Edition c. La popularité de la musique celtique a explosé au cours des dix der...(+)
Edition c. La popularité de la musique celtique a explosé au cours des dix dernières années en raison de la recrudescence des instruments folk, danse celtique et la culture irlandaise globale. Cette étonnante collection réunit plus de 400 chansons d'Irlande, Ecosse et du pays de Galles - complet, avec des paroles gaéliques, le cas échéant - et un guide de prononciation. Titres comprennent: à travers l'ouest de l'océan o avec mon amour, j'irai o autel Isle o ' la mer o Auld Lang Syne o Avondale o The Band Played On o o Barbara Allen bénédiction de la route o o The Blue Bells of Scotland The Lass Bonniest o o A Bunch of thym The Chanty que captif le o de la sorcière Colomb était un irlandais o o Danny Boy de Duffy bourdes o Erin ! OH Erin ! o o de sillage du père Murphy o Finnegan Galway Piper o la fille j'ai laissé derrière moi o a quelqu'un ici vu Kelly o je sais où je suis Irish Rover Goin ' o o Loch Lomond o o Molly Malone My Bonnie trouve au-dessus de l'océan o mon o Rose irlandais sauvage les rives du Amerikay o The Sons of Liberty o qui est un o berceuse irlandais lorsque irlandais Ey... / Instruments En C / 256 pages / Partition
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...(+)
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible.
Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in.
The two volumes include
A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature
The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
Instant no-frills arrangements of over 225 great blues numbers. Each song consis...(+)
Instant no-frills arrangements of over 225 great blues numbers. Each song consists of melody line, chord symbols and lyrics (where appropriate). That's all there is to it! Just open the book and start playing.
The A Flying Start for Strings series presents a carefully graded sequence of mu...(+)
The A Flying Start for Strings series presents a carefully graded sequence of music for teaching the beginning string player. The books are suitable for teaching individuals or groups of the same instrument. Many tunes in the series for violin viola and cello are in the same key and can be played together.Teachers can use this versatile series in a way that suits their own teaching style. There is ample room in all books for the teacher wishing to add more dynamics slurs bowing signs tempos instructions or explanations. The large easy-to-read notes and clear and simple layout help students concentrate on the notes they are learning. Lively folk and traditional tunesmake learning fun and lead to confident playing.With only one tune on most pages the young student gains a sense of achievement from turning the pages quickly and moving on.Book 2 starts with D string tunes to consolidate reading skills and provide the most comfortable pitch for singing. Students progress from one-string tunes to two-string tunes. The book introduces slurs simple dotted rhythms and dynamics. There is a page of bowing variations with rhythms and bowings to apply to a scale arpeggio or melody. Ensemble playing is brought in with canons and rounds.
Have fun playing the Cello. Par KOEPPEN GABRIEL. The first book in the trailblaz...(+)
Have fun playing the Cello. Par KOEPPEN GABRIEL. The first book in the trailblazing new Koeppen Cello Method, putting the emphasis on having fun with your cello!
Taking a playful and effective approach to learning the cello, the Koeppen Cello Method breaks new ground, sprucing up the usual Baroque and Classical repertoire by adding pieces in popular styles: rock, Bossa Nova, reggae, swing and more! Exciting pieces and exercises in these styles illustrate specific musical concepts and techniques, whilst teacher-pupil duets feature throughout, encouraging strong ensemble skills right from the get-go.
Structured in an easy and understandable way, the Koeppen Cello Method lays the foundation for a solid technical and musical training. There is a core Lesson Book and a supplementary Tune Book at each level. All books are accompanied by a CD which will help motivate and inspire.
For players from around the age of 10 right up to adult learners. / Méthode / Méthode / Violoncelle
50 Duets Can Be Played by Any Comb of String Instr-The intention of Compatible C...(+)
50 Duets Can Be Played by Any Comb of String Instr-The intention of Compatible Christmas Duets For Strings is to provide instrument players the opportunity to play fifty popular Christmas carols in arrangements for two instruments.These duets will work with any combination of any two instruments so you can play carols with your friends no matter what instrument they play. There are endless possibilities for using duet combinations for fun and entertainment around the holidays. You can play for family friends or in a concert setting.Compatible Christmas Duets For Strings provides you with interesting and playable arrangements. It can also help to make practice time fun aroundthe holidays and can be used with friends and teachers as well. One of the best ways to improve as a player is to play in small chamber groups and duets are the easiest way to get started. Playing duets with others of similar ability levels or even of greater ability will help to stimulate the growth of your playing.
