For the Opera 'Leonore' (1807) Study Score. Composed by Ludwig van Beethoven ...(+)
For the Opera 'Leonore'
(1807) Study Score.
Composed
by Ludwig van Beethoven
(1770-1827). Edited by
Helga
Luhning. Henle Study
Scores.
Classical, Opera.
Softcover.
56 pages. G. Henle
#HN9045.
Published by G. Henle
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.
Still, Still, Still Orchestre à Cordes [Conducteur et Parties séparées] - Facile Grand Mesa Music
Edited by J. Cameron Law. Arranged by Randall D. Strandridge. For string o...(+)
Edited by J. Cameron Law.
Arranged by Randall D.
Strandridge. For string
orchestra. Grade 2+.
Score and
set of parts. Duration 2
minutes, 30 seconds.
Published
by Grand Mesa Music
Composed by Brian Balmages. For string orchestra. FJH String Orchestra. Grade 3....(+)
Composed by Brian
Balmages. For string
orchestra. FJH String
Orchestra. Grade 3. Score
and parts. Duration 4
minutes, 30 seconds.
Published by The FJH
Music Company Inc
Resolution Orchestre à Cordes - Débutant Carl Fischer
(For Beginning String Orchestra). By Sean O'Loughlin. String orchestra. For Stri...(+)
(For Beginning String
Orchestra). By Sean
O'Loughlin. String
orchestra. For String
Orchestra. This edition:
full score. Carl Fischer
Beginning String
Orchestra Series.
Classical. Grade 1. Full
Score. Standard notation.
8 pages. Published by
Carl Fischer (. Full
Score. classical.
Resolution Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
By Sean O'Loughlin. String ensemble. For String Orchestra. Carl Fischer Beginnin...(+)
By Sean O'Loughlin.
String ensemble. For
String Orchestra. Carl
Fischer Beginning String
Orchestra Series. Grade
1. Score and Parts.
Standard notation. 8
pages. Published by Carl
Fischer
Composed by Bill Calhoun. For string orchestra (violin I, violin II, violin ...(+)
Composed by Bill Calhoun.
For
string orchestra (violin
I,
violin II, violin III
(viola
T.C.), viola, cello,
bass,
piano). Score and parts.
Duration 2 minutes, 11
seconds. Published by
Carl
Fischer
For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. ...(+)
For Flute and Piano.
Composed by Gary
Schocker. Solo part with
piano reduction. With
Standard notation. 28
pages. Duration 8
minutes, 30 seconds.
Theodore Presser Company
#114-40487. Published by
Theodore Presser Company
(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lacko...(+)
(The Drummer's Guide to
the Genre and the Legends
Who Defined It). By Rich
Lackowski and John
O'Reilly, Jr.. For
Drumset.
Artist/Personality; Book;
CD; Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path. Jazz.
108 pages. Published by
Alfred Music Publishing
A Love Supreme Big band [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+)
Recorded by the
Lincoln Center Jazz
Orchestra. Arranged
by Wynton Marsalis. Jazz,
Swing. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7420).
Ollie and Me Flûte traversière et Piano [Reduction] Theodore Presser Co.
For Flute and Piano. Composed by Gary Schocker. Solo part with piano redu...(+)
For Flute and
Piano. Composed by
Gary Schocker. Solo part
with piano reduction.
With Standard notation.
10 pages. Duration 4
minutes. Theodore Presser
Company #114-41363.
Published by Theodore
Presser Company
(PR.114413630).
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Score Only.
Composed by Brian
Balmages. Series; String
Orchestra. FJH String
Orchestra. Score.
Duration 4:30. The FJH
Music Company Inc
#98-ST6346S. Published by
The FJH Music Company Inc
(FJ.ST6346S).
English.
Explori
ng mature harmonies while
a single note lingers
throughout the entire
work, this powerful piece
will leave you
breathless. Orchestrated
for strings and piano,
the music moves through a
series of sections that
become increasingly
intense, all while the
note G sounds nonstop
from the first measure
until the final chord.
The haunting sound of
voices (members of the
ensemble) eventually fade
into a soft hum before
the music reaches is
final chord and ultimate
resolution. Simply
stunning.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS1 Composed by Sean O'...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS1
Composed by Sean
O'Loughlin. Carl Fischer
Young String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 8+8+5+2+5+5+2+8
pages. Carl Fischer Music
#YAS1. Published by Carl
Fischer Music (CF.YAS1).
ISBN 9780825840630.
UPC: 798408040635. 8.5 X
11 inches. Key: G
major.
Moonlight
Shadows is a passionate
and colorful piece for
strings that explores the
expressive power of the
string orchestra. Sean
O'Loughlin uses a lush
harmonic palette and
variety of texture
(including a short
pizzicato section), to
create an important and
soulful addition to the
repertoire for younger
string ensembles.
Duration:
2'30. Moonlight
Shadows is a work for
string orchestra that
reflects my great love
for the music of Samuel
Barber. His compositions
from the 1930s and 1940s
were characterized by
plush harmonies, flowing
melodies and engaging
suspensions. These
elements are what I
focused on in the
composition
of Moonlight
Shadows.The material
represents my mood and
feelings when I look at a
big, bright moon. The
shadows it casts create
an eerie feeling, while
at the same time
providing a deep, rich
tapestry for the earth at
night.The harmony
features many major
seventh-chords with
half-step suspensions.
These suspensions
function as common tones
to the next chord and
create the tension of the
piece. They also move, in
order to provide
resolution to the piece
which allows the listener
to rest. With this in
mind, these suspensions
should be brought out
during
performance.Moonlight
Shadows is an emotional
piece that allows the
young musician the
opportunity to play with
much expression.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Gr...(+)
Soli SAATBB, Coro SATB
(auch SSAATB), 2 Bfl, 2
Ob, 2 Tr, Timp, 2 Vl, Va,
Bc - Grade 3
SKU:
CA.1025000
Composed
by Henry Purcell. Edited
by Julia Rosemeyer. Carus
digital: Extra digital
products. Full Score.
Composed 1692. Z 328.
Duration 55 minutes.
Carus Verlag #1025000.
Published by Carus Verlag
(CA.1025000).
ISBN
9790007251826. Key: D
major.
English.
â??Hail!
bright Cecilia, hail to
thee. Great patroness of
us and harmony!â? â??
this exclamation opens
the final chorus of Henry
Purcellâ??s eponymous
Ode to St. Cecilia from
1692. A paean to the
power of music, the work
is one of the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Ceciliaâ??s Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexanderâ??s Feast, HWV
75 (Carus 55.075), and
his Ode for St.
Ceciliaâ??s Day, HWV 76
(Carus
55.076).Purcellâ
??s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
â??Orpheus
Britannicusâ?, as
Purcell was admiringly
called by
contemporaries.-
Festive, rousing ode to
music- Highlight of
the choral ode genre in
the 17th century
Orchestra - Grade 3 SKU: AP.48069S Composed by Rossano Galante. Full Orch...(+)
Orchestra - Grade 3
SKU: AP.48069S
Composed by Rossano
Galante. Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Concert Full
Orchestra. Score. 20
pages. Duration 5:00.
Belwin Music #00-48069S.
Published by Belwin Music
(AP.48069S).
ISBN
9781470661939. UPC:
038081554327.
English.
Nostaglia,
by Rossano Galante,
literally means a
sentimental longing or
wistful affection for the
past, typically for a
period or place with
happy personal
associations. This
orchestral setting is
lyrical, joyous, and
ultimately hopeful,
taking the listener to a
place of harmonic bliss.
A strong full orchestra
work for festival or the
concert stage, the
composition incorporates
two melodic themes that
build to a climactic
resolution that utilizes
the full ensemble. This
title is available in
MakeMusic Cloud.
(5:00).
Composed by Bruce W.
Tippette. Beginning
String Orchestra (BAS).
Full score. With Standard
notation. 8 pages. Carl
Fischer Music #BAS78F.
Published by Carl Fischer
Music (CF.BAS78F).
ISBN 9781491151600.
UPC: 680160909100. 9 x 12
inches.
The imagery
of a lush, green meadow
helps set the stage for
Verdant Meadows. This
simple, yet harmonically
adventurous composition
alternates between legato
melodies and staccato
harmonies. Following a
climactic moment, a
peaceful resolution
hearkens back to earlier
material and ends the
piece with a Maestoso
section. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. This imagery
helps set the stage for
the melodic content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. Following the
broadly climactic moment,
a peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso section.
. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. A This
imagery helps set the
stage for the melodic
content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. A Following
the broadly climactic
moment, a peaceful
resolution hearkens back
to earlier material and
ends the piece with a
wonderful Maestoso
section. A
. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. A This
imagery helps set the
stage for the melodic
content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. A Following
the broadly climactic
moment, a peaceful
resolution hearkens back
to earlier material and
ends the piece with a
wonderful Maestoso
section. A
. Imagine taking a
gentle stroll through a
lush, green meadow,
filled with wildlife and
vegetation. This imagery
helps set the stage for
the melodic content of
Verdant
Meadows. In the key of
G major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. Following the
broadly climactic moment,
a peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso section.
. Imagine
taking a gentle stroll
through a lush, green
meadow, filled with
wildlife and vegetation.
This imagery helps set
the stage for the melodic
content of Verdant
Meadows. In the key of G
major (and sometimes E
minor), this simple, yet
harmonically adventurous
composition alternates
between soaring legato
melodies and staccato
harmonies. Following the
broadly climactic moment,
a peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso
section. Imagine
taking a gentle stroll
through a lush, green
meadow, filled with
wildlife and vegetation.
 This imagery helps
set the stage for the
melodic content of
Verdant Meadows. In the
key of G major (and
sometimes E minor), this
simple, yet harmonically
adventurous composition
alternates between
soaring legato melodies
and staccato harmonies.
 Following the broadly
climactic moment, a
peaceful resolution
hearkens back to earlier
material and ends the
piece with a wonderful
Maestoso section.
 .
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Composed by
Todd Parrish. Set of
Score and Parts. Duration
2 minutes, 27 seconds.
Carl Fischer Music
#YAS221. Published by
Carl Fischer Music
(CF.YAS221).
ISBN
9781491162699. UPC:
680160921447. Key: G
major.
Resolute was
composed to celebrate the
enduring spirit of those
who persevere and
overcome difficult
challenges with fearless
determination. Set in G
major, this triumphant
theme features a strong,
accented melody and
energetic accompaniments
that frequently utilize
double-stops for a
resounding effect. The
shadows of hardship are
heard in a brief shift to
E minor before the
victorious melody returns
with joy that defies
darkness with courageous
hope. The same way we
support each other
through trials, many
melodies and
countermelodies are
doubled between sections
to portray strength and
resolve.Resolute was
premiered by the East
River High School
Orchestra in May of 2022
under the direction of
Mr. Scott Friedberg in
honor of the
orchestra’s 4-year
anniversary, and
dedicated to the
courageous students who
continued to make music
through the pandemic,
demonstrating
determination and
tenacity in their
passionate pursuit of
musical excellence.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed
by Todd Parrish. Full
score. 12 pages. Duration
2 minutes, 27 seconds.
Carl Fischer Music
#YAS221F. Published by
Carl Fischer Music
(CF.YAS221F).
ISBN
9781491163030. UPC:
680160921782. Key: G
major.
