By John Dowland (1563-1626). Edited by Johannes Monno, Thomas Muller-Pering, Olaf Van Gonnissen. For Guitar. New Karl Scheit Guitar Edition. Solo part. 16 pages. Published by Universal Edition

Violin, Piano SKU: HU.HN688 Composed by Wolfgang Amadeus Mozart. Edited by Wolf-Dieter Seiffert. Strings, Repertoire, Solos. Violin Concerto No. 3 G major K. 216. Classical. Softcover Book. 62 pages. G. Henle #HN688. Published by G. Henle (HU.HN688).

(Serie IV - Italie 1600-1800). Edited by Alessandro Moccia. For Violin. Facsimiles. Methodes and Traites. Grade 0. 904 pages. Published by Anne Fuzeau Productions - France

Composed by Michel Legrand (1932-). Arranged by Paris Rutherford. Jazz Chorals. Octavo. 16 pages. Published by Hal Leonard (HL.156671).

Piano

SKU: M7.RMP-3003

Critical Edition of the Complete Works. Composed by Sergej Wassiljewitsch Rachmaninow. Edited by Valentin Antipov. This edition: Slipcase/Cassette. Sheet music. Score and critical commentary, complete edition. Op. 3, op. 10, op. 16. 320 pages. Russian Music Publishing #RMP 3003. Published by Russian Music Publishing (M7.RMP-3003).

ISBN 9783795716615. English Russian.

Sergei Rachmaninoff (1873-1943) was a pianist and composer of international stature and one of the towering figures of early 20th century music. He left behind an ouvre consisting of some 170 works, many of which await discovery or are known only in forms far removed from the composer's intentions. Sergei Rachmaninoff : Critical Edition of the Complete Works (RCW), a project issued by Russian Music Publishing, is the first complete edition of Rachmaninoff 's music prepared in accordance with scholarly criteria while meeting the demands of performers. It catalogues, explores, and annotates every available musical, literary, and iconographic source on Rachmaninoff 's music. The RCW is published under the scholarly auspices of Dr. Valentin Antipov. The editorial standards of the RCW satisfy the most discerning criteria and are safeguarded by an Editorial Board of internationally acknowledged authorities in Rachmaninoff scholarship. Alexandre Rachmaninoff (1933-2012), the composer's grandson, has been retained as a special advisor. The RCW is furthermore realized in close cooperation with the Glinka State Central Museum of Musical Culture, which houses one of the most extensive collections of Rachmaninoff autographs worldwide. All sources are consulted for the first time and all compositions are presented in their authentic form with all existing versions from the composer.

Study Score. Composed by Carl August Nielsen (1865-1931). Music Sales America. Classical. 160 pages. Edition Wilhelm Hansen #WH30546B. Published by Edition Wilhelm Hansen

Schirmer's Library of Musical Classics. Composed by Various. Piano Collection. Softcover. 160 pages. Published by G. Schirmer

Volume 116 - Miles of Modes by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Master the modes in many styles. Beginner, intermediate, advanced. Book and 2 CDs. 86 pages. Published by Jamey Aebersold Jazz

By Johann Sebastian Bach (1685-1750). Edited by Andreas Glockner. For voice, mixed choir, orchestra. This edition: Clothbound, Complete edition, Urtext edition. Neue Bach-Ausgabe. Serie I, Band 26. Urtext der Neuen Mozart-Ausgabe. Score. Published by Baerenreiter Verlag

(Serie I - France 1600-1800). Edited by Jean Saint-Arroman, Philippe Lescat. For Bassoon. Facsimiles. Methodes and Traites. Grade 0. 136 pages. Published by Anne Fuzeau Productions - France

By Rudolph Dolmetsch. Arranged by Arnold Dolmetsch, Carl Dolmetsch. Schott. Size 9x12 inches. 16 pages. Published by Schott.

(Urtext der Neuen Mozart-Ausgabe). Composed by Johann Sebastian Bach (1685-1750). Edited by Werner Neumann. For voice, orchestra. This edition: Complete edition, Urtext edition. Linen. New Bach Edition. Series I, Volume 4. Score, anthology. 241 pages. Published by Baerenreiter Verlag

(Serie I - France 1600-1800). Edited by Jean Saint-Arroman, Philippe Lescat. For Clarinet. Facsimiles. Methodes and Traites. Grade 0. 304 pages

(Serie I - France 1600-1800). Edited by Philippe Lescat, Jean Saint-Arroman. For Flute. This edition: Facsimile. Methodes & Traites. Score. 296 pages. Published by Anne Fuzeau Productions - France

(Serie IV - Italie 1600-1800). Edited by Vittorio Ghielmi, Paolo Biordi. For Viola da gamba. Facsimiles. Methodes and Traites. Grade 0. 256 pages

(Serie I - France 1600-1800). Edited by Philippe Lescat, Jean Saint-Arroman. For Flute. This edition: Facsimile. Methodes & Traites. Score. 600 pages. Published by Anne Fuzeau Productions - France

(Serie I - France 1600-1800). Edited by Caroline Delume. For Guitar. Facsimiles. Methodes & Traites. Grade 0. 512 pages

(Serie I - France 1600-1800 - Integrale de l'oeuvre theorique en 3 volumes). Edited by Jean Saint-Arroman, Bertrand Porot. Facsimiles. Methodes and Traites. Grade 0. 304 pages

For Piano. Includes complete printed music score with both primo and secondo piano parts, and a compact disc featuring the duets in two formats: split-channel stereo with secondo part on the left channel, primo on the right, so you can play either part; and then again with just the secondo part in stereo so you can perform the primo part alongside. Published by Music Minus One.

(Revised Edition). Composed by Johannes Brahms (1833-1897). For Piano Solo (Piano). Henle Music Folios. Softcover. G. Henle #HN1216. Published by G. Henle

Flute/recorder and orchestra

SKU: BR.MR-2195B

Score and parts. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Orchestra; stapled. Musica Rara.

A variable solo concerto in A minor

Solo concerto; Early classical. Score and parts. 134 pages. Duration 25'. Breitkopf and Haertel #MR 2195b. Published by Breitkopf and Haertel (BR.MR-2195B).

ISBN 9790004488423. 9 x 12 inches.

The concertos in A minor, B flat major and A major constitute a small but amazingly flexible group in Carl Philipp Emanuel Bach's work catalogue. They were written as violoncello concertos between 1750 and 1753, and have all been transmitted in alternative versions as flute and harpsichord concertos as well. C. P. E. Bach wrote the Cello Concerto in A minor Wq 170 at the Berlin court of King Frederick the Great. The flute version Wq 166 was probably written shortly thereafter, even if the only surviving source dates from after the composer's death. We can see how interchangeable the solo instruments were through the amazing circumstance that editor Ulrich Leisinger was able to draw upon the version for harpsichord solo Wq 26 for this new edition. The cadenzas to the first and second movements proved to be easily adaptable to the flute, which should inspire soloists to create their own versions.

A variable solo concerto in A minor.