The New Real Book is the best-selling legal fake book of all time, with over 100...(+)
The New Real Book is the best-selling legal fake book of all time, with over 100,000 musicians depending on it for accurate, easy-to-read charts for hundreds of the most important tunes in the jazz canon. Don't go to the gig without it!All living composers have approved these charts - many of them are from the composer's own lead sheets.Charts for the standards were derived from a consensus of the best recorded jazz versions.Created by musicians, for musicians. The new standard in fake books! / Instruments En Do
Holmboe's last quartet work which is unofficially also String Quartet No. 21 ...(+)
Holmboe's last quartet work which is unofficially also String Quartet No. 21 was the last work he ever composed and was unfinished on his death in 1996. His pupil Per Nørgård has finished the quartet and himself characterizes his contribution by saying that the score existed “in an only partly completed form which could however be written out with only a few cases of doubt”. With only two movements and a playing time of about nine minutes it is at its existing length the shortest of Holmboe's string quartets. The first movement takes the form of one long arch in a rocking triple time which constantly shiftsamong different tempo and pulse sensations. At the same time the rhythmic energy increases until the movement in a faster Con moto tempo accelerates to a more flowing 12/8 time coloured both rhythmically by cross-rhythms in duple time and timbrally by harmonics in the viola. In its middle section Con fuoco the movement culminates in both tempo and expression until it falls calm in brief recapitulations in reverse order of the first two sections. The rocking feeling continues in the second movement but now at a more extroverted level from the outset Allegro and pizzicato. The energy builds up further as the mood intensifies to Con fuoco while all instruments go over to bowed playing but like the first movement this movement ends Adagio here however not as a gradual attenuation but through a sudden shift in tempo to a calm imitative passage before the movement slowly thins out to the almost inaudible through a last dense open sounding chord with a brief violin solo above it. The quartet is dedicated to Holmboe's wife MeLa May Holmboe and was given its first performance by the Kontra Quartet on 22nd March 1997 at the Carl Nielsen Academy of Music in Odense Denmark.
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...(+)
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible.
Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in.
The two volumes include
A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature
The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
Through the centuries, the Christmas season has inspired composers, poets, lyric...(+)
Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year.
/ Niveau : Intermédiaire / Musique religieuse / Date parution : 2018-05-04/ Recueil / Violon et Guitare
This massive collection will keep instrumentalists busy with 101 pop hits to lea...(+)
This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more. All About That Bass All Of Me Amazed Apologize Bad Day Bad Romance Beautiful Beautiful Day Beautiful In My Eyes Because I Love You (The Postman Song) Believe Brave Breakaway Breathe Butterfly Kisses Call Me Maybe Candle In The Wind 1997 Change The World Chasing Cars The Climb Clocks Countdown Cruise Cryin\' Die A Happy Man Dilemma Don\'t Know Why Drift Away Drops Of Jupiter (Tell Me) Fallin\' Fields Of Gold Firework Foolish Games Forever And For Always Friends In Low Places From A Distance Genie In A Bottle Get Lucky Hello Here And Now Hero Hey, Soul Sister Ho Hey Hold On, We\'re Going Home Home The House That Built Me How Am I Supposed To Live Without You How To Save A Life I Finally Found Someone I Gotta Feeling I Kissed A Girl I Swear I Will Remember You Jar Of Hearts Just The Way You Are Let It Go Lips Of An Angel Little Talks Losing My Religion Love Song Love Story More Than Words Need You Now No One 100 Years The Power Of Love Rehab Roar Rolling In The Deep Royals Save The Best For Last Say Something Secrets Shake It Off She Will Be Loved Smells Like Teen Spirit Something To Talk About (Let\'s Give Them Something To Talk About) Stacy\'s Mom Stay Stay With Me Stronger (What Doesn\'t Kill You) Tears In Heaven Teenage Dream Thinking Out Loud This Love A Thousand Years Till The World Ends Uptown Funk Viva La Vida Waiting On The World To Change We Belong Together We Can\'t Stop We Found Love What Makes You Beautiful When You Say Nothing At All Yeah! You Raise Me Up You Were Meant For Me You\'re Beautiful You\'re Still The One You\'ve Got A Friend In Me / Partitions variété - pop - rock / Variété internationale / Cordes / HAL LEONARD
plus CD: Full performances and Play-Along-Tracks - Piano part to print. Quite a ...(+)
plus CD: Full performances and Play-Along-Tracks - Piano part to print. Quite a different sort of well-known folk songs: Newly arranged for melodic instrument and piano, slightly jazzy and mixed with pop music elements - making the well-known songs sound fresh and interesting again! All pieces have a very melodic character and sound very pleasant even without piano accompaniment. This is why they are particularly suited for being used in class.