Resolute was
composed to celebrate the
enduring spirit of those
who persevere and
overcome difficult
challenges with fearless
determination. Set in G
major, this triumphant
theme features a strong,
accented melody and
energetic accompaniments
that frequently utilize
double-stops for a
resounding effect. The
shadows of hardship are
heard in a brief shift to
E minor before the
victorious melody returns
with joy that defies
darkness with courageous
hope. The same way we
support each other
through trials, many
melodies and
countermelodies are
doubled between sections
to portray strength and
resolve.Resolute was
premiered by the East
River High School
Orchestra in May of 2022
under the direction of
Mr. Scott Friedberg in
honor of the
orchestra’s 4-year
anniversary, and
dedicated to the
courageous students who
continued to make music
through the pandemic,
demonstrating
determination and
tenacity in their
passionate pursuit of
musical excellence.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
For
Solo Flute and Wind
Ensemble. Composed by
Gary Schocker. Arranged
by Donald Lewellen. This
edition: Scored and
arranged for Wind
Ensemble by Donald
Lewellen. Contemporary.
Full score. With Standard
notation. Composed 2004.
72 pages. Duration 8:30.
Theodore Presser Company
#415-41138. Published by
Theodore Presser Company
(PR.415411380).
SATB a cappella Choral (SATB) SKU: HL.466849 Excellence in Choral Musi...(+)
SATB a cappella Choral
(SATB)
SKU:
HL.466849
Excellence in Choral
Music Series.
Composed by John Milne.
Pavane Choral. Concert,
Poetry. Octavo. Duration
170 seconds. Pavane
Publishing #P1714.
Published by Pavane
Publishing (HL.466849).
UPC: 196288070771.
6.75x10.5x0.019
inches.
Composed at
the height of the
pandemic, this piece
speaks to one of the
highest functions of art
- to transmute sorrow
into something useful and
beautiful. Yeats is a
famous poet whose words
have many meanings. The
poem is weaved into three
sections and Milne
follows that by
constructing his motet
into three verses. His
melody is as haunting and
thoughtful as the poet's
lyrics. Furthermore, he
keeps the vocal lines
free of divisi yet full
of suspensions and
resolutions that entice
the listener. A fine
concert piece for high
school and college
choirs.
Violin solo SKU: GH.GE-11358 For Solo Violin. Composed by Benjamin...(+)
Violin solo
SKU:
GH.GE-11358
For
Solo Violin. Composed
by Benjamin Staern.
Duration 9 minutes.
Gehrmans Musikforlag #GE
11358. Published by
Gehrmans Musikforlag
(GH.GE-11358).
ISBN
979-0-070-11358-8. A4
inches.
Work
comment by the
composer: The lonely
one was composed during
May and June of the year
2000. It was written for
Annika Gustafsson, to
whom it is also
dedicated. It was
world-premiered on
December 1 the same year
in Caroli Church in
Malmo. After that I had
composed The Threat of
War that was a dramatic
and massive work for
orchestra, I wanted to
focus on melodic as well
as harmonic and
rhyhtmical processes
combined with a inner
dramatic content. In this
case the solo violin
works as a narrator where
the piece itself is like
a monologue without
words. In the score
there are imprinted
expressions like
racontare (tellingly),
piacevole (pleasingly)
och
sospirare(sighing).
The lonely one is divided
in three sections. 1.
Doloroso (Painful) - the
violin plays almost
imperceptly sighing
glissandi that forms the
basic material of the
work. Its character is
constantly searching. It
leads up to the section
Risoluto (Resolute) that
has a very determined and
edgy expression. 2.
Misterioso (Mysteriously)
- the materials from the
previous section are now
further developed. It
builds up and breaks down
during the course of the
journey. Eventually it
reaches a climax on a
high d. 3. Calmando e
espressivo (Calmingly and
expressive) - From the
high d it is stepping
down to a recapture on
material from the first
part slightly changed and
moody character. It dies
out slowly with the
lonely notes.