| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106969
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Trinity. Set of Orchestra
Parts. BWV BWV 69a.
Duration 25 minutes.
Carus Verlag #CV
31.069/69. Published by
Carus Verlag
(CA.3106969). ISBN
9790007206734. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and parts available
separately - see item
CA.3106900. $152.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, ...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2
oboes/2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3111709 Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
1x 31.117/21 flute 1, 1x
31.117/22 flute 2, 1x
31.117/23 oboe 1, 1x
31.117/24 oboe 2. Harmony
parts. Sacred vocal
music, Cantatas, Praise
and thanks. Set of
Orchestra Parts. Composed
1728/1731. BWV 117. 16
pages. Duration 26
minutes. Carus Verlag #CV
31.117/09. Published by
Carus Verlag
(CA.3111709). ISBN
9790007048662. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz. The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and parts
available separately -
see item CA.3111700. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Lord will I bless for all my days Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] - Intermédiaire Carus Verlag
(Psalmkantate). By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. ...(+)
(Psalmkantate). By Georg
Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. For
Soli SATB, SATB Choir,
1-2 Recorders f1, 2
Oboes, Trumpet, 2
Violins, Viola, Basso
continuo. This edition:
Paperbound. F-Dur (F
major). Stuttgart Urtext
editions. Cantatas,
Psalms, German, Praise
and thanks, Psalms. Level
4. Full score. Language:
German/English. TVWV
7:14. 80 pages. Duration
25 min. Published by
Carus Verlag
$40.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord (from Judas Maccabeus) Chorale 2 parties Shawnee Press
By George Frideric Handel (1685-1759). Arranged by Hal H. Hopson. For 2-Part Mix...(+)
By George Frideric Handel
(1685-1759). Arranged by
Hal H. Hopson. For 2-Part
Mixed Choir (2-Part).
Shawnee Press. General
Use, Masterworks,
Thanksgiving and Sacred.
8 pages. Shawnee Press
#EA5161. Published by
Shawnee Press
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106999
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Organ. BWV BWV 69a. 16
pages. Duration 25
minutes. Carus Verlag #CV
31.069/99. Published by
Carus Verlag
(CA.3106999). ISBN
9790007206741. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Carus Verlag
Soli SATB, Coro SATB, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, V...(+)
Soli SATB, Coro SATB,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106957
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Study score. BWV BWV 69a.
60 pages. Duration 25
minutes. Carus Verlag #CV
31.069/57. Published by
Carus Verlag
(CA.3106957). ISBN
9790007245009. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score available
separately - see item
CA.3106900. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, ...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2
oboes/2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3111749 Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Organ. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Organ. Composed
1728/1731. BWV 117. 24
pages. Duration 26
minutes. Carus Verlag #CV
31.117/49. Published by
Carus Verlag
(CA.3111749). ISBN
9790007048716. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz. The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Orgue Carus Verlag
Orchestra ATB vocal soli, SATB Choir, 2 Flutes, 2 Oboes/2 Oboe d'Amore, Violin s...(+)
Orchestra ATB vocal soli,
SATB Choir, 2 Flutes, 2
Oboes/2 Oboe d'Amore,
Violin solo, Strings,
Organ SKU:
CA.3111707 Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
Sacred vocal music,
Cantatas, Praise and
thanks. Study score.
Composed 1728/1731. BWV
117. 52 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/07. Published
by Carus Verlag
(CA.3111707). ISBN
9790007091651. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz. The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, ...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2
oboes/2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3111713 Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Viola. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Viola. Composed
1728/1731. BWV 117. 4
pages. Duration 26
minutes. Carus Verlag #CV
31.117/13. Published by
Carus Verlag
(CA.3111713). ISBN
9790007048693. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz. The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, ...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2
oboes/2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3111711 Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violin 1. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Violin 1. Composed
1728/1731. BWV 117. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.117/11. Published by
Carus Verlag
(CA.3111711). ISBN
9790007048679. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz. The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ten Praise Flourishes for Organ Orgue GIA Publications
Organ SKU: GI.G-10722 Composed by Meirion Wynn Jones. Tune Name: Engelber...(+)
Organ SKU:
GI.G-10722 Composed
by Meirion Wynn Jones.
Tune Name: Engelberg,
Gerontius, Hyfrydol,
Kremser, Lauda Anima,
Lobe Den Herren,
Nettleton, Nun Danket,
Old Hundredth,
Westminster Abbey.
