Par RHEINBERGER JOSEF GABRIEL. Collection with 20 shorter organ works. Rheinberger did not write organ music for the worship service. This edition compiles trios, fughettas, passacaglias and character pieces from Rheinberger's extensive oeuvre for the organ. Due to their duration and degree of difficulty they are suitable for the liturgical organ playing, where they can be played as preludes, intermezzi and postludes. The collection therefore aims to help establish Rheinberger's organ music for liturgical use./ Répertoire / Orgue

Tonalité : G-Dur - Op.: 88 -. Par RHEINBERGER JOSEF GABRIEL. With the Third Sonata op. 88 Rheinberger began to compose systematically for the organ. The steps from one sonata to the next became shorter, and now at least one major organ work appeared each year. The term 'sonata' encompasses widely differing forms and types of movements./ Répertoire / Orgue

Par RHEINBERGER JOSEF GABRIEL. Gattungen: freie Orgelmusik - Reihen bei Carus: Gesamtausgaben -/ Répertoire / Orgue

Par RHEINBERGER JOSEF GABRIEL. Gattungen: freie Orgelmusik - Reihen bei Carus: Gesamtausgaben -/ Répertoire / Orgue

Josef Rheinberger (b. 1839 d. 1901) was a prolific composer in almost every field but he found in the Organ the medium best fitted to his genius and temperament. This seems to be proved by the fact that his reputation as an Organ composer has grown and is now firmly established whereas his position in other branches has declined. His twenty sonatas and his numerous shorter pieces (about a hundred) make up one of the most important contributions to the Organ repertory. It may indeed be claimed that in the maintenance of a high level of quality and interest throughout a long series of works of both large and small scale his position as an Organ composer issecond only to that of Bach. Sonata No. 19:The G minor Sonata is one of a small proportion of the twenty - No. 15 in D is another - concerning whose merits players are divided. It does not meet one half-way. It is the longest of the twenty: some monotony inevitably results from the use of the key of G for all its movements : its difficulties are of the ungrateful type : and the vigour of its first movement is often rough-even harsh. Yet it appears to be among the favourites of those who know it well; the late Dr. G. J. Bennett (a pupil of Rheinberger's and a devotee of the Sonatas) placed it among the best of the later numbers. Sonata No. 20:In spite of some inequalities No. 20 makes a worthy end to a fine series. Rheinberger's failing health at the time of its composition is no doubt responsible for a few moments of indecision especially in the Finale. The invention shows little if any falling off. In all the sonatas there are few better themes of the broad diatonic type than that which opens the first movement ; and the pleasant tunes of the Intermezzo and Pastoral and the swinging subject of the Finale are in the true Rheinberger vein. But the lack of a substantial fugal section is felt: it might well have come as a central portion of the Finale which

Zwölf Stücke Für Die Orgel. Par RHEINBERGER JOSEF GABRIEL. Opus : 162/ Répertoire / Orgue

Tonalité : D-Moll - Op.: 148 -. Par RHEINBERGER JOSEF GABRIEL. Gattungen: freie Orgelmusik - Langue : o Spr/ Répertoire / Orgue

Par RHEINBERGER JOSEF GABRIEL. Gattungen: freie Orgelmusik - Langue : o Spr/ Répertoire / Orgue