Arrangeur: Rachel Jennings. Par JENNINGS RACHEL. Red Hot Violin and nbsp - is an exciting new series of graded performance repertoire with a difference, featuring sizzling arrangements of contemporary show-stoppers for intermediate violin with piano. With pieces in a wide variety of styles, violinists of all ages will enjoy showing off these sparkling takes on popular favourites. They're perfect for inspiring students as a refreshing change from exam repertoire, and would go down a storm at any concert or recital. Arranger and composer Rachel Jennings has been playing the violin since the age of six, studying with Susan Sheppard and Jean Harvey and theory with Jonathan Rathbone. She runs a private teaching studio in Nottingham. The A Team - Canarios - Cotton-Eyed Joe - Dream A Little Dream Of Me - I Wanna Be Like You - If Only I Had and nbsp - A Brain - One Day Like This - Sleigh Ride - Summer Nights. / Niveau : Intermédiaire / Recueil / Violon

The Belgian Charles Auguste de Bériot (1802-1870) was not only a violinist but also a teacher and composer.'Scène de Ballet?, perhaps his best-known composition, is a favourite with violin students. One such student was the young Itzhak Perlman, who included it in his collection 'Concertos from my Childhood?. The piece captivates with its beautiful melodies and refined rhythms.The EditorKurt Sassmannshaus is a world-famous violin teacher with a professorship in Cincinnati (Ohio, USA). He is also the founder of the Great Wall Music Academy, an international summer camp for young string players in China. He continues the family tradition of 'Early Start on the Violin?, founded by his father Egon Sassmannshaus and published by Bärenreiter with editions in German and English.The series 'Bärenreiter's Concert Pieces? includes works for solo strings, usually the violin, but also viola and cello, all with piano accompaniment. / Violon Et Piano

After a twelve-year interval, Dvo?ák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethoven's 'Pastoral? - even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the 'American Quartet?. For the first time since 1955, the quartet is once again being published in an Urtext edition. / 2 Violons, Alto Et Violoncelle

Par VASKS PETERIS. Peteris Vasks' Summer Dances (Vasaras dejas or Summer Dances) for two violins consists of seven easy dances of different character. The short pieces are lively throughout and ideal for music lessons and performances. / Niveau : Facile / Répertoire / 2 Violons

As you read this somewhere in the English-speaking world a production of a Gilbert & Sullivan operetta is being rehearsed or presented. It may be taking place in an elementary secondary or high school; a university; an amateurmusical theater group; a summer-stock ensemble; a professional light-opera company. The musical accompaniment may consist of a piano or two - perhaps plus a few other instruments - or a full orchestra. Audiences be theyfirst-time listeners or dyed-in-the wool G&S fanatics will be captivated by the scintillating melodies and effervescent lyrics of those highly unlikely collaborators: Sir Arthur Seymour Sullivan and Sir William Schwenck GIlbert.Incredibly despite the seemingly endless popularity of these works which have been published staged recorded broadcast televised and cinematized over the years since their first performances by the D’Oyly Carte Opera inLondon in the 1870s and 1880s there has never been an edition which permitted the guitar-playing masses to enjoy these Victorian gems. Until now. Here for the first time are 52 G&S favorites (or if you will favourites) drawnfrom five of their most popular operettas: H.M.S. Pinafore The Pirates of Penzance Patience Iolanthe The Mikado. arranged with guitar chords in guitar-friendly keys! The very model of a modern music manuscript! Allselections include melody lyrics and guitar chords.

Par LERDAHL FRED. Waltzes, a cycle of twelve virtuoso waltzes for violin, viola, cello, and double bass, was commissioned by the Spoleto Festival USA in Charleston, where the first nine waltzes were premiered in 1981. Soon thereafter I composed the final three waltzes. The violinist Rolf Schulte led the first performance of the complete work in New York City in 1983. Waltzes lasts about 22 minutes and is dedicated to the violist Scott Nickrenz, who directed the chamber music series at Spoleto. In arranging the commission, Mr. Nickrenz made three stipulations: make my modernist idiom accessible for summer-festival listening, provide a challenge for brilliant string players accustomed to 19th-century repertory, and give the piece a loud ending. The idea of composing a set of waltzes came from the pleasure I took in playing waltzes by Schubert and Chopin at the piano. Waltzes incorporates occasional references to the music of past composers, but always in ways that fit within my own musical language. Its instrumentation for “low” string quartet is reminiscent of Schubert’s Vienna./ Répertoire / Violon, Alto, Violoncelle et Contrebasse

