Electronic Keyboard; Organ; Piano SKU: HL.294969 E-Z Play Today #141(+)
Electronic Keyboard;
Organ; Piano
SKU:
HL.294969
E-Z Play
Today #141. Composed
by Various. E-Z Play
Today. Christmas.
Softcover. 96 pages.
Published by Hal Leonard
(HL.294969).
ISBN
9781540054715. UPC:
888680944599.
9.0x12.0x0.288
inches.
27
sentimental holiday
favorites, including: All
I Want for Christmas Is
You * Blue Christmas *
The Christmas Shoes * The
Christmas Song (Chestnuts
Roasting on an Open Fire)
* Christmas Time Is Here
* Christmases When You
Were Mine * Have Yourself
a Merry Little Christmas
* (There's No Place Like)
Home for the Holidays * I
Heard the Bells on
Christmas Day * I'll Be
Home for Christmas * It
Must Have Been the
Mistletoe (Our First
Christmas) * Merry
Christmas, Darling *
Please Come Home for
Christmas * Same Old Lang
Syne * Silver Bells *
Somewhere in My Memory *
Tennessee Christmas *
Where Are You Christmas?
* White Christmas *
You're All I Want for
Christmas * and more!
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
Christmas (Baby Please Come Home) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Arrangers' Publishing Company
By Mariah Carey. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by L...(+)
By Mariah Carey. By Ellie
Greenwich, Jeff Barry,
and Phil Spector.
Arranged by Larry
Kerchner. For Concert
Band (Score and Parts).
Arrangers' Publ Concert
Band. Grade 3. Published
by Arrangers' Publishing
Company
Arranged by Nancy Faber, Randall Faber. For Piano. PreTime to BigTime Piano Supp...(+)
Arranged by Nancy Faber,
Randall Faber. For Piano.
PreTime to BigTime Piano
Supplementary Library.
These traditional,
ever-popular melodies are
presented in pianistic
arrangements for the
intermediate piano
student. The pieces are
in the keys of C, F, G,
D, A minor, and D minor,
and feature a variety of
sounds. Contents include:
Beautiful Dreamer; Bill
Bailey, Won't You Please
Come Home?; Cielito
Lindo; Clair de Lune;
Fanfare on America; Good
Morning Blues; Halloween
Sonatine; I Love a Piano;
I'm Henery the Eight, I
Am; Morning Has Broken;
Oh! You Beautiful Doll;
The Spy; Tarantella
Italiana; Theme from the
Moonlight Sonata.
Favorites. Level: 4.
Book. Published by The
FJH Music Company, Inc.
By Various.
Ukulele. Pop, Rock.
Softcover. 176 pages.
Published by Hal Leonard
(HL.142050).
ISBN
9781495011252. UPC:
888680047191.
9.0x12.0x0.4
inches.
With just 4
chords, you can play 50
hot songs on your
ukulele! Songs include:
Brown Eyed Girl •
Do Wah Diddy Diddy
• Forever &
Always • Hey Ya!
• Ho Hey • I
Love a Rainy Night
• If I Had
$1,000,000 •
Jessie's Girl • Let
It Be • One Love
• Please Mr.
Postman • Stand by
Me • Toes •
With or Without You
• and many
more.
Composed by Phil Spector, Jeff Barry, and Ellie Greenwich. Arranged by Lisa D...(+)
Composed by Phil Spector,
Jeff Barry, and Ellie
Greenwich. Arranged by
Lisa
DeSpain. Shawnee Press.
Christmas. Octavo. 12
pages.
Published by Shawnee
Press
Choral (SAB Choir) SKU: HL.35031945 Composed by Ellie Greenwich, Jeff Bar...(+)
Choral (SAB Choir)
SKU: HL.35031945
Composed by Ellie
Greenwich, Jeff Barry,
and Phil Spector.
Arranged by Lisa DeSpain.
Shawnee Press. Christmas.
Octavo. 12 pages.
Published by Shawnee
Press (HL.35031945).
ISBN 9781540014610.
UPC: 888680722111.
6.75x10.5
inches.
Rolling
Stone magazine ranked
this holiday rock song as
#1 of “The Greatest
Rock and Roll Christmas
Songs,” noting that
“nothing can match
Darlene Love's emotion
and sheer vocal
power.” This
arrangement equals the
original recorded version
and will be a powerhouse
addition to your holiday
concert. Instrumental
parts available for a
festive performance.
Composed by Phil Spector, Jeff Barry, and Ellie Greenwich. Arranged by Lisa D...(+)
Composed by Phil Spector,
Jeff Barry, and Ellie
Greenwich. Arranged by
Lisa
DeSpain. Shawnee Press.
Christmas. Octavo. 12
pages.
Published by Shawnee
Press
By Charles Warfield and Clarence Williams. Arranged by John Berry. For Jazz Ense...(+)
By Charles Warfield and
Clarence Williams.
