SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810419

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/19. Published by Carus Verlag (CA.3810419).

ISBN 9790007215118. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and parts available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810409

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. 1x 38.104/21 oboe 1, 1x 38.104/22 oboe 2, 1x 38.104/31 horn 1, 1x 38.104/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/09. Published by Carus Verlag (CA.3810409).

ISBN 9790007215064. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and parts available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810411

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Violin. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/11. Published by Carus Verlag (CA.3810411).

ISBN 9790007215071. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810449

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Organ. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/49. Published by Carus Verlag (CA.3810449).

ISBN 9790007215125. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810413

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Viola. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/13. Published by Carus Verlag (CA.3810413).

ISBN 9790007215095. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810414

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, basso continuo. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/14. Published by Carus Verlag (CA.3810414).

ISBN 9790007215101. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810403

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Vocal score. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/03. Published by Carus Verlag (CA.3810403).

ISBN 9790007143978. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score available separately - see item CA.3810400.

An Introduction to Folk Styles, Technique and Improvisation. Strings, Methods. Schott Pop-Styles. Exploring Folk Fiddle. Softcover Book and CD. 208 pages. Schott Music #ED13460. Published by Schott Music

By John Cage (1912-1992). For for any instrument or combination of instruments. Modern. Sheet Music. Composed 1952. Duration 4 minutes 33 seconds. Published by Edition Peters

Arranged for Ukulele. Composed by Rob MacKillop. Saddle-stitched. Book and online audio. 44 pages. Published by Mel Bay Publications, Inc

By Dan Fox and Dick Weissman. For Flute. Improvisation. All Styles. Beginning-Intermediate. Book/CD Set. 116 pages. Published by Mel Bay Publications, Inc

By Amy Marcy Beach, Luise Greger, Femine Schults, Luise Reichardt, Augusta Holmes, Bettine von Arnim, Emilie Zumsteeg . For Voice and Piano. Romantic. Intermediate. Score. Published by Furore Verlag

(9 Spicy Sequential Solos for Developing 4-Mallet Marimba Chops). By Brett Jones. For Marimba (4-mallet) (marimba (4.3-octave)). Medium easy to medium. Duration 20:00. Published by C. Alan Publications

Composed by Mark Kailana Nelson. Ukulele: Soprano,Solos, Duets and Ensembles. Book and Online Audio. 92 pages. Published by Mel Bay Publications, Inc

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet, Tuba, alto Saxophone, baritone Saxophone and more. - Grade 3

SKU: CF.CPS257F

Composed by Chris Campbell. Cps. Full score. 20 pages. Duration 3 minutes, 28 seconds. Carl Fischer Music #CPS257F. Published by Carl Fischer Music (CF.CPS257F).

ISBN 9781491161678. UPC: 680160920358.

The original intent for this piece was to evoke a fantasy atmosphere of huge mythical constructs, such as stone edifices, rising from a lunar surface softly illuminated by reflected light from another galactic source. It is meant to give an impression of a single vision, allowing the listener or player to imagine a personal interpretation of their own. The story behind this particular title comes from the late 19th century. Before the widespread use of electric streetlights, many large American and European cities erected large structures - some as tall as 165 feet - intended to brighten the cities at night at times when there was insufficient natural moonlight. Referred to at that time as Moonlight Towers, the only ones still in existence and in use today are found in Austin, Texas. These man-made wonders may not be as stunning as naturally-formed stone edifices, but they are nevertheless eye-catching. One of these structures in a large park is adorned with strands of lights every December to resemble a gigantic Christmas tree which can be seen for miles. In this composition, measure 81 through measure 97 depicts four of the remaining thirteen towers in four different settings in Austin. This piece is also intended to capture the wonder of these singular relics of history, with a fantasy atmosphere of their own.
The original intent for this piece was to evoke a fantasy atmosphere of huge mythical constructs, such as stone edifices, rising from a lunar surface softly illuminated by reflected light from another galactic source. It is meant to give an impression of a single vision, allowing the listener or player to imagine a personal interpretation of their own.  The story behind this particular title comes from the late 19th century. Before the widespread use of electric streetlights, many large American and European cities erected large structures - some as tall as 165 feet - intended to brighten the cities at night at times when there was insufficient natural moonlight. Referred to at that time as Moonlight Towers, the only ones still in existence and in use today are found in Austin, Texas. These man-made wonders may not be as stunning as naturally-formed stone edifices, but they are nevertheless eye-catching. One of these structures in a large park is adorned with strands of lights every December to resemble a gigantic Christmas tree which can be seen for miles. In this composition, measure 81 through measure 97 depicts four of the remaining thirteen towers in four different settings in Austin. This piece is also intended to capture the wonder of these singular relics of history, with a fantasy atmosphere of their own.

By James Fazio. For Accordion (Keyboard). Solos. Bill's Music Shelf. European. Intermediate. Book. 52 pages. Published by Mel Bay Publications, Inc

Composed by James Niblock. Chamber music. Set of parts. Duration 4:15. Published by Brotons and Mercadal (BK.100-331).

Book with Online Audio. Composed by Edmund Waechter, Elizabeth Weinzierl. Woodwind Method. Instruction, Classical. Softcover Audio Online. 64 pages. Published by Ricordi (HL.50600096).

Book with Online Audio. Composed by Edmund Waechter, Elizabeth Weinzierl. Woodwind Method. Instruction, Classical. Softcover Audio Online. 56 pages. Published by Ricordi (HL.50600097).

Performed by The Clash. For guitars and voice. Format: guitar tablature songbook. With standard guitar notation, guitar tablature, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Punk rock and hard rock. Series: Hal Leonard Guitar Recorded Versions. 96 pages. 9x12 inches. Published by Hal Leonard.