2 Violins, Basso continuo, Organ

SKU: CA.3850119

Rondo. Composed by Johann Christian Bach. Edited by Wilhelm Krumbach. Arranged by Wilhelm Krumbach. Stuttgart Urtext edition. German title: Orgelkonzert in F. Free organ music. Set of Orchestra Parts. Warb 13,3/2. Carus Verlag #CV 38.501/19. Published by Carus Verlag (CA.3850119).

ISBN 9790007139223. Language: all languages.

Score and parts available separately - see item CA.3850100.

2 Violins, Basso continuo, Organ

SKU: CA.3850212

Composed by Johann Christian Bach. Edited by Wilhelm Krumbach. Arranged by Wilhelm Krumbach. Stuttgart Urtext edition. German title: Orgelkonzert in B. Free organ music. Single Part, Violin 2. Warb 13,4/1. 4 pages. Carus Verlag #CV 38.502/12. Published by Carus Verlag (CA.3850212).

ISBN 9790007054595. Language: all languages.

Score available separately - see item CA.3850200.

2 Violins, Basso continuo, Organ

SKU: CA.3850211

Composed by Johann Christian Bach. Edited by Wilhelm Krumbach. Arranged by Wilhelm Krumbach. Stuttgart Urtext edition. German title: Orgelkonzert in B. Free organ music. Single Part, Violin 1. Warb 13,4/1. 4 pages. Carus Verlag #CV 38.502/11. Published by Carus Verlag (CA.3850211).

ISBN 9790007054588. Language: all languages.

Score available separately - see item CA.3850200.

Soprano voice solo (tenor voice), 2 violins, basso continuo, organ solo

SKU: CA.5034711

Arie de Passione et Adventu. Composed by Michael Haydn. Edited by Franz Haselbock. Aria De Passione Et Adventu Mh 131. Sacred vocal music, Advent, Lent and Passiontide. Single Part, Violin 1. Composed circa 1768-1770. MH 131. 4 pages. Duration 13 minutes. Carus Verlag #CV 50.347/11. Published by Carus Verlag (CA.5034711).

ISBN 9790007081430. Key: B flat major. Language: Latin/German.

Inclu des a Latin text for Passiontide and a German text for Advent. Score and part available separately - see item CA.5034700.

Soprano voice solo (tenor voice), 2 violins, basso continuo, organ solo

SKU: CA.5034749

Aria de Passione et Adventu. Composed by Michael Haydn. Edited by Franz Haselbock. Aria De Passione Et Adventu Mh 131. Sacred vocal music, Advent, Lent and Passiontide. Single Part, Organ. Composed circa 1768-1770. MH 131. 8 pages. Duration 13 minutes. Carus Verlag #CV 50.347/49. Published by Carus Verlag (CA.5034749).

ISBN 9790007081461. Key: B flat major. Language: Latin/German.

Inclu des a Latin text for Passiontide and a German text for Advent. Score and part available separately - see item CA.5034700.

2 Violins, Basso continuo, Organ

SKU: CA.3850213

Composed by Johann Christian Bach. Edited by Wilhelm Krumbach. Arranged by Wilhelm Krumbach. Stuttgart Urtext edition. German title: Orgelkonzert in B. Free organ music. Single Part, Cello/Double Bass. Warb 13,4/1. 4 pages. Carus Verlag #CV 38.502/13. Published by Carus Verlag (CA.3850213).

ISBN 9790007054601. Language: all languages.

Score available separately - see item CA.3850200.

Soprano voice solo (tenor voice), 2 violins, basso continuo, organ solo

SKU: CA.5034700

Composed by Michael Haydn. Edited by Franz Haselbock. This edition: Paperbound. German title: Aria De Passione Et Adventu Mh 131. Sacred vocal music, Advent, Lent and Passiontide. Full score. Composed circa 1768-1770. MH 131. 16 pages. Duration 13 minutes. Carus Verlag #CV 50.347/00. Published by Carus Verlag (CA.5034700).

ISBN 9790007081423. Key: B flat major. Language: Latin/German.

Inclu des a Latin text for Passiontide and a German text for Advent.

SSATB Favorit-Chor (Antiphonal/Chamber Choir), 2 Violins, Bassoon, Melody Instruments, Alto Instruments, Contrabass, Organ

SKU: CA.2041215

Aus: Symphoniae Sacrae III. Composed by Heinrich Schutz. Edited by Paul Horn. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Symphoniae sacrae III SWV 398-418. Stuttgart Urtext Edition: Schutz. German title: Siehe, wie fein und lieblich ist. Sacred vocal music, Psalms, German, Peace and justice, Wedding, Psalms. Single Part, basso continuo. Composed 1650. SWV 412. 2 pages. Duration 6 minutes. Carus Verlag #CV 20.412/15. Published by Carus Verlag (CA.2041215).

ISBN 9790007195229. Key: G dorian. Language: German/English.

Sco re available separately - see item CA.2041200.

Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo [2 horns in benedictus], organ

SKU: CA.4060409

Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn. Edited by Leonhard Riedel. This edition: urtext. 1x 40.604/21 oboe 1, 1x 40.604/22 oboe 2, 2x 40.604/23 2 bassoons, 1x 40.604/31 horn 1, 1x 40.604/32 horn 2, 1x 40.604/33 clarino 1, 1x 40.604/34 clarino 2, 1x 40.604/41 timpani. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1766. Hob. XXII:5. 72 pages. Duration 68 minutes. Carus Verlag #CV 40.604/09. Published by Carus Verlag (CA.4060409).

ISBN 9790007219383. Key: C major. Language: Latin.

When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and parts available separately - see item CA.4060400.

Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo [2 horns in benedictus], organ

SKU: CA.4060419

Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn. Edited by Leonhard Riedel. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1766. Hob. XXII:5. Duration 68 minutes. Carus Verlag #CV 40.604/19. Published by Carus Verlag (CA.4060419).

ISBN 9790007133214. Key: C major. Language: Latin.

When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and parts available separately - see item CA.4060400.

Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo [2 horns in benedictus], organ

SKU: CA.4060403

Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn. Edited by Leonhard Riedel. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Vocal score. Composed 1766. Hob. XXII:5. Duration 68 minutes. Carus Verlag #CV 40.604/03. Published by Carus Verlag (CA.4060403).

ISBN 9790007092078. Key: C major. Language: Latin.

When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score available separately - see item CA.4060400.

Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo [2 horns in benedictus], organ

SKU: CA.4060400

Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn. Edited by Leonhard Riedel. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Full score. Composed 1766. Hob. XXII:5. Duration 68 minutes. Carus Verlag #CV 40.604/00. Published by Carus Verlag (CA.4060400).

ISBN 9790007091385. Key: C major. Language: Latin.

When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app.

Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo [2 horns in benedictus], organ

SKU: CA.4060449

Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn. Edited by Leonhard Riedel. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1766. Hob. XXII:5. 48 pages. Duration 68 minutes. Carus Verlag #CV 40.604/49. Published by Carus Verlag (CA.4060449).

ISBN 9790007219437. Key: C major. Language: Latin.

When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and part available separately - see item CA.4060400.

Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.4054419

Composed by George Frideric Handel. Concerto D'Organo Nr.12 In B Op.7,6. Set of Orchestra Parts. HWV 311. Carus Verlag #CV 40.544/19. Published by Carus Verlag (CA.4054419).

ISBN 9790007141455. Language: all languages.

SATB Favorit-Chor (Antiphonal/Chamber Choir), Bassoon, 2 Violins, Contrabass, Organ

SKU: CA.2045914

Geistliches Konzert. Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Saget den Gasten. Sacred vocal music, Eucharist, Communion. Single Part, basso continuo. Composed circa 1620. SWV 459. 4 pages. Carus Verlag #CV 20.459/14. Published by Carus Verlag (CA.2045914).

ISBN 9790007196271. Key: F major. Language: German/English.

Sco re available separately - see item CA.2045900.

Organ solo, 2 Oboes, 2 Violins, Viola, Cello, Basso continuo

SKU: CA.4600112

Composed by George Frideric Handel. German title: Sonate In D. Single Part, Violin 2. HWV. 2 pages. Carus Verlag #CV 46.001/12. Published by Carus Verlag (CA.4600112).

ISBN 9790007221836. Language: all languages.

Score available separately - see item CA.4600100.

Organ solo, 2 Oboes, 2 Violins, Viola, Cello, Basso continuo

SKU: CA.4600119

Composed by George Frideric Handel. Sonate In D. Set of Orchestra Parts. HWV. Carus Verlag #CV 46.001/19. Published by Carus Verlag (CA.4600119).

ISBN 9790007145408. Language: all languages.

Score and parts available separately - see item CA.4600100.