The music of the piano accompaniment is available on CD as PDF files and can be printed in professional quality. The CD also contains backing tracks recorded of each piece - perfect live feeling guaranteed! For all lovers of the 'crossover' between folk, jazz and pop - by Schott's best-selling author Dirko Juchem who has been active as a saxophonist, saxophone teacher and specialist author nationally and internationally for many years./ Recueil / Violon
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988...(+)
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Parts available: KP00249The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true tosay that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premier...(+)
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true to say that inthe Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and closer
Instrumental Play-Along-Solo arrangements of 14 well-known melodies are featured...(+)
Instrumental Play-Along-Solo arrangements of 14 well-known melodies are featured in this collection for beginning instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks! Songs include: All of Me ' Evermore ' Hallelujah ' Happy ' I Gotta Feeling ' I\'m Yours ' Lava ' Rolling in the Deep ' Viva la Vida ' You Raise Me Up and more. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK amulti-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.
Volume 3 is perfect for jazz ensemble directors looking for one book to keep the...(+)
Volume 3 is perfect for jazz ensemble directors looking for one book to keep their students engaged and progressing all year long, as well as any musician interested in Sher Music's series of world-famous fake books. At over 200 pages, THE REAL EASY BOOK - VOL.3 comes in C, Bb, Eb and bass clef versions. It features 5-10 tunes from each historical era of jazz: Trad Jazz, The Swing Era, Classic Bebop, West Coast Jazz, The Blue Note Era, Contemporary Jazz, ''Groove'' Jazz, Brazilian Jazz and Afro-Cuban Jazz. The wide variety of styles included means that every jazz combo will be able to find exactly the material that fits their needs.Difficulty ranges from very simple blues, like Charlie Parker's ''Now's The Time'' to deep, but still playable, contemporary tunes, like Mike Stern's ''These Times.'' Also featured are some great beginning trad jazz arrangements of ''Bill Bailey'' and ''Alexander's Ragtime Band'', including separate clarinet and trombone obligato parts to get that authentic Dixieland feeling!In addition to the tunes and educational material, there are also fun and informative introductory texts for each section. These short histories of each era of jazz introduce both the flavor of the era, and a discussion of the musical innovations that each one brought to the evolution of jazz.The end result is a multi-dimensional teaching tool that will keep band directors and their students smiling all year long! / Instruments En Do
An Introduction to Folk Styles, Technique and Improvisation. This in-depth tutor...(+)
An Introduction to Folk Styles, Technique and Improvisation. This in-depth tutor book, from renowned fiddle player and teacher Chris Haigh, is perfect for classical violinists and fiddle players looking to master the art.
Covering all aspects of folk violin technique from ornamentation to modes and scales, and from scordatura to improvisation and composition.
The book is centred around Irish traditional music, but also dips into English, Scottish, Scandinavian, East European, Klezmer, Cajun and American Old-Time traditions.
Accompanied by audio recordings (to download) of all pieces performed by Chris Haigh with a live backing band.
Folk fiddle and classical violin are as different as chalk and cheese. At first glance, folk might seem so simple it's hardly worth bothering with. The tunes are often no more than 32 bars long, they stay in first position, and they don't even have a composer. However, it's what's NOT written on the page that makes folk fiddle so interesting and challenging.
This book attempts to explore, from general observation down to the finest detail, what the fiddler needs to know to bring these tunes alive. We need to understand their history and context, their purpose, their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music, but from years of immersion in folk music, both listening and playing.