Sacred. GIA Publications
#10722. Published by GIA
Publications
(GI.G-10722). ISBN
9781622776641. As
with his volumes of
Flourishes for Christmas
and Easter, Welsh
composer Meirion Wynn
Jones applies his
imaginative craft to
these beloved and festive
hymn tunes. For use as
introductions to the
hymns, or as interludes
before a final stanza (or
both), the freshness of
the musical language and
skillful use of the
organ's sonic colors will
help take these hymns of
praise to a new
level. $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon...(+)
SATB vocal soli, SATB
choir, recorder, oboe
I/oboe d'amore, oboe
II-III, bassoon, 3
trumpets, timpani, 2
violins, viola, basso
continuo SKU:
CA.3106961 Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. BWV BWV
69a. 8 pages. Duration 25
minutes. Carus Verlag #CV
31.069/61. Published by
Carus Verlag
(CA.3106961). ISBN
9790007206697. Text
language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Chorale SATB [Conducteur] Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, ...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2
oboes/2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3111700 Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: Paperbound.
German title: Sei Lob und
Ehr dem hochsten Gut.
Sacred vocal music,
Cantatas, Praise and
thanks. Full score.
Composed 1728/1731. BWV
117. 52 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/00. Published
by Carus Verlag
(CA.3111700). ISBN
9790007048631. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz. The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Worship Openers: Introits That Work! Chorale SATB SATB [Partition] Hope Publishing Company
By Various. Arranged by Jane Holstein. For SATB choir. This edition: Complete. C...(+)
By Various. Arranged by
Jane Holstein. For SATB
choir. This edition:
Complete. Choral
Collection. General,
Introit, Sacred.
Collection. 38 pages.
Published by Hope
Publishing Company
$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, ...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2
oboes/2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3111712 Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violin 2. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Violin 2. Composed
1728/1731. BWV 117. 4
pages. Duration 26
minutes. Carus Verlag #CV
31.117/12. Published by
Carus Verlag
(CA.3111712). ISBN
9790007048686. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz. The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106959
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. 1x
31.069/71 recorder, 1x
31.069/72 oboe 1, 1x
31.069/73 oboe 2, 1x
31.069/74 oboe 3, 1x
31.069/75 bassoon, 4x
31.069/81 3 trumpets and
timpani. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Trinity. Set of Orchestra
Parts. BWV BWV 69a.
Duration 25 minutes.
Carus Verlag #CV
31.069/59. Published by
Carus Verlag
(CA.3106959). ISBN
9790007206680. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and parts available
separately - see item
CA.3106900. $46.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, ...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2
oboes/2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3111705 Sei Lob
und Ehr dem hochsten Gut
neu. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Sacred vocal music,
Cantatas, Praise and
thanks. Choral Score.
Composed 1728/1731. BWV
117. 4 pages. Duration 26
minutes. Carus Verlag #CV
31.117/05. Published by
Carus Verlag
(CA.3111705). ISBN
9790007048655. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz. The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon...(+)
SATB vocal soli, SATB
choir, recorder, oboe
I/oboe d'amore, oboe
II-III, bassoon, 3
trumpets, timpani, 2
violins, viola, basso
continuo SKU:
CA.3106964 Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. BWV BWV 69a. 12
pages. Duration 25
minutes. Carus Verlag #CV
31.069/64. Published by
Carus Verlag
(CA.3106964). ISBN
9790007206727. Text
language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106953
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Vocal score. BWV BWV 69a.
36 pages. Duration 25
minutes. Carus Verlag #CV
31.069/53. Published by
Carus Verlag
(CA.3106953). ISBN
9790007186371. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score available
separately - see item
CA.3106900. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon...(+)
SATB vocal soli, SATB
choir, recorder, oboe
I/oboe d'amore, oboe
II-III, bassoon, 3
trumpets, timpani, 2
violins, viola, basso
continuo SKU:
CA.3106962 Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. BWV BWV
69a. 8 pages. Duration 25
minutes. Carus Verlag #CV
31.069/62. Published by
Carus Verlag
(CA.3106962). ISBN
9790007206703. Text
language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, ...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2
oboes/2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3111719 Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
German title: Sei Lob und
Ehr dem hochsten Gut.
