in 1772 according to the date of the autographs. They are the last group in the series of string quartets with the opus numbers 9 17 20 composed a long time after the earlystring quartets in the years around 1770. Following these compositions several years were to pass before once again before Haydn wrote his next string quartets for a long while following completion of Op.20 does not necessarilyimply that he was having a 'crisis'; it might have had to do with the increasing load on Haydn occasioned by the regular performances at the Eszterhaza opera house leaving him with little time for other activities.

Joseph Haydn composa 21 trios à cordes pour deux violons et un violoncelle dont trois ont disparu. Rarement donnés en concert ces petits bijoux de la musique de chambre sont pleins de surprises et très plaisants à jouer. Les 18 trios conservés font l?objet de deux recueils élaborés sur la base de l?édition complète des ?uvres de Haydn également parue aux éditions Henle. Le second volume contient les trios Hob. V:15?21. Le commentaire critique donne de précieuses informations sur la genèse des trios ainsi que sur l?état des sources.

Joseph Haydn composa 21 trios à cordes pour deux violons et un violoncelle dont trois ont disparu. Rarement donnés en concert ces petits bijoux de la musique de chambre sont pleins de surprises et très plaisants à jouer. Les 18 trios conservés font l?objet de deux recueils élaborés sur la base de l?édition complète des ?uvres de Haydn également parue aux éditions Henle. Le premier volume contient les trios Hob. V:1?8 et 10?13. La préface de cette édition Urtext donne des informations utiles sur la genèse des trios. Y figurent également de nombreuses indications d?exécution en particulier des ornements.

This volume completes Henle's urtext series of Joseph Haydn's three Piano concertos. Written in or around 1765 the delightful first Concerto is ideally suited for playing at home for the relativelyundemanding part for Piano (or Harpsichord) is accompanied merely by a String quartet. This edition draws on the musical text in our complete edition of Haydn's works guaranteeing an urtext of the finest quality.

Par HAYDN FRANZ JOSEF. This fourth volume of Haydn's String Quartets contains full scores of the twelve masterful quartets from Opp. 20 and 33 (six quartets from each). Composed in 1771 and 1781 respectively, these popular quartets are among the most performed and recorded pieces in the repertoire. This inexpensive volume would be an invaluable addition for any music student or Haydn fan. Joseph Haydn (1732-1809) was an Austrian composer who became the figurehead of the classical movement. He formed a close and mutually respectful relationship with Mozart, and later taught Beethoven, but it was his compositions that left an indelible mark on the musical landscape ofWestern Europe./ Répertoire / Musique de Chambre

Op. 55 64 and 71 complete-Twelve String Quartets by Franz Joseph Haydn edited by Wilhelm Altmann. Op.55 Nos. 1-3 (including Razor); Op.64 Nos. 1-6 (including The Lark); Op.71 Nos. 1-3. Eulenberg eds.

Volume 1 of the complete edition of Joseph Haydn's String Quartets. Set of parts. Edited by Moser.14 Famous Quartets: Op.9 No.2; Op.17 No.5; Op.50 No.6; Op.54 Nos.1 2 3; Op.64 Nos.2 3 4; Op.74 Nos.1 2 3; Op.77 Nos.1 2

Russian Quartets-Joseph Haydn's string quartet Op.33 occupy a special place amongst his works for quartet. After not having composed any string quartets for almost ten years this series written in 1781 marked the beginning of a long phase ofcontinuous work on the genre up to the last unfinished Quartet Op.103 in 1803.Moreover they are the first string quartets that we definitely know he wrote with publication in mind. A new contract of service in 1779 not onlypermitted the Kapellmeister at Prince Esterhazy's court to take on external commissions for compositions but also to arrange for the circulation of his works thus generating extra income.

With Critical Report-Critical notes on Joseph Haydn's String Quartets Op.20 And Op.33 as compiled by Georg Leder.

Set of parts for Franz Joseph Haydn's Complete String Quartets Vol. 2 composed for String quartet. Includes 16 Famous Quartets: Op.3 Nos.3 5; Op.20 Nos.4 5 6; Op.33 Nos.2 3 6; Op.64 Nos.5 6; Op.76 Nos.1–6.

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Sonata for Piano and Violin G major Hob. XV:32 écrite et composée pour Violon et plus précisément pour Violon Et Piano vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Violon Et Piano / Chanson En Séparée

Introducing his new player-friendly edition of the Haydn Quartets Simon Rowland-Jones writes: 'There can be no such thing as a final perfect version; Haydn left too many questions open.' The new Peters Edition is founded upon this honest assessment. By heightening our awareness of the questions that remain 'open' this edition liberates the interpretative inspiration of performers as never before. As a result the new edition is likely to become indispensable for all who perform or study these masterpieces. Each volume includes: Full Score – included with the parts for the first time – invaluable for performance preparationFold-out Pages – as required in the separate parts eliminating all page-turns within movements Guidance for Performers – as well as giving historical background to the quartets the prefaces to each volume contain a treasure trove of information about all aspects of performance practice Critical Commentary – in the extensive Critical Commentary to each volume the most authoritative early sources for Haydn's quartets are carefully evaluated and full details of their variant readings given for comparison. Naturally the composer's autograph where extant assumes pre-eminence but alternative primary sources are also considered and secondary sources drawn upon where appropriate.

These are the last of the nearly seventy quartets in Haydn?s oeuvre. Originally he intended to write a set of six quartets as so often in the past but at the time they were written in 1803 Haydn?s healthwas so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as Op. 77. Later he allowed an incomplete work consisting of two middle movementsto appear as op. 103 adding to the print the portentous words: ?Gone is all my strength old and weak am I.? Musically however these quartets are anything but weak: they represent the aged composer virtually at the zenith ofhis powers. Haydn even went so far as to call Op. 77 no. 2 his ?most beautiful String quartet?.