Arranged by John Berry.
For Jazz Ensemble (Score
& Parts). Easy Jazz
Ensemble Series. Grade 2.
Published by Hal Leonard
Arranged by Carol Matz. For Piano. Includes instructional pages, and exercises e...(+)
Arranged by Carol Matz.
For Piano. Includes
instructional pages, and
exercises exploring the
12-bar blues, swing
rhythm, and the blues
scale; historical
information; and an
explanation of jazz and
blues styles (64 pages).
Contents include: After
You've Gone; Alexander's
Ragtime Band; Basses
Loaded; Bill Bailey,
Won't You Please Come
Home?; Crazy Blues; Early
Morning Blues;
Fascination; Fat Cat
Boogie; Frankie and
Johnny; House of the
Rising Sun; I Ain't Got
Nobody; I Love a Piano;
Quiet Waters; Royal
Garden Blues; The St.
James Infirmary; St.
Louis Blues; Tishomingo
Blues; When the Saints Go
Marching In. Jazz &
Blues. Level: Easy Piano.
Book. Published by The
FJH Music Company, Inc.
Piano; Violin - intermediate to difficult SKU: HL.49003314 Eight Piece...(+)
Piano; Violin -
intermediate to difficult
SKU: HL.49003314
Eight Pieces for
Violin and Piano.
Composed by Various.
Arranged by Barrie Carson
Turner. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Collection, Contemporary,
Standards. Softcover. 40
pages. Schott Music
#ED12673. Published by
Schott Music
(HL.49003314).
ISBN
9790220119880. UPC:
884088053444.
9.0x12.0x0.177
inches.
This volume
presents a mixed and
varied collection of
jazzy violin arrangements
with piano
accompaniments. Contents:
Down by the Riverside *
Bill Bailey, Won't You
Please Come Home * East
Virginia Blues * Jeanie
with the Light Brown Hair
* La Paloma * The
American Patrol * Frankie
and Johnny * O Sole Mio.
Includes score and
pull-out violin part.
Selah Sue Piano, Voix et Guitare Bookmakers International
Voice and piano or guitar SKU: LM.PB805 Composed by Selah Sue. Album. Pop...(+)
Voice and piano or guitar
SKU: LM.PB805
Composed by Selah Sue.
Album. Pop, jazz. Score.
Bookmakers International
#PB805. Published by
Bookmakers International
(LM.PB805).
ISBN
9790231308051.
This
world - Peace of mind -
Raggamuffin - Crazy Vibes
- Black part love - Mommy
- Explanations - Please
(feat. Cee-Lo Green) -
Summertime - Crazy
sufferin style - Fyah
Fyah - Just because I do
- No no no.
Composed by Brazilian
Folk Song. Arranged by
Eduardo Lakschevitz Elisa
Dekaney. Fold.
Performance Score. 12
pages. Duration 2
minutes, 28 seconds. Carl
Fischer Music #CM9602.
Published by Carl Fischer
Music (CF.CM9602).
ISBN 9781491154243.
UPC: 680160912742. 6.875
x 10.5 inches. Key: Gb
major. Portuguese.
Brazilian Folk
Song.
12 of His Original Piano Solos. Composed by Tom Gerou. Piano Collection; Pian...(+)
12 of His Original Piano
Solos. Composed by Tom
Gerou. Piano Collection;
Piano Supplemental.
Recital.
Book. 24 pages. Alfred
Music
#00-47357. Published by
Alfred Music
Composed by English
Carol. Arranged by Ken
Berg. Fold. Performance
Score. 12 pages. Duration
3 minutes, 52 seconds.
Carl Fischer Music
#CM9578. Published by
Carl Fischer Music
(CF.CM9578).
ISBN
9781491154007. UPC:
680160912506. 6.875 x
10.5 inches. Key: E
minor. English. William
C. Dix.
This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singersA the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singersA the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sureall
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.The
consonant combination th
is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout.The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word.To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty.Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your listeners.
Stories of Jesus Medley Chorale SATB SATB, Piano [Octavo] - Intermédiaire Jackman Music Corporation
By F.A. Challinor / Leah Ashton Lloyd / Joseph Ballantyne. Arranged by David Len...(+)
By F.A. Challinor / Leah
Ashton Lloyd / Joseph
Ballantyne. Arranged by
David Len Allen. Text:
W.H. Parker/Jemima
Luke/James R. Murray. For
SATB Choir. Level: Medium
/ Medium-Difficult
(accompaniment). Duration
3:00. Published by
Jackman Music
Corporation.
Choral TBB choir, piano SKU: CF.CM9751 Composed by Andrew Steffen. Durati...(+)
Choral TBB choir, piano
SKU: CF.CM9751
Composed by Andrew
Steffