Edition c. La popularité de la musique celtique a explosé au cours des dix dernières années en raison de la recrudescence des instruments folk, danse celtique et la culture irlandaise globale. Cette étonnante collection réunit plus de 400 chansons d'Irlande, Ecosse et du pays de Galles - complet, avec des paroles gaéliques, le cas échéant - et un guide de prononciation. Titres comprennent: à travers l'ouest de l'océan o avec mon amour, j'irai o autel Isle o ' la mer o Auld Lang Syne o Avondale o The Band Played On o o Barbara Allen bénédiction de la route o o The Blue Bells of Scotland The Lass Bonniest o o A Bunch of thym The Chanty que captif le o de la sorcière Colomb était un irlandais o o Danny Boy de Duffy bourdes o Erin ! OH Erin ! o o de sillage du père Murphy o Finnegan Galway Piper o la fille j'ai laissé derrière moi o a quelqu'un ici vu Kelly o je sais où je suis Irish Rover Goin ' o o Loch Lomond o o Molly Malone My Bonnie trouve au-dessus de l'océan o mon o Rose irlandais sauvage les rives du Amerikay o The Sons of Liberty o qui est un o berceuse irlandais lorsque irlandais Ey... / Instruments En C / 256 pages / Partition

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred\'s Tempo Changer Software. / Violon

Alfred's Ultimate Movie Instrumental Solos série arrangé pour flûte, clarinette, saxophone alto, saxophone ténor, trompette, cor en fa, trombone, violon, alto, violoncelle et piano en option. Tous les arrangements d'instruments à vent sont totalement compatibles et peuvent être réalisées avec succès comme des ensembles ou des solos par les étudiants qui ont terminé le premier livre d'une méthode de bande standard. Un accompagnement orchestré entièrement MP3 CD est fourni, avec chaque chanson comme une bande démo live suivie d'une piste play-along. Le CD contient également une version PDF de l'accompagnement piano et Alfred Tempo Changer Software.Contient 60 chansons, dont: Cantina Band * Follow the Yellow Brick Road / We're Off to See the Wizard * Gollum's Song * Hedwig's Theme * James Bond Theme * Obliviate * Pink Panther Theme * Raiders March * Superman Theme * Wonka's Welcome Song En raison de considérations niveau concernant les clés et les gammes d'instruments, les arrangements d'instruments à vent ne sont pas compatibles avec les dispositions d'instruments à cordes dans cette série. / Violon

Instrument : violinType : performance bookNombre de Pages : 24Part 2 of Sheila Nelson's Tetratunes Series.Stringsongs develops reading skills begun in Tetratunes, by the use of singing and part-playing. The edition is part of the ABRSM syllabus (grade 2).Content : Anon: Sound for us - Traditional: London's burning - Sheila M. Nelson: Drummer's march - Traditional: Fiddle and flute - Anon: Favourite round - T.H. Bayley: Long, long ago - Traditional: My dame hath a lame, tame crane - Thomas Tallis: Tallis' canon - Sheila M. Nelson: Summer song - Anon: Summer is a-coming in - Sheila M. Nelson: Echo dance - Anon: Ave Maria - Sheila M. Nelson: Idle cowboy - Traditional: Three blind mice - G.F. Handel: Gavotte - Sheila M. Nelson: I sing when I'm happy - Philip Hayes: The rose - Anon: Oh, how lovely is the evening - Sheila M. Nelson: Rumba time - John Jenkins: A boat, a boat - John Arnold: Haste thee, nymph - L. van Beethoven: The flower wondrous-fair - John Hilton: Come, follow - Anon: O my love - Country dance: The four posted bed - Johann Strauss: Emperor waltz - R.A. Eastburn: Little brown jug

Cette collection rassemble 100 super-classiques des Beatles pour les débutants à jouer. Les arrangements sont dans la clé de C, et les gravures sont toutes nouvelles et plus grandes que la notation livre le plus faux. / Piano/Vocal/Guitare (PVG) / 224 pages / Partition

The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the demonstration tracks to hear how the violin should sound, and then play along using the separate backing tracks. The purchase price includes online access to audio for download or streaming. This volume features eight songs perfect for worship: Amazing Grace (My Chains Are Gone) · Build Your Kingdom Here · Here I Am to Worship (Light of the World) · How Great Is Our God · Lead Me to the Cross · Lord, I Need You · Sing to the King · 10,000 Reasons (Bless the Lord). / Violon

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano

The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the online audio to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. Chord symbols are provided should you wish to elaborate on the melody. The audio includes PLAYBACK features that allow you to loop passages, change the tempo, and more. This volume includes: Another Day of Sun - Audition (The Fools Who Dream) - City of Stars - A Lovely Night - Mia and Sebastians Theme - Planetarium - Someone in the Crowd - Start a Fire. / Violon

The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the demonstration tracks to hear how the violin should sound, and then play along using the separate backing tracks. The purchase price includes online access to audio for download or streaming. This volume features eight classics from the musical: Climb Ev'ry Mountain · Do-Re-Mi · Edelweiss · Maria · My Favorite Things · Sixteen Going on Seventeen · Something Good · The Sound of Music. / Violon

Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Date parution : 2018-05-04/ Recueil / Violon et Guitare

Les dix sonates pour piano et violon de Beethoven, ainsi que celles de Mozart, constituent le c'ur de ce genre de musique classique. Suivant l'exemple des dernières sonates de Mozart, Beethoven laisse la partie violon devenir de plus en plus indépendante de la partie piano. Non seulement l'édition critique de Clive Brown propose un texte méticuleusement édité, mais elle présente pour la première fois une liste de références et un rapport critique. De plus, Brown documente un grand nombre de passages où la notation soulève quelques questions, selon les normes actuelles. Ces passages avaient auparavant été négligés dans le manuscrit autographe, mais leur signification est maintenant clarifiée. Un exemple peut être trouvé dans le « Tempo di Minuetto » de Beethoven, extrait de la Sonat op. 30 n ° 3, où il utilise une idiosyncratie notationnelle basée sur le livre de son fils C.P.E. Bach « Versuch über die wahre Art das Clavier zu spielen », pour indiquer une pause. Ce symbole musical, figurant dans la première édition publiée du vivant de Beethoven, n'a été abordé dans aucune édition moderne à ce jour. De plus, une partition dénotant un accord arpégé ne peut pas non plus être retrouvée dans les éditions modernes précédentes.

Violin Play-Along Volume 70. Par METALLICA. The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the demonstration tracks to hear how the violin should sound, and then play along using the separate backing tracks. The purchase price includes online access to audio for download or streaming. This volume features eight songs: Enter Sandman - Fade to Black - For Whom the Bell Tolls - Moth into Flame - Nothing Else Matters - One - Orion - The Unforgiven./ Recueil / Violon

Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before creating an improved version of that title on the basis of the finished work. The list of compositions by Grazyna Bacewicz, the full catalogue of which is held in the National Library in Warsaw, includes a work for string quartet entitled Quatuor. The manuscript was left undated, but analysis of the music allows us to date this work to the mid-1960s. In the composer?s output from that period, the instrumental tone colouring, often an element that helps to forge a work, takes on particular significance. The first movement of the Quatuor [à cordes] opens with three fifth-tritone chords ?cast forth?, in succession, in saltando-gettato technique by the cello, second violin and first violin. When we look at the beginning of the Seventh String Quartet, from 1965, such a chord appears in the second bar of the cello part. Further comparisons lead to interesting conclusions. The two opening movements are almost identical, built from the same elements, only spatially arranged in a different way. In the structure of the first movement of the Seventh Quartet, one distinguishes two thematic planes, which shape the narrative after the fashion of a sonata allegro. The first theme is a series of episodes of changing texture ? from passagework to chords and short glissandos repeated with varying intensity. The second theme (Meno mosso) displays an imitative form. Both works feature an inverted reprise. For the first 25 bars of the second movement, a nostalgic Grave, the two works sound identical. The continuation of this movement in the Quatuor [à cordes] is more modest than in the analogous segments of the Seventh Quartet, in terms of both changing textures and the use of differentiated means of articulation. Towards the end, a motif from the beginning of this movement returns in modified form. Both the third movements (Capriccioso in the Quatuor [à cordes], Con vivezza in the Seventh Quartet) take the form of a rondo, and appearing in each of them is the same ?warbling? theme, based on scattered notes with grace notes. The Seventh String Quartet is in three movements. The presumed prototype consists of four movements. The last movement of the Quatuor [à cordes] is a Maestoso resembling a mine of textural ideas for other works of a sonoristic provenance from this period. The introduction, constituting a closed narrative whole and a reference point for the rest of the movement, is followed by segments that are dominated by ostinatos of various kinds, including with the use of harmonics, passages built on the progressive shifting of short motifs, and unevenly spread chords. Grazyna Bacewicz used material from earlier works more than once in her compositions. Her oeuvre also includes ?twin? pieces merely scored for a different set of instruments. Yet the self-quotation that occurs in the case of the Quatuor [à cordes] and the Seventh String Quartet ? lengthy passages from another of her works reused with minor modifications ? is an unusual situation. It undermines the former?s status as an independent work. Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes