| More Songs for Praise and Worship - Volume 7 Chorale SATB SATB A Cappella Word Music
(Choir/Worship Team Edition (No Accompaniment)). Composed by Various. For Choral...(+)
(Choir/Worship Team
Edition (No
Accompaniment)). Composed
by Various. For Choral.
Sacred Folio. Word Music
#080689516177. Published
by Word Music
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Geistliches Chorgesangbuch, Bd. 1 Chorale SATB SATB [Partition] Carus Verlag
By Various. Edited by Hildebrandt, Herbert. This edition: paperbound. Sacred, Hy...(+)
By Various. Edited by
Hildebrandt, Herbert.
This edition: paperbound.
Sacred, Hymn settings,
Mass Sections, Motets,
Psalms, German; Choral
Collections, SAM Choir;
Occasions: Eucharist,
Communion, Praise and
thanks, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary; Use during
church year: Advent,
Special. Choral
collection. 116 pages
$29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Telemann: Biblische Spruche 2 Chorale SATB SATB [Conducteur] Carus Verlag
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. This edition: pa...(+)
By Georg Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. This
edition: paperbound.
Sacred, Motets, Psalms,
German; Choral
Collections, SAM Choir,
Choral Collections,
Women's Choir, Stuttgart
Urtext editions;
Occasions: Praise and
thanks, Psalms; Use
during church year:
Special Days, End of the
church year, Easter and
Eastertide. Score. 104
pages
(1)$30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chorbuch Ostern Chorale SATB SATB [Partition] Carus Verlag
By Various. Edited by Kreuels, Matthias / Ducker, Martin / Bretschneider, Wolfga...(+)
By Various. Edited by
Kreuels, Matthias /
Ducker, Martin /
Bretschneider, Wolfgang /
Geismann, Wilm /
Mailander, Richard. This
edition: paperbound.
Sacred, Unison hymns,
Hymn settings, Litanies,
Mass Sections, Motets,
Psalms, German; Choral
Collections, Mixed Choir;
Occasions: Eucharist,
Communion, Praise and
thanks, Psalms; Use
during church year:
Ascension, Easter and
Eastertide, Ascension.
Choral collection. 216
pages
$23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Weihnachtsliederbuch des Thomanerchores Leipzig Chorale SATB SATB [Partition] Carus Verlag
By Various. Edited by Hellmann, Diethard / Biller, Georg Christoph. This edition...(+)
By Various. Edited by
Hellmann, Diethard /
Biller, Georg Christoph.
This edition: paperbound.
Sacred, Hymn settings,
Motets; Choral
Collections, Mixed Choir;
Use during church year:
Advent, Christmas. Choral
collection. 64 pages
$22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chorbuch Advent Chorale SATB SATB [Partition] Carus Verlag
By Various. Edited by Kreuels, Matthias / Bretschneider, Wolfgang / Geismann, Wi...(+)
By Various. Edited by
Kreuels, Matthias /
Bretschneider, Wolfgang /
Geismann, Wilm /
Mailander, Richard. This
edition: paperbound.
Sacred, Hymns, Unison
hymns, Hymn settings,
Magnificat, Mass
Sections, Motets, Psalms,
German; Choral
Collections, SAM Choir,
Choral Collections,
Women's Choir, Choral
Collections, Mixed Choir;
Occasions: Prayer, Praise
and thanks, Psalms, Daily
hours; Us. Choral
collection. 192 pages
$28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Matthew Martin : O Rex Gentium Chorale SATB SATB divisi [Octavo] - Intermédiaire Faber Music Limited
By Matthew Martin. Choir Sacred. SATB choir. Choral (Sacred); Choral Octavo; Wor...(+)
By Matthew Martin. Choir
Sacred. SATB choir.
Choral (Sacred); Choral
Octavo; Worship
Resources. Faber Edition:
Choral Signature Series.
Christmas; Sacred;
Winter. Intermediate.
Published by Faber Music
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christ at Mt. Olive, Op. 85 (Christus am Oelberge) Chorale SATB Kalmus
SATB with STB Soli (Orch.) (English text in Preface) (German, English Language E...(+)
SATB with STB Soli
(Orch.) (English text in
Preface) (German, English
Language Edition).
Composed by Ludwig van
Beethoven (1770-1827).
Choral (Sacred); Choral
Worship Cantata; Larger
Works; Masterworks;
Performance Music
Ensemble; Worship
Resources. Kalmus
Edition. Classical;
Masterwork; Romantic;
Sacred. Book. 88 pages.
Kalmus Classic Edition
#00-K06076. Published by
Kalmus Classic Edition
$12.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Praise ye, Almighty God, King and our ruler exalted (Lobe den Herren, den machtigen Konig der Ehren) Chorale SATB - Facile Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, v...(+)
Orchestra ATB vocal soli,
SATB choir, 2 oboes, 3
trumpets, timpani, 2
violins, viola, basso
continuo - Grade 3
SKU: CA.3113749
Cantata for the 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Lobe den
Herren, den machtigen.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Organ. Composed
1725. BWV 137. 16 pages.
Duration 18 minutes.
Carus Verlag #CV
31.137/49. Published by
Carus Verlag
(CA.3113749). ISBN
9790007049096. Key: C
major. Language:
German/English. Text:
Neander, Joachim. Text:
Joachim
Neander. Bach's
chorale cantata Lobe den
Herren, den machtigen
Konig der Ehren BWV 137,
has long been, thanks to
its popular chorale text,
one of the most
frequently-performed
works by the Kantor of
St. Thomas's. Unlike the
cantatas in the cycle of
chorale cantatas, the
text of the hymn is not
only used in the opening
and final chorales, but
Bach uses it in all the
movements. The new
edition reflects the
current state of research
and presents this work in
Carus's clear-to-read
music setting. Score and
part available separately
- see item
CA.3113700. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Paul, Op. 36 Chorale SATB Serenissima
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged b...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Alfred Dorffel.
Arranged by August Horn.
Choir and piano. For Solo
voices, SATB Choir,
Piano. This edition:
Paperback. Oratorio
(complete),
Transcriptions, Original
Works, Choral. Romantic
Period; Sacr. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
$16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Chorale SATB - Intermédiaire Carus Verlag
Orchestra Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, B...(+)
Orchestra Soli ATB, SATB
Choir, Recorder, Violin
solo, Violin, 2 Viola,
Cello, Basso Continuo -
Level 3 SKU:
CA.3118207 Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: paperbound. BWV
182. Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Study score.
Composed 1714. BWV 182.
Duration 30 minutes.
Carus Verlag #CV
31.182/07. Published by
Carus Verlag
(CA.3118207). ISBN
9790007050276. Key: A
major. Language:
German/English. Text:
Franck,
Salomo. Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score
available separately -
see item CA.3118200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Chorale SATB [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso...(+)
ATB vocal soli, SATB
choir, recorder, violin
solo, violin, 2 viola,
cello, basso continuo -
Level 3 SKU:
CA.3118219 Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Himmelskonig, Sei
Willkommen A-Dur. Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1714. BWV 182. Duration
30 minutes. Carus Verlag
#CV 31.182/19. Published
by Carus Verlag
(CA.3118219). ISBN
9790007136949. Key: A
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck. Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
parts available
separately - see item
CA.3118200. $84.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso...(+)
ATB vocal soli, SATB
choir, recorder, violin
solo, violin, 2 viola,
cello, basso continuo -
Level 3 SKU:
CA.3118213 Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Himmelskonig, Sei
Willkommen A-Dur. Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Viola 2. Composed 1714.
BWV 182. 8 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/13. Published by
Carus Verlag
(CA.3118213). ISBN
9790007050306. Key: A
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck. Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
part available separately
- see item
CA.3118200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexander's Feast Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns...(+)
Orchestra SATB vocal
soli, SATB choir, 2
recorders, 2 oboes, 3
bassoons, 2 horns, 2
trumpets, timpani, 2 (3)
violins, 2 violas, cello,
basso continuo SKU:
CA.5507549 Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Organ. Innovative
practice aids, Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1736/1751. HWV
75. 60 pages. Duration 85
minutes. Carus Verlag #CV
55.075/49. Published by
Carus Verlag
(CA.5507549). ISBN
9790007171315. Text
language:
German/English. For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500. $80.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexander's Feast Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns...(+)
Orchestra SATB vocal
soli, SATB choir, 2
recorders, 2 oboes, 3
bassoons, 2 horns, 2
trumpets, timpani, 2 (3)
violins, 2 violas, cello,
basso continuo SKU:
CA.5507505 Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Choral Score. Composed
1736/1751. HWV 75. 40
pages. Duration 85
minutes. Carus Verlag #CV
55.075/05. Published by
Carus Verlag
(CA.5507505). ISBN
9790007171230. Text
language:
German/English. For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score
available separately -
see item CA.5507500. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexander's Feast Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns...(+)
Orchestra SATB vocal
soli, SATB choir, 2
recorders, 2 oboes, 3
bassoons, 2 horns, 2
trumpets, timpani, 2 (3)
violins, 2 violas, cello,
basso continuo SKU:
CA.5507519 Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Complete
orchestral parts.
Innovative practice aids,
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Composed
1736/1751. HWV 75.
Duration 85 minutes.
Carus Verlag #CV
55.075/19. Published by
Carus Verlag
(CA.5507519). ISBN
9790007171438. Text
language:
German/English. For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and
parts available
separately - see item
CA.5507500. $605.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexander's Feast Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns...(+)
Orchestra SATB vocal
soli, SATB choir, 2
recorders, 2 oboes, 3
bassoons, 2 horns, 2
trumpets, timpani, 2 (3)
violins, 2 violas, cello,
basso continuo SKU:
CA.5507509 Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext. 2x
55.075/21 2 flutes, 1x
55.075/22 oboe 1, 1x
55.075/23 oboe 2, 3x
55.075/24 3 bassoons, 2x
55.075/31 2 horns, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets.
Stuttgart Urtext Edition:
Handel. Harmony parts.
Innovative practice aids,
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Composed
1736/1751. HWV 75.
Duration 85 minutes.
Carus Verlag #CV
55.075/09. Published by
Carus Verlag
(CA.5507509). ISBN
9790007226794. Text
language:
German/English. For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and
parts available
separately - see item
CA.5507500. $160.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexander's Feast Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoon, 2 horns,...(+)
Orchestra SATB vocal
soli, SATB choir, 2
recorders, 2 oboes, 3
bassoon, 2 horns, 2
trumpets, timpani, 2 (3)
violin, 2 violas, cello,
basso continuo SKU:
CA.5507500 Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Full score. Composed
1736/1751. HWV 75. 184
pages. Duration 85
minutes. Carus Verlag #CV
55.075/00. Published by
Carus Verlag
(CA.5507500). ISBN
9790007167769. Language:
German/English. For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. $144.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Chorale SATB - Intermédiaire Carus Verlag
Soli ATB, SATB Choir, Blfl f1, 2 Vl, 2 Va, Vc, Bc - Level 3 SKU: CA.3118249(+)
Soli ATB, SATB Choir,
Blfl f1, 2 Vl, 2 Va, Vc,
Bc - Level 3 SKU:
CA.3118249 Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed 1714. BWV 182.
28 pages. Duration 30
minutes. Carus Verlag #CV
31.182/49. Published by
Carus Verlag
(CA.3118249). Key: A
major. Language:
German/English. Text:
Franck,
Salomo. Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
part available separately
- see item
CA.3118200. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113949
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Organ. Composed 1724. BWV
139. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/49. Published
by Carus Verlag
(CA.3113949). ISBN
9790007208295. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113914
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violoncello
piccolo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, Cello piccol.
Composed 1724. BWV 139. 4
pages. Duration 20
minutes. Carus Verlag #CV
31.139/14. Published by
Carus Verlag
(CA.3113914). ISBN
9790007208271. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113900
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Full
score. Composed 1724. BWV
139. 40 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/00. Published
by Carus Verlag
(CA.3113900). ISBN
9790007170479. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or
violoncello. $40.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113915
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, basso continuo.
Composed 1724. BWV 139.
12 pages. Duration 20
minutes. Carus Verlag #CV
31.139/15. Published by
Carus Verlag
(CA.3113915). ISBN
9790007208288. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113911
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 1. Composed
1724. BWV 139. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/11. Published by
Carus Verlag
(CA.3113911). ISBN
9790007208240. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113912
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 2. Composed
1724. BWV 139. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/12. Published by
Carus Verlag
(CA.3113912). ISBN
9790007208257. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113905
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Choral
Score. Composed 1724. BWV
139. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.139/05. Published by
Carus Verlag
(CA.3113905). ISBN
9790007181093. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score available
separately - see item
CA.3113900. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113909
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext. 1x
31.139/21 oboe d'amore 1,
1x 31.139/22 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/09. Published by
Carus Verlag
(CA.3113909). ISBN
9790007208233. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113913
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Viola. Composed 1724. BWV
139. 4 pages. Duration 20
minutes. Carus Verlag #CV
31.139/13. Published by
Carus Verlag
(CA.3113913). ISBN
9790007208264. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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