| Kevin Volans: String
Quartet No.9 - Shiva
Dances (Parts): String
Quartet: Parts Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Chester
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3...(+)
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.
24.99 GBP - vendu par Musicroom GB | |
| Kevin Volans: String
Quartet No.9 - Shiva
Dances: String Quartet:
Score Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Chester
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3...(+)
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.
16.99 GBP - vendu par Musicroom GB | |
| New Real Book Vol.3 C Instruments en Do Advance Music
The long-awaited third volume of the much-loved and often used fake book series....(+)
The long-awaited third volume of the much-loved and often used fake book series. Includes choice standards, motown and pop classics, Blue Note and jazz classics, and even contemporary tunes with no duplication of tunes from Volumes 1 or 2. / Instruments En Do
57.70 EUR - vendu par LMI-partitions Délais: En Stock | |
| Resolutio Op. 74 (AMANTI
LUCIO) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] - Avancé Schott
Impressions On Beethoven's Harp Quartet. Par AMANTI LUCIO. When Cuarteto Casals ...(+)
Impressions On Beethoven's Harp Quartet. Par AMANTI LUCIO. When Cuarteto Casals approached me with the idea of illuminating Beethoven´s quartets anew, you can imagine the many thoughts and feelings that where going through my mind: what a joy, what a great honor… What an intriguing head-scratcher! How can you possibly shine a new light on something that is already perfect? Weeks, months went by in search of a common ground between the Master and myself until I finally found it in the realization that a word lays “hidden” in the St. John’s hymn that gave musical notes their original name: ‘Re, Sol, Ut, Io’ (D, G, C, B in English music notation) Perfect! “Resolutio” in Latin means both the resolution of a problem and the re-solution: a re-blend of many elements that will eventually coagulate to make something new. There was finally the melodic and a rhythmical canvas for my piece. On this canvas I wrote the story of a funny little contest, played on a sunny Mediterranean square, between street musicians and Cuarteto Casals just minutes before they are about to go on stage to perform Beethoven´s “Harp Quartet”. After all the characters, each in his own way, had the chance to tell their story, a gentle rain starts to fall, dissolving (Re-solving) again the music sheet to eventually leave us with just a white piece of paper for somebody else to continue the Work. (Lucio Franco Amanti) / Niveau : Avancé / Répertoire / 2 Violons, Alto et Violoncelle
54.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Concerto Per Flauto
Traversiere, Archi, Bc Rv
431A (VIVALDI ANTONIO) Flûte Traversière Cordes
et Basse Continue - Intermédiaire Ricordi
a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many f...(+)
a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemingly enigmatic instruction “Grave sopra il libro” replacing the second movement has given rise to the most fanciful hypotheses. The discovery in Edinburgh, in 2010, of a concerto for transverse flute in D minor entitled “Il gran Mogol” suddenly shed light on the situation: this was an earlier version of RV 431, now complete with its middle movement, a “Larghetto” that is verypossibly identical with the one missing in RV 431. This “Gran Mogol”, which belonged to Robert Kerr, a Scottish nobleman and amateur flautist, was already known by name to scholars on account of its listing in an eighteenth-century catalogue as partof a set of Vivaldi concertos bearing geographical titles: more recently, there has come to light a letter written by Vivaldi three months before his death in which the composer describes this set in detail. It is very likely that RV 431 and RV 432belonged to this group of works, the last known collection of its kind in Vivaldi’s oeuvre. This critical edition places these closely related works side by side for the first time, placing them in their historical context and making them performable through its reconstruction of some lost parts. / Niveau : Intermédiaire / Date parution : 1905-07-09/ Répertoire / Flûte Traversière Cordes et Basse Continue
46.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Quatuor n°2 (D'ADAMO
DANIEL) Quatuor à cordes: 2 violons,
alto, violoncelle Chant du Monde
Par D\'ADAMO DANIEL. ?Quatuor n°2? was first performed by the Tana string quart...(+)
