Par SIERRA F.. Partituras (con particellas separadas) para trío de clarinete, violoncello y piano/ Répertoire / Trio

Für Violoncello Solo, Bassflöte, Bassklarinette, Violine, Viola. Par POPPE ENNO. German / Niveau : Intermédiaire à Avancé / Répertoire / Violoncelle solo, Basse Flûte Traversière Clarinet

Par MAENPAA ROOPE. Roope Mäenpää's Lähi (Finnish for ?near?, ?close by?) for violin and clarinet was composed for Anna Angervo and Janne Pesonen in a situation when the COVID-19 pandemic had shut down most of the society in the spring 2020. Lähi is a diary-entry like vignette, a picture of a moment, of the fear and anxiety caused by the sudden situation - but also a sounding memory of intimacy and closeness. Duration: c. 4'. The product includes two copies of the playing score (size B4). / Date parution : 2022-05-31/ Répertoire / Violon et Clarinette

Teil 1: Kirchenliedersammlung für Bläser. Für alle Bläserensembles, die sich musikalisch am kirchlichen Leben beteiligen möchten, hat der Komponist und Verleger Jan de Haan unter dem Titel Gott zur Ehre zwei Sammlungen vereinigt, welche die wichtigsten Kirchen-, Advents- und Weihnachtslieder enthalten. Die jeweils vierstimmige Partitur mit den dazugehörigen Einzelstimmen eignet sich besonders für eine Aufführung durch Blasorchester, Posaunenchor, kleine Instrumentalensembles sowie einen oder mehrere Bläser mit Orgel- oder Klavierbegleitung. Eine Besonderheit sind kurze, vier- bis achttaktige Vorspiele, die jedes Stück einleiten. Die Ausarbeitung der vierstimmigen Sätze stammt u. a. von folgenden Komponisten undArrangeuren: Jacob de Haan, Jan Haderman, Jan Van der Roost, André Waignein, Wim Stalman und Jan de Haan. / Niveau : 2 / Musique pour célébration / Recueil / Flûte / Hautbois / Flûte à Bec / Violon / Clarinet

Par AHO KALEVI. Kalevi Aho (b. 1949) composed ER-OS in 2015 as a wedding gift for conductor-clarinetist Osmo Vänskä and violinist Erin Keefe and named the work with the initials of their names. The virtuosic work is divided in three parts, the overall duration c. 11 minutes. The package includes two copies of playing score (page size B4)./ Répertoire / Violon et Clarinette

for Clarinet and String Quartet. Par FUJIKURA DAI. / Date parution : 2023-03-11/ Répertoire / Quatuor à Cordes et Clarinette

Par CONNOLLY JUSTIN. Triad V was commissioned by the Extra-mural Department of Birmingham University, and performed for the first time on February 5, 1971, in the theatre of the Barber Institute of Fine Arts, by Antony Pay, clarinet, Jürgen Hess, violin, and Jennifer Ward-Clarke, violoncello. / Date parution : 2022-04-26/ Répertoire / Clarinette, Violon et Violoncelle

For Bass Clarinet, Cello, Percussion and Accordion. Par NEWSKI SERGEJ. Langue: Deutsch / Musique contemporaine / Répertoire / Clarinette Basse, Violoncelle, Accordéon et Percus

For Flute, Clarinet, Violin, Cello and Piano. Par HAYES MORGAN. Wind and Brass/ Répertoire / Flûte Traversière Clarinette, Violon, Violoncelle

for Clarinet, Violin, Violoncello and PiaNo.Transcription
Edition : separate part
Instrumentation : 2 pianos (4 hands)
Date of Composition: 1938
Duration : 24'
Date of Publications : 12/10/1983
Number of Pages : 26

per flauto, clarinetto, violino, violoncello e pianoforte. Par BERTRAND CHRISTOPHE. / Date parution : 2023-08-12/ Répertoire / Flûte, Clarinette, Violon, Violoncelle et Piano

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works for viola from the beginning and already before the publication of these two versions he intended to do another one for violin, a version which was to require changes and was to result in an independent edition. While the clarinet and viola versions have developed a rich performance tradition, the violin version is almost unknown. Yet for the violin version the composer revised the original clarinet part much more extensively than he did for the viola version and also rewrote the piano part to achieve a thoroughly convincing violin and piano idiom. This Bärenreiter edition aims to bring the neglected violin sonatas op. 120 back into players' hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violon Et Piano

from Carmina Burana. Par ORFF CARL. Wilfried Hiller arranged three dances from Carl Orff's Carmina Burana for the famous klezmer clarinettist Giora Feidman. The version for clarinet and four violoncellos was first performed by him together with the Gershwin Quartet in 2015./ Répertoire / Clarinette et 4 Violoncelles

Trumpet, 2 Clarinets and Bass Clarinet. Par BACH JOHANN SEBASTIAN. / Répertoire / Trompette et 3 Clarinettes