A Must-Have Collection of Well-Known Songs, Including Several Bassoon Features!. If you've been taking bassoon lessons for a while, you're probably eager to learn some familiar songs. The First 50 Songs You Should Play on the Bassoon includes a wide variety of favorite songs, from pop hits and movie themes to folk songs and classical melodies, several of which originally featured bassoon! Songs include: All of Me · All You Need Is Love · Fight Song · The Fool on the Hill · God Bless America® · The Godfather (Love Theme) · Hallelujah · Happy · Hello · Hey Jude · I Will Always Love You · In the Hall of the Mountain King · Theme from Jaws · Just Give Me a Reason · Let It Go · Livin' on a Prayer · The Pink Panther · Pure Imagination · Roar · Rolling in the Deep ·Satin Doll · Shake It Off · The Sorcerer's Apprentice · Stand by Me · Stay with Me · This Is Me · What a Wonderful World · and more. / Pop and rock / Date parution : 2020-04-11/ Recueil / Basson

Composed by Eugène Bozza in 1947  Short Suite In Trio Form Op. 67 is a piece for Oboe Clarinet and Bassoon. This edition features the parts for the three instruments and a full score. This four-movement work is quite difficult and would be perfect for advanced players. A great piece for recitals it is also really interesting to play for each of the three instruments. The four movements are Allegro moderato which starts with the Oboe Allegro vivo Adagio espressivo and Allegro vivo and the piece lasts approximatively 10 minutes. Eugène Bozza won different prizes at theConservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

for Bassoon and Piano-Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile from Operas and Ballets to solo works. Grovlez's Sicilienne Et Allegro Giocoso is a sublime addition to the Bassoon repertoire. Much of the composer's works show neo-classical features which is also the case inSicilienne Et Allegro Giocoso where the texture is predominantly melody dominated homophony cadences are frequently heard and modulations to related keys occur despite tonality being interestingly exploited.Grovlez's C minor Sicilienne is unusual in style as it is composed in common time yet the triplets and sextuplets in the Bassoon part provide the 'tarantella feel' required of the musical genre. This is superbly contrasted by the quirky Allegro Giocoso (fast and cheerful) composed in the relative major. All these features make for an enjoyable and delightful performance!

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le basson.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - quatre volumes.Volume 1 (Réf. 5941) : François Henri Joseph CASTIL-BLAZE - Joseph FETIS (1) - J. KUFFNER - - Etienne OZY - (1) - Antoine REICHAVolume 2 (Réf. 5942) : Frederic BERR - BLUMER - Alexandre Etienne CHORON (1-2) - François Joseph FETIS (2) - Jean Georges KASTNER (1 à 4)Volume 3 (Réf. 5943) : Hestor BERLIOZ - Victor CORNETTE - Charles DUPART - Etienne HERAL et OZY - Etienne OZY(2) - J. WILLENT et J.B. BORDIGNIVolume - 4 (Réf. 5944) : Eugène JANCOURTTable des matières : Volume 1 :Ozy Etienne : Nouvelle méthode de basson - 1803Reicha Antoine : Cours de composition musicale - 1816Castil-Blaze François Henri Joseph : Dictionnaire de la musique moderne - 1821Fétis François Joseph : Revue musicale - 1828Kuffner J. : Principes élémentaires - 1828Volume - 2 :Berr Frédéric : Méthode complète de basson - 1836Choron Alexandre Etienne : Manuel complet de musique - 1836Choron Alexandre Etienne et Lafage Juste Adrien Lenoir : Nouveau manuel de musique - s.d.Kastner Jean Georges : Traité général d'instrumentation - 1836Fétis François Joseph : Manuel des compositeurs - 1837Kastner Jean Georges : Cours d'instrumentation - c.1837Kastner Jean Georges : Supplément au cours d'instrumentation - c.1837Kastner Jean Georges : Supplément au traité d'instrumentation - après 1837Blumer : Nouvelle méthode facile et progressive - 1840Volume - 3 :Ozy Etienne : Méthode de basson - 1843Berlioz Hector : Grand traité d'instrumentation - 1844Willent J. et Bordogni J.B. : Méthode complète pour le basson - 1844Cornette Victor : Méthode de basson - c.1854Dupart Charles : Méthode polyphonique - 1859Héral et Ozy Etienne : Petite méthode de basson - s.d.Volume - 4 :Jancourt Eugène : Méthode théorique et pratique - 1847Téléchargez le catalogue Anne Fuzeau Classique / Basson / 912 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

for Double Wind Quintet. Par CESARINI FRANCO. Les danses folkloriques sont très répandues dans toute la Grèce. Dans cette pièce, Franco Cesarini a voulu utiliser quelques danses typiques de la tradition populaire grecque. Il a sélectionné trois chansons folkloriques traditionnelles, les adaptant librement. Le premier mouvement est un kalamatianos, une danse festive qui a des racines remontant à l'antiquité, dans les premiers écrits d'Homère. Elle est considérée comme la danse nationale grecque. Sa caractéristique la plus distinctive est le rythme irrégulier en 7/8. Selon l'occasion et l'habileté des danseurs, certains pas peuvent être exécutés en sautant et en s'accroupissant. Le deuxième mouvement représente un zeibekiko. Contrairement à la plupart des danses traditionnelles grecques, le zeibekiko n'est pas une danse exécutée en groupe ; il n'y a pas d'étapes particulières à suivre, seulement certaines figures. Le troisième mouvement, un hasapiko, est une danse traditionnelle avec des racines à Constantinople. Le hasapiko, qui a inspiré le sirtaki, est une danse qui passe d'un rythme lent à un rythme plus rapide. Le hasapiko est dansé en ligne ou en cercle ouvert, chaque danseur plaçant ses mains sur les épaules du voisin. / Date parution : 2022-04-01/ Répertoire / Double Quintette de Vents