Key areas covered include:
Tune types and structures
Ornamentation
Bowing
Modes and scales
Scordatura
Starts, endings and links
Variation, improvisation and composition Playing tunes in 'sets”
Regional and individual style
Playing in sessions, for contests, and for dancing / Niveau : 3 / Pédagogie / Etude / Violon
Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem...(+)
Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who
Explore the world of jazz violin with one of America's finest jazz and swing vio...(+)
Explore the world of jazz violin with one of America's finest jazz and swing violinists Jeremy Cohen. With this book/CD pack violinists can: practice soloing and improvising along with a recorded Hot-Club-style band · learn melodies and solos to 16 great jazz standards · build strength stamina focus and improvising skills by jamming with the band. Includes two audio CDs with variable-speed practice tracks and full-band accompaniment.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...(+)
Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...(+)
Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
Christmas Carols for Violin Duet. Designed for violinists familiar with first po...(+)
Christmas Carols for Violin Duet. Designed for violinists familiar with first position and comfortable reading basic rhythms, each two-page arrangement in this collection includes a violin 1 and violin 2 part, with each taking a turn at playing the melody for a fun and challenging ensemble experience. Songs include: Angels We Have Heard on High · Coventry Carol · The First Noel · God Rest Ye Merry, Gentlemen · The Holly and the Ivy · I Heard the Bells on Christmas Day · Joy to the World · O Holy Night · Sing We Now of Christmas · We Three Kings of Orient Are · and more.
Canticle. Par JALBERT PIERRE. Canticle (String Quartet No. 6) was commissioned b...(+)
Canticle. Par JALBERT PIERRE. Canticle (String Quartet No. 6) was commissioned by the Chiara String Quartet. It consists of seven movements, highly contrasting in character, with movements I and VII serving as similar bookends to the overall arch of the work. The piece opens with the quartet members striking various crotales, producing bell sounds that eventually blend with the string quartet – evoking the title, Canticle. The faster, pulse-oriented music requires the players to use glass rods on their instruments and at one point quickly moves back and forth between alternating rhythmic subdivisions, producing extremely rapid metric modulations. The last movement blends the string quartet with the bowing of the crotales to produce an ethereal, other-worldly finale to the canticle. Pierre Jalbert / Niveau : Avancé / Répertoire / Quatuor à Cordes
Designed for violinists familiar with first position and comfortable reading bas...(+)
Designed for violinists familiar with first position and comfortable reading basic rhythms each two-page arrangement in this collection includes a violin 1 and violin 2 part with each taking a turn at playing the melody for a fun and challenging ensemble experience. Songs include: Audition (The Fools Who Dream) · City of Stars · Dancing Queen · Falling Slowly · How Does a Moment Last Forever · I Dreamed a Dream · Lava · Mia and Sebastian's Theme · A Million Dreams · The Place Where Lost Things Go · Shallow · Star Wars (Main Theme) · Tomorrow · and more.
Remember fighting off the Sandman, desperately struggling to stay awake at the c...(+)
Remember fighting off the Sandman, desperately struggling to stay awake at the chance that you might catch a glimpse of Saint Nick. Every rustle or bump made you jolt from your quilted pod and race to the living room where the lit tree posed, draped in soft light. Still no Santa!It took all your energy to climb back into bed with your eyelids drawn and your body heavy. Tucked back in as best as you could with the sheets and pillows slightly disheveled, you dozed off while musical thoughts fill your groggy head. A wide, animated grin filled your face as you dreamt of chilly nights of caroling and warm, fire-lit sing-a-longs.Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications.Santa's Little Helper for Violin isalso written as solos or duets in accommodating keys for Viola, Cello and Bass. This best selling Santorella Publication includes a piano accompaniment CD with lyrics, so the whole family can sing along.The Piano Accompaniment book for this Stringed Instrument Edition is sold separately. Santorella's Horn Edition is also available for trumpet, clarinet, flute, alto sax and trombone.. / Violon
Par STAIDLE SCOTT. Wedding Music for String Quartet includes 14 favorites for we...(+)
Par STAIDLE SCOTT. Wedding Music for String Quartet includes 14 favorites for weddings, recitals, parties and receptions. New adaptations of these arrangements allow each musician to share melodic, harmonic and accompanying elements. These quartets are well suited for intermediate to advanced musicians and include bowings, fingerings, articulations and dynamics. Includes four separate pull-out parts for violin 1, violin 2, cello and viola.
/ Niveau : Intermédiaire / Pédagogie / Date parution : 2019-05-27/ Répertoire / Quatuor à Cordes
