History and Technique. Par INCONIS RAIMONDO. The aim of this book is to provide the student with a thorough knowledge of the technical and expressive fundamentals of the contrabassoon. It is the ideal book to accompany students throughout their professional career, acting as a constant guideand offering assistance to improve and perfect the skills required to build a career in the world of music. The book also addresses the needs of teachers, offering useful suggestions for the entire academic period including fingering and trills, basic and advanced exercises, orchestral excerpts, how to construct reeds, and the history of the contrabassoon. / Niveau : Intermédiaire / Méthode / Date parution : 1905-07-04/ Méthode / Basson

Grade 3-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Four pieces for bassoon and piano by Graham Sheen.Drunken Sailor - the sequelThis needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36 for example might even be close to a glissando. Use your imagination to recreate the sailor's state of health!The Vulgar BoatmanNot only more 'hidden' melodies but moreappalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman you might spot just a hint of 'Sailing down the River on a Sunday Afternoon' 'We Sail the Ocean Blue' (H.M.S. Pinafore) The Eton Boat Song and even Wagner's Flying Dutchman.Last Tango in HarrisEveryone must surely know these thinly disguised Scottish tunes but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be as in bars 4 and 5 in the bassoon part.Rheumanian StretchesOr was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don't always begin where you might expect. Think of this piece as a song.

Par DUCKETT RICHARD / LOANE C.. Team Woodwind is designed for everyone who wants to learn to play woodwind. This method: presents a flexible course which can be tailored to suit each student is ideal for individual, group or class tuition contains plenty of carefully graded music in a wide variety of styles encourages ensemble playing with varied repertoire for mixed wind group and integrates with ensemble music in Team Brass offers more than 40 pieces which can be played in unison between flute and clarinet contains over 50 well-known titles selected from the worlds of pop, jazz and the shows, as well as traditional and folk material provides imaginative piano accompaniments for selected pieces and chord symbols where appropriate develops instrument-related aural skills, improvisation and composition offers helpful notes for the teacher, together with clear ensemble scores./ Méthode / Basson

Arrangé par Louise Howden, ce medley d'airs écossais pour Basson Quatuor comprend: The Skye Boat Song, Ye Banks and Braes, Loch Lomond et Amazing Grace. Score and parts. / Basson

Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale is again a recitative and dance with a slow coda.The whole work is an immense show of stamina poetry and athleticism for the bassoon set against an orchestra coloured by low wind (alto flute clarinet in A bass clarinet contrabassoon horns).Bassoon part with pianoreduction of the orchestral score.

Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple 'light? music, but the pieces' melodic ingenuity and colourful writing for winds show it to be chamber music of the highest quality. / 2 Hautbois, 2 Cors Et 2 Bassons

A Must-Have Collection of Well-Known Songs, Including Several Bassoon Features!. If you've been taking bassoon lessons for a while, you're probably eager to learn some familiar songs. The First 50 Songs You Should Play on the Bassoon includes a wide variety of favorite songs, from pop hits and movie themes to folk songs and classical melodies, several of which originally featured bassoon! Songs include: All of Me · All You Need Is Love · Fight Song · The Fool on the Hill · God Bless America® · The Godfather (Love Theme) · Hallelujah · Happy · Hello · Hey Jude · I Will Always Love You · In the Hall of the Mountain King · Theme from Jaws · Just Give Me a Reason · Let It Go · Livin' on a Prayer · The Pink Panther · Pure Imagination · Roar · Rolling in the Deep ·Satin Doll · Shake It Off · The Sorcerer's Apprentice · Stand by Me · Stay with Me · This Is Me · What a Wonderful World · and more. / Pop and rock / Date parution : 2020-04-11/ Recueil / Basson