SSATB voice soli, 2 flutes, 2 violins, contrabass, organ

SKU: CA.2047715

Der reiche Mann und der arme Lazarus. Evangeliendialog. Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Vater Abraham, erbarme dich mein. Sacred vocal music, Peace and justice. Single Part, basso continuo. Composed circa 1620-1630. SWV 477. 4 pages. Carus Verlag #CV 20.477/15. Published by Carus Verlag (CA.2047715).

ISBN 9790007196875. Key: G dorian. Language: German/English.

Sco re available separately - see item CA.2047700.

SAT Favorit-Chor (Antiphonal/Chamber Choir), 2 Violins, [Capell-Chor: SATB, 4 Instruments], Contrabass/Organ

SKU: CA.2039813

Aus: Symphoniae sacrae III. Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Symphoniae sacrae III SWV 398-418. Stuttgart Urtext Edition: Schutz. German title: Der Herr ist mein Hirt. Sacred, Motets, Psalms, German; Stuttgart Urtext editions; Occasions: Psalms. Single Part, basso continuo. Composed 1650. SWV 398. 4 pages. Duration 7 minutes. Carus Verlag #CV 20.398/13. Published by Carus Verlag (CA.2039813).

ISBN 9790007194819. Key: D dorian. Language: German/English.

Sco re available separately - see item CA.2039800.

SA vocal soli, SATB choir, 2 violins, viola, cello/contrabass, organ

SKU: CA.3207619

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wohl dem, der den Herren furchtet. Sacred vocal music. Set of Orchestra Parts. Composed 1752. BR-WFB F 19. Duration 15 minutes. Carus Verlag #CV 32.076/19. Published by Carus Verlag (CA.3207619).

ISBN 9790007138974. Language: German.

The cantata is one of the few surviving vocal works which Wilhelm Friedemann Bach composed during the eighteen years which he spent as organist and director of music at the Marktkirche in Halle (1746-1764). This cantata, published here for the first time in more than 250 years, was written to introduce the autumn sermons in 1752. A musically and technically demanding composition, it consists of two substantial choral movements, partly concertante and partly polyphonic, based on two biblical utterances. They surround a sensitive, while at the same time strictly contrapuntal, duet for soprano and alto with basso continuo in which God's sweet teaching for the soul is described as the true manna of the faithful, forming a link with the sermons which are to follow. In the compactness of the musical construction and its intensity of expression W. F. Bach was clearly following in the footsteps of his father in this work. Score and parts available separately - see item CA.3207600.

String Ensemble, Organ

SKU: HL.50033390

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Solo & Concerto. Score Only. Composed 1984. Ricordi #PR557. Published by Ricordi (HL.50033390).

UPC: 073999856514. 6.75x10.5x0.139 inches.

Violin, Violin, String Ensemble, Organ

SKU: HL.50016960

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Solo and Concerto. Score Only. Composed 1984. Ricordi #PR590. Published by Ricordi (HL.50016960).

UPC: 073999855968. 8.0x10.75x0.125 inches.

Violin, Violin, Cello, Organ

SKU: HL.50484905

Score. Composed by Antonio Vivaldi. Edited by Gianfranco Prato. String. Classical. Score Only. Composed 1984. Ricordi #PR1065. Published by Ricordi (HL.50484905).

Organ solo, Timpani, Percussion, 2 Violins, Viola, Cello, basso continuo

SKU: CA.1808549

Composed by Kay Johannsen. Concerto For Organ, Strings And Perc. Free organ music. Single Part, Organ. Composed 2014. 24 pages. Duration 18 minutes. Carus Verlag #CV 18.085/49. Published by Carus Verlag (CA.1808549).

Language: all languages.

The Concerto for organ, strings and percussion by Kay Johannsen, Kantor of the Stiftskirche in Stuttgart, is a valuable addition to the repertoire for organ and orchestra. It is a work composed to appeal to both performer and audience alike - with thrilling rhythmic sections as well as moments of great intimacy. The organ part, for a three manual instrument if possible, is shown to its best advantage in many and varied tonal colors, ranging from the most delicate solo registrations to powerful forte. The organ writing is demanding, but well within the capabilities of experienced organists. Precise registration suggestions are contained in the score. The string orchestra (minimum 4/4/3/3/1) is scored with sophistication, with solos for all instruments. The percussion is for two players - a part for timpani and one for other, readily available percussion instruments. By avoiding the use of wind and brass instruments, the work can also be performed where the tuning of the organ is not ideally suited to modern orchestral pitch. Score and part available separately - see item CA.1808500.