Par D\'ADAMO DANIEL. ?Quatuor n°2? was first performed by the Tana string quartet on April 14, 2013, at Radio France, Paris. ?I conceived a piece whose principal subject was going to consist in the description of a minuscule sonic element. The description of this tiny initial material would be so precise, so detailed that, deployed on a much larger scale than its original one, it would occupy the entire duration of the piece. At that point, I just had to choose a sound model as the starting point of the piece, the sound that would best characterize the string instruments themselves: the noisy sound produced by the bow barely coming in contact with one of the strings, getting ready to acquire speed, weight, acceleration, and producing a full sound of a violin, a viola or a cello?? Daniel D?Adamo / Date parution : 2022-02-03/ Répertoire / Quatuor à Cordes
55.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Discovering Violin
Complete Beginning Method
With An Instructional Violon [Partition + CD] Santorella Publications
Discovering Violin Book and CD is a revolutionary approach towards learning how ...(+)
Discovering Violin Book and CD is a revolutionary approach towards learning how to play the violin by Danielle Cummins. This Complete (96 pg) Method is designed to teach a beginning violinist proper technique in a logically progressive manner. The sole objective is to encourage students to develop a passion for music. We have included an instructional performance CD to make practicing fun, rewarding and productive. Each piece is designed to take a student on an inspirational journey by discovering the beauty of music and its purpose. This adventure in learning will benefit both the student and teacher.IntroductionGet ready to begin an exciting adventure. Experience the incredible satisfaction of learning how to play the violin. Begin to see the world from a whole new perspective, the world of musical sound. Gain new skills which will provide the ability to communicate through both visible and invisible means. This is the joy of musical sound.To follow are a few suggestions to make your musical journey both meaningful and enjoyable:Playing violin is a rewarding process that requires diligence, perseverance, creativity and humility.Music is a mirror of beauty, truth, knowledge and imagination.A gradual step by step process is the best approach towards achieving excellence.Practice sessions must occur on a regular basis and follow a daily disciplined schedule.Practice sessions do not need to be long and tedious - they just need to be consistent with focus.Don't be afraid to leave something for tomorrow. The anticipation towards the next day's workout is as beneficial as the work itself. The ultimate goal is to aim for just a little progress each and every day.Be sensitive towards your physical limitations as everyone's tolerance is a bit different. Pay close attention to your body and know when to take a break, preferably before your muscles become sore.Remain as relaxed as possible whenever playing and remember to always breathe naturally.Be generous when playing for an audience and cherish the ability to share the gift of music to all. / Violon
26.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| String Quartet - Youthful
Work (BACEWICZ GRAZYNA) Quatuor à cordes: 2 violons,
alto, violoncelle PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her mai...(+)
Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosphere of anti-romantic tumult and the emerging neoclassical style. She assimilated the main attributes of that current in a natural way: the need to forge logical formal constructs based on new harmonic principles, not determined by the major–minor system, and also a freedom in the shaping of textures, a fixed element of which was the combining of homophony with more or less strict polyphonic forms.
One example of such a strategy is the String Quartet from her student years, signed with the date 1929–1930, which the composer did not include in her official catalogue of works. In the first movement (Allegro moderato), one can distinguish two principal subjects, served in the form of the incomplete exposition of a fugue. The chromaticised first subject, with its strongly highlighted head motif, appears in the cello, with an answer coming four bars later in the first violin. After a short bridge, the first violin intones the second subject, of a different character (dolce), and the answer appears a bar later and an octave lower in the viola. Both subjects can be heard also in the closing coda, and the space between them is filled by counterpoints based largely on ostinato figures of various sorts – a technique that Bacewicz would hone to perfection in her later work.
The middle fughetta (Molto adagio), with a subject stated just once, and in only three parts (cello, first violin, viola), acts as an intermezzo.
