| Sonata For Violin And
Piano A Major Op. 100 Violon et Piano Barenreiter
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositi...(+)
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
17.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Trio avec piano n° 1
en ré mineur op.
49 (MENDELSSOHN-BARTHOLDY
FELIX) Piano Trio: piano, violon, violoncelle [Partition] G. Henle
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn est considéré comme un compositeu...(+)
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn est considéré comme un compositeur très critique envers lui-même, qui a révisé à de nombreuses reprises ses propres œuvres avant de les juger dignes d’être publiées. La gestation de son premier Trio avec piano fut particulièrement pénible. Ce n’est qu’après plusieurs tentatives qu’il put l’achever au cours de l’été 1839. Après de nouveaux remaniements, il fut publié en 1840. Ce perfectionnisme fut payé de retour, car le Trio en ré mineur de Mendelssohn rencontra un succès immédiat. Robert Schumann écrivit: «Ce trio est une pièce maîtresse de notre époque, comme le furent en leur temps ceux en Si bémol et en Ré de Beethoven, ou celui de Franz Schubert en Mi bémol. Une très belle composition, qui dans des années ravira encore nos enfants et nos petits-enfants.» Il avait vu juste: aujourd’hui encore, il fait partie des ouvrages les plus appréciés du répertoire pour trio. La pièce, extraite du volume: Mendelssohn · Trios avec piano HN 957 est pour la première fois disponible séparément chez Henle dans une édition pratique pour l’exécution./ Répertoire / Violon, Violoncelle et Piano
35.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Sonata Movement For
Violin And Piano C Minor
Woo 2 Violon et Piano Barenreiter
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositi...(+)
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
15.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Sonata For Violin And
Piano D Minor Op. 108 Violon et Piano Barenreiter
The Works for one Instrument and PianoJohannes Brahms' compositions for one inst...(+)
The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
17.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Library Of Violin
Classics
Violon et Piano [Sheet music] - Intermédiaire Music Sales
A compendium of classic solos for the Violin. This expansive volume contains the...(+)
A compendium of classic solos for the Violin. This expansive volume contains the great masterpieces of the world's foremost composers. Over 50 favourite Violin solos with full Piano accompaniment and a separate matching solo part for the violinist. Carefully selected to provide a lifetime of playing pleasure for every performer. / Violon
31.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 100 Classical Themes For
Violin
Violon [Partition] - Facile Amsco Wise Publications
Rediger et transcris par Alan Gout. Mise en page par John Francis. Une selection...(+)
Rediger et transcris par Alan Gout. Mise en page par John Francis. Une selection des melodies et themes les plus connu du repertoire de la musique classique, soigneusement mise au point pour le solo de violon. / Violon / 64 pages / Partition
20.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Album Of Violin Pieces
Solo Piano
Violon et Piano [Sheet music] - Intermédiaire Music Sales
This book of violin pieces provides a wide variety of style, color, and characte...(+)
This book of violin pieces provides a wide variety of style, color, and character, including the most noteworthy compositions in musical history, all carefully revised and edited. While the student will find the contents of this book invaluable for recreation and practice, the virtuoso will recognise this set of selections as indispensable to his library. Includes Piano accompaniment. Suitable for intermediate standard (grade 4-5). / Piano
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Featured Violinist
Violon [Partition + CD] - Intermédiaire Chester
The Featured Violinist is a superb collection of seventeen intermediate graded p...(+)
The Featured Violinist is a superb collection of seventeen intermediate graded pieces for Violin solo.The accompanying CD contains professional performances of each piece, and free downloadable piano accompaniments to your computer. Either play along to the CD, or simply unwind and relax to the unbeatable compilation and inspirational performances.The pieces presented in this book are between grades 5 and 6 in standard / Violon
22.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| World Famous Classics
Pour Violon Avec Cd Violon [Partition + CD] Fentone Music
World Famous Classicscontient seize mélodies mondialement célèbres, extraites...(+)
World Famous Classicscontient seize mélodies mondialement célèbres, extraites du répertoire de la musique classique. Certaines mélodies vous sont familières, d'autres sont à découvrir à travers ce voyage dans l'histoire de la musique (Henri VIII, Bach, Mozart, Rossini, Offenbach, Tchaïkovski, etc.) / [CD inclus - version intégrale + play-along]. / Violon / Partition + Cd
27.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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