Par DVORAK ANTONIN. For several years following composition of his first piano quartet, Dvorák?s publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summer 1889, fulfilled Simrock?s wishes. With his op. 87, Dvorák delivered a challenging and mature work in which a mastery of form is combined with memorable themes and surprising harmonic turns, leading it quickly to conquer the hearts of both performers and audiences. The engraver?s model for the first edition is lost; but together with the first edition the autograph survives as a second source for our critical edition, with which Henle continues its series of Urtext editions of this composer. / Date parution : 2023-05-06/ Répertoire / Quatuor avec Piano

reconstructed by Philip Wilby-This reconstruction of the Concerto in D K.315f was first performed on 15th August 1985 at the Dartington Hall Summer School of Music by Ernst Kovacic (Violin) and Bernard Roberts (Piano) with the Dartington Chamber Orchestraconducted by Diego Masson. This is the Study Score. Instrumentation includes SOLO VIOLIN; SOLO PIANO; 2 FLUTES; 2 OBOES; 2 HORNS IN D AND G; 2 TRUMPETS; TIMPANI; STRINGS.The duration of this work is 25 minutes. Full score solo and orchestral parts are available on hire from the publishers.

Dvo?ák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances (HN 757 and 918), he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms' music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the 'Dumky? Trio op. 90 (HN 799), Andreas Groethuysen is once again responsible for the fingerings of the piano part. / Piano

Violin Play-Along Volume 58-The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music listen to the demonstration tracks to hear how the Violin should sound and then play along using the separate backing tracks. The purchase price includes online access to audio for download or streaming. The online audio player Playback+ allows you to slow down audio without changing pitch set loop points change keys plan left or right and more! This volume features 12 selections from The Piano Guys' 2014 release: Ants Marching/Ode to Joy Batman Evolution Because of You Don't You Worry Child Father's Eyes Home How GreatThou Art/The Mission Kung Fu Piano: Cello Ascends Let It Go Pictures at an Exhibition Story of My Life and Summer Jam.

A dozen contemporary hits are included in this collection perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Songs include: Broken (lovelytheband) · Havana (Camila Cabello) · Heaven (Kane Brown) · High Hopes (Panic! At the Disco) · The Middle (Zedd, Maren Morris and Grey) · Natural (Imagine Dragons) · No Place like You (Backstreet Boys) · Shallow (Lady Gaga and Bradley Cooper) · Sucker (Jonas Brothers) · Sunflower (Post Malone and Swae Lee) · thank u, next (Ariana Grande) · Youngblood (5 Seconds of Summer). / Pop and rock / Recueil / Violon

Par LANGGAARD RUED. Langgaard sketched out the work at the Tyringe Badesanatorium in Scania (Sweden) in the course of just three summer’s days in 1915 – 28-30 June/ Répertoire / Ensemble de Vents

Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] Themes (1852) for Violin and Orchestra Edition no. BA 7898-90 ISMN 9790006566020 Joseph Joachim's 'Fantasies on Hungarian and Irish [Scottish] Themes' was his first virtuoso music for the violin with orchestral accompaniment. Joachim was intent on creating popular works, not least at the urging of his family, but they also bore witness to his urbanity: the young Jewish-Hungarian musician spent many summers in England and its familiar, Irish melodies held great appeal for English audiences. Performances of the 'Fantasy on Hungarian Themes' in German cities met his need for self-display as the 'Hungarian lad', to use Mendelssohn's jocular epithet. Joachim was well aware that the style hongrois was all the rage in European capitals.

Work for Solo Violin commissioned by the La Jolla Chamber Music Society’s SummerFest La Jolla. Lachen Verlernt starts with a lyrical expressive melody that gradually becomes faster and more frenzied until it develops analmost frantic character as if the imaginary narrator had reached a state of utter despair.