The third movement (Allegro molto moderato) is a double fugue with strongly contrasting subjects. The first subject, in the form of a chromaticised melodic continuum, exposed by the cello, is initially shown with the traditional arrangement retained (answered by the viola and second violin at a fifth, and by the first violin an octave above). The second subject (energico) is a structure shaped by the opening repetition of a motif of perfect fifths, then octaves combined with staccato-tremolo figurations. As the work unfolds, the two subjects appear simultaneously in original and inverted form, coming together in the closing Cadenza in a uniform idea crowned by strong (fff) chords repeated towards the end. - Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes
35.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Let's Take The
Stage! Violon et Piano EMB (Editio Musica Budapest)
It's an unforgettable experience to go on stage for the first time and win appla...(+)
It's an unforgettable experience to go on stage for the first time and win applause with your playing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can earn real success: easy arrangements of favorite works by Dowland, Vivaldi, Handel, Bach, Haydn, Mozart, Weber, Schubert, Schumann, Liszt, Anton Rubinstein and Brahms. The CD enclosed with the publication includes recordings of the piano accompaniment for each piece and a full performance by noted Hungarian musicians. So the disc makes practice at home easier and gives assistance with performance style as well. The publication offers numerous pieces of advice to young violinists, including: how to get ready for a concert, how to control stage fright, and how to be confident on stage. In addition, some charming illustrations by Edit Szalma are included. / Violon Et Piano
25.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| String Quartets (RAFF
JOSEPH JOACHIM) Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Breitkopf & Härtel
No. 1 d minor op. 77 and No. 2 A mejor op. 90. Par RAFF JOSEPH JOACHIM. He had b...(+)
No. 1 d minor op. 77 and No. 2 A mejor op. 90. Par RAFF JOSEPH JOACHIM. He had been there as Franz Liszt?s assistant since 1850 and had made a name for himself in the city?s art scene now he embarked on new paths. He already composed his second Quartet in A major, op. 90, in Wiesbaden, the spa town that was to become his home for 21 years.
The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff?s intensive confrontation with Richard Wagner?s music during the Weimar years. In his chamber music, the composer wanted to achieve progress ?in an inherently historical way? and ?toground the individual substance in existing forms,? as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Müller brothers? renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim. / Date parution : 2021-11-25/ Répertoire / Quatuor à Cordes
60.40 EUR - vendu par LMI-partitions Délais: En Stock | |
| My First Concert Violon et Piano Schott
The edition 'Mein erstes Konzert' [My First Concert] contains 22 easy pieces for...(+)
The edition 'Mein erstes Konzert' [My First Concert] contains 22 easy pieces for lessons, first recitals or pupils' competitions. This volume takes the player on a musical journey through five epochs - from the Renaissance era via the Baroque, Classical and Romantic eras to contemporary music. A special highlight is the large number of pieces of popular music, including motivating pieces from the areas of pop music, jazz, spiritual, bossa nova and tango most of which have been specially composed for this volume. Most works can be played after two years of lessons already - all pieces are in the first position and can be played in the four fingering patterns. To two compositions requiring position playing, an easier alternative has been added. Fingerings for position playing can of course be entered in the pieces by the teacher to improve the tonal result. / Violon Et Piano
18.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| String Quartet Op. 3 Quatuor à cordes: 2 violons,
alto, violoncelle G. Henle
Alban Berg's String Quartet can be considered to be one of the founding works of...(+)
Alban Berg's String Quartet can be considered to be one of the founding works of the Second Viennese School. Already composed in 1910 and first published in 1920, it was the last composition the 25-year-old wrote under the tutelage of Arnold Schoenberg, who admired 'the fullness and unconstraint of his musical language, the strength and sureness of its presentation, its careful working and significant originality?. Even today the extremely complex work places the highest technical demands on the interpreters - for this reason our edition contains parts that are especially good to play from, in which each musician can also follow what is going on in the other parts. / 2 Violons, Alto Et Violoncelle
18.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| String Quartet Op. 3 Quatuor à cordes: 2 violons,
alto, violoncelle G. Henle
Alban Berg's String Quartet can be considered to be one of the founding works of...(+)