New Edition-Firmly rooted in Paul Harris's Simultaneous Learning approach this new edition of Improve your sight-reading! Bassoon Grades 1-5 is designed to help overcome all the stumbling blocks to successful sight-reading. Step by step you will build up a complete picture of each piece firstly through rhythmic melodic and technical exercises then by studying prepared pieces and finally 'going solo' with a series of meticulously graded sight-reading pieces. This new edition of the best-selling Improve your sight-reading! contains completely new material throughout and has been brought up to date to match the latest ABRSM sight-reading criteria.

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le basson.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en un volume.Anonyme - Jean Laurent de BETHISY - Sébastien de BROSSARD - Encyclopédie méthodique - Louis-Joseph FRANCOEUR le neveu - Antoine - FURETIERE - François-Alexandre-Pierre de - GARSAULT - Jacques-Martin HOTTETERRE-le-romain - Jean-Benjamin de - LABORDE - Marin - MERSENNE - Etienne OZY - Pierre - RICHELET - Pierre TRICHET - Othon-Joseph VANDERBROCKTable des matières : Mersenne Marin : Harmonie universelle - 1636Trichet Pierre : Traité des instruments - c.a. 1640Richelet Pierre : Dictionnaire de la langue française - 1680Furetière Antoine : Dictionnaire universel - 1690Brossard Sébastien de : Dictionnaire de musique - 1703Encyclopédie ou dictionnaire raisonné des sciences (coyez Encyclopédie méthodique - 1788) - 1751Béthisy Jean-Laurent de : Exposition de la théorie - 1754Garsault François-Alexandre-Pierre de : Notionnaire, ou mémorial raisonné - 1761Francoeur le Neveu Louis-Joseph : Diapason général de tous les instruments à vent - 1772Hotteterre-le-romain Jacques-Martin : Méthode pour apprendre à jouer en très peu de temps de la flûte traversière (...) augmentée (...) des tablatures de la clarinette et du basson (édition de Bailleux) - c.a. 1775Laborde Jean-Benjamin de : Essai sur la musique (méthode de Pierre Cugnier) - 1780Framery N.E. et Ginguené P.L. : Encyclopédie méthodique (reprend le texte de l'Encyclopédie) - 1788Anonyme : Méthode de basson (manuscrit) - s.d.Venderbrock Othon-Joseph : Traité général de tous les instruments à vent - c.a. 1793Ozy Etienne : Méthode nouvelle et raisonnée pour le basson - 1797Téléchargez le catalogue Anne Fuzeau Classique / Basson / 136 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

25 Studies For Bassoon-25 Studies for Bassoon. Martin Gatt has been using these carefully transcribed studies in his teaching for many years. They where originally written by Gillet for oboe.60 pages.

Series: Student Instrumental CourseCategory: Woodwind - Bassoon Method or CollectionFormat: BookInstrument: BassoonLevel: IntermediateThe Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.

Basson solo avec accompagnement au piano, édité par William Waterhouse. Adapté pour les joueurs intermédiaires / Basson / 50 pages / niveau : Débutant/Intermédiaire / Partition

Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale is again a recitative and dance with a slow coda.The whole work is an immense show of stamina poetry and athleticism for the bassoon set against an orchestra coloured by low wind (alto flute clarinet in A bass clarinet contrabassoon horns).Bassoon part with pianoreduction of the orchestral score.

Νυξ – Nyx was expertly composed by Evis Sammoutis for Bassoon and Piano. The piece was completed in 2013 and performed at the 62 Internationaler Musikwettbewerb der ARD München. The Cypriote born composer Sammoutis Evis has worked with some of the worlds leading composers including among many others Brian Ferneyhough Georges Aperghis George Benjamin as well as studying under Thomas Simaku for his Phd in Musical Composition. Sammoutis’ works have been commissioned by festivals and organisations such as Venice Biennale Klangspuren Royaumont and ARD andperformed at leading festivals and contemporary music series in more than 40 countries across the globe. Sammoutis has been awarded over 35 compositional awards including among many others the Royal Philharmonic Society Award and the Irino Prize.

Scherzo Op.48 is a really lyrical piece for Wind Quintet (Flute Oboe Clarinet Bassoon Horn) which lasts around 2 minutes 30 seconds. The work starts Allegro Vivo with the main theme and some variations of this theme by each instrument then appear to end up on a final Animando. It reminds of music played to hold suspense during movies. This restless piece requires a good mastering of breathing techniques. This book features score and parts. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the GrandPrix de Rome. He composed several operas chamber works and ballets among others.