Sacred vocal music,
Cantatas, Praise and
thanks. Set of Orchestra
Parts. Composed
1728/1731. BWV 117.
Duration 26 minutes.
Carus Verlag #CV
31.117/19. Published by
Carus Verlag
(CA.3111719). ISBN
9790007136666. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz. The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and parts
available separately -
see item CA.3111700. $105.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, ...(+)
Soli SATB, SATB Choir,
Blfl, 3 Ob (Ob I auch
Obda, Obca), Fg, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3106955
Cantata for 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Choral Score. BWV BWV
69a. 12 pages. Duration
25 minutes. Carus Verlag
#CV 31.069/55. Published
by Carus Verlag
(CA.3106955). ISBN
9790007186388. Language:
German/English. Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score available
separately - see item
CA.3106900. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Wedding Organist Orgue Hope Publishing Company
Edited by Michael Perry. Organ. For organ. Wedding. Sacred. 180 pages. Published...(+)
Edited by Michael Perry.
Organ. For organ.
Wedding. Sacred. 180
pages. Published by Hope
Publishing Company
$69.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Praise the Lord SAB Chorale 3 parties SAB Shawnee Press
(from Judas Maccabaeus). By George Frideric Handel (1685-1759). Arranged by Hal ...(+)
(from Judas Maccabaeus).
By George Frideric Handel
(1685-1759). Arranged by
Hal H. Hopson. For SAB
Choir (SAB). Shawnee
Press. General Use,
Masterworks, Thanksgiving
and Sacred. 8 pages
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| O Praise Ye the Lord Carl Fischer
Choral Handbells, Horn, Organ, Timpani, Trombone 1, Trombone 2, Trumpet 1, Trump...(+)
Choral Handbells, Horn,
Organ, Timpani, Trombone
1, Trombone 2, Trumpet 1,
Trumpet 2, Tuba, alto
voice, bass voice, choir,
soprano voice, tenor
SKU: CF.CM8607
For SATB Chorus,
Unison Chorus or Soloist,
and Organ with Optional:
Congregation, Brass
Quartet or Quintet,
Timpani and
Handbells. Composed
by Charles Hubert Parry.
Arranged by Hal H.
Hopson. SWS. Hal H.
Hopson Choral Series.
Choral. Vocal Score. With
Standard notation. Carl
Fischer Music #CM8607.
Published by Carl Fischer
Music (CF.CM8607).
ISBN 9780825839122.
UPC: 798408039127. 6.875
X 10.5 inches. Key: Bb
major. English. Text:
Anonymous. Henry Baker,
Hal Hopson. From a
composite text derived
from Psalms 148 and 150
and a 19th Century hymn
tune by Charles Hubert
Hasting Parry, Hal Hopson
has fashioned a grand,
festive anthem of praise
to the creator. The vocal
parts are very manageable
(much of the piece is
unison - only the 2nd
stanza and the final
cadence are in parts),
and the additional
instrumental resources,
while not required, will
enhance the effect of
grandeur that Mr. Hopson
intends. There is also a
descant on Stanza 4.
Moderately easy. General
Church/Festival
occasion. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Palms of Praise Chorale SATB [Octavo] Epiphany House Publishing
Composed by Patricia Mock. Arranged by Faye L�³pez. Epiphany House. Octavo....(+)
Composed by Patricia
Mock. Arranged by Faye
L�³pez. Epiphany
House. Octavo. 8 pages.
Epiphany House Publishing
#EH1054. Published by
Epiphany House Publishing
(HL.203453).
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, ...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2
oboes/2 oboe d'amore, 2
violins, viola, basso
continuo SKU:
CA.3111703 Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: Paperbound.
Sacred vocal music,
Cantatas, Praise and
thanks. Vocal score.
Composed 1728/1731. BWV
117. 28 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/03. Published
by Carus Verlag
(CA.3111703). ISBN
9790007048648. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz. The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Organist's Library, Vol. 44 Orgue [Partition] Lorenz Publishing Company
For organ. General, Thanksgiving, Advent, Christmas, Epiphany, Sacred. Level: 3-...(+)
For organ. General,
Thanksgiving, Advent,
Christmas, Epiphany,
Sacred. Level: 3-staff.
Sacred organ. Published
by Lorenz Publishing
Company. (70/1657L)
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 31 Page suivante 61 91 ... 421 |