Alban Berg's String Quartet can be considered to be one of the founding works of the Second Viennese School. Already composed in 1910 and first published in 1920, it was the last composition the 25-year-old wrote under the tutelage of Arnold Schoenberg, who admired 'the fullness and unconstraint of his musical language, the strength and sureness of its presentation, its careful working and significant originality?. Even today the extremely complex work places the highest technical demands on the interpreters- for this reason our edition contains parts that are especially good to play from, in which each musician can also follow what is going on in the other parts. / Quatuor A Cordes
45.40 EUR - vendu par LMI-partitions Délais: En Stock | |
| Violin Play Along Vol.5 :
Christmas Carols Violon [Partition + Accès audio] - Facile Hal Leonard
The Violin Play-Along Series will help you play your favourite songs quickly and...(+)
The Violin Play-Along Series will help you play your favourite songs quickly and easily! Just follow the music, listen to the CD to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. Chord symbols are provided so that you can elaborate on the melody. For PC and MAC computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch! Violin Play-Along: Christmas Carols includes all your favourite carols, ready for you to play! / Violon
20.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| String Quartets For
Beginning Ensembles -
Vol.1 (SUZUKI SHINICHI) Orchestre de chambre [Partition] - Débutant Alfred Publishing
Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1,...(+)
Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1, 2 and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method[R] repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 1 contents are: Twinkle, Twinkle, Little Star Theme and Variations (Shinichi Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go TellAunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (T. H. Bayly) * Allegro (Shinichi Suzuki) * Etude (Shinichi Suzuki) * Perpetual Motion (Shinichi Suzuki) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Gavotte (F. J. Gossec). / Niveau : Débutant / Méthode / Recueil / Orchestre de Chambre
36.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 3 Quartets For
Pianoforte, Violin, Viola
And Violoncello Woo 36
(BEETHOVEN LUDWIG VAN) Piano Quatuor: piano, violon, alto,
violoncelle [Partition] Barenreiter
Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quar...(+)
Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello.
The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions.
Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text.
Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle
68.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Fragile World for String
Orchestra (KNOCKAERT
PETER) Orchestre à Cordes [Partition] Metropolis Music Publishers
Par KNOCKAERT PETER. The future of our fragile world is in our hands. As Sir Dav...(+)
Par KNOCKAERT PETER. The future of our fragile world is in our hands. As Sir David Attenborough stated on the Climate Conference in Glasgow on November, 1st, 2021: ?... We are already in trouble. The stability we all depend on is breaking. This story is one of inequality, as well as instability. Today, those who?ve done the least to cause this problem, are being the hardest hit. Ultimately, all of us will feel the impact, some of which are now unavoidable. ... We?re going to have to learn together, how to achieve this, ensuring none are left behind. We must use this opportunity to create a more equal world and our motivation should not be fear, but hope. ...? . We must be more caring about the wonderful place we live in... our unique home: Planet Earth. This music is both a shoutout to take care of our planet and a hymn to the beauty of this place. The composition is suited for stage as well as for the enjoyment in music school orchestral practice. / Date parution : 2022-11-29/ Répertoire / Orchestre de Cordes
67.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Bedrich Smetana: String
Quartet E minor: String
Quartet: Miniature Score Quatuor à cordes: 2 violons,
alto, violoncelle Eulenburg
From my life-In a letter of 12th April 1878 (i.e. when he had already lost his ...(+)
From my life-In a letter of 12th April 1878 (i.e. when he had already lost his hearing) the composer declares that his design was to symbolize the course of his life in this quartet.1st Movement: Love of art in youth the unsatisfied longing for something inexpressible also a presentment of approaching mis-fortune.2nd Movement: Quasi Polka refers to a merry youth during which Smetana enjoyed dancing passionately and wrote dances with ease.3rd Movement: Largo sostenuto the felicity of his first love for the girl who later became his wife.4th Movement: Illustrates his perception of national music and the joy of success only to be suddenly broken by the extend E in the highestregister the fatal note that sounded in the composer's ear just before his deafness. Painful remembrances of the first stages of his career a fleeting ray of hope then ultimately resignation to inescapable fate.
11.50 GBP - vendu par Musicroom GB | |
| Georges Delerue: Le
Concerto De L'Adieu
'Farewell Concerto':
Violin: Violon et Piano [Partition] Leduc, Alphonse
Composed by Georges Delerue a French composer specialised in film music Le L...(+)
Composed by Georges Delerue a French composer specialised in film music Le Le Concerto De L'Adieu is a piece for Violin and Piano accompaniment. Edited by Roberto Cani it lasts 9 minutes. This concerto is part of the original soundtrack of “Dien Bien Phu” (1992) by Pierre Schoendoerffer. It is used in the film for a scene which represents the loss of Dien Bien Phu: a concert is going to happen and while the music starts some sporadic images of the battle are shown. The concert finishes with the audience applauding and the next scene shows some soldiers having their last drink knowing the battle is already lost.The concerto goes through different phases to express what is seen through the images alternating melancholy desperation desolation and the feeling of lost power.
34.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Fantaisies De Concert
(DIVERS AUTEURS /
SARASATE) En Français Violon et Piano [Partition] Choudens
Par DIVERS AUTEURS / SARASATE. Quite early in his career, Pablo De Sarasate prod...(+)
Par DIVERS AUTEURS / SARASATE. Quite early in his career, Pablo De Sarasate produced a series of fantasies on themes from popular operas for solo Violin with Orchestral, or Piano accompaniment. The appeal of the Carmen fantasy, with which this collection opens, has remained the most enduring but, perhaps reflecting the varying fortunes with audiences of the operas themselves, settings of Gounod’s Faust and Roméo et Juliette, or Weber’s Der Freischütz are ready for reappraisal today as similarly exhilarating exercises in Romantic violin technique. As an example of Sarasate ’s equally successful and more purely lyrical “salon” style of composition, his Rêverie, Op. 4 is alsoincluded here. / Classique / Répertoire / Violon et Piano
44.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| My First Concert: Violin:
Instrumental Album Violon - Facile Schott
22 Easy Concert Pieces from 5 Centuries. The edition 'Mein erstes Konzert' [My F...(+)
22 Easy Concert Pieces from 5 Centuries. The edition 'Mein erstes Konzert' [My First Concert] contains 22 easy pieces for lessons, first recitals or pupils' competitions. This volume takes the player on a musical journey through five epochs ? from the Renaissance era via the Baroque, Classical and Romantic eras to contemporary music. A special highlight is the large number of pieces of popular music, including motivating pieces from the areas of pop music, jazz, spiritual, bossa nova and tango most of which have been specially composed for this volume. Most works can be played after two years of lessons already; all pieces are in the first position and can be played in the four fingering patterns. To two compositions requiring position playing, an easier alternative has been added. Fingerings for position playing can of course be entered in the pieces by the teacher to improve the tonal result.
12.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Flavio Henrique: Violin
Solos On Brazilian
Themes: Violin:
Instrumental Album Violon [Partition + Accès audio] - Facile Mel Bay
Brazil offers a great and luxurious musical variety not only for its large exte...(+)
Brazil offers a great and luxurious musical variety not only for its large extension of land but also for the multiple cultural interchange established along centuries among the several peoples which contributed to the formingof its rich and varied musical map. From that triple (though not always conscious) alliance among the native Indigenous the European colonizer and the African (those latter brought here as slave workers) resulted a 'Brazility'feeling which is common to every country side despite the distances that separate them: joyous melancholic nostalgic or ritual Brazilian music is always the most authentically expression of its people their happiness andsorrows. This work is an effort to display some Brazilian popular melodies arranged for violin and piano. The themes chosen coming from the country as well as urban areas are part of a repertoire quite familiar to everyBrazilian some of them already belonging for centuries to Brazil's memory. No intention of producing a scientific or musicological work has been nourished by the arrangers. What guided them in the choice of the songs presented inthis book was above all a poetic sense and deep love for the music of their country. Enclosed are 19 violin solos on historic Brazilian themes. A free piano accompaniment is available free online.
10.99 GBP - vendu par Musicroom GB Délais: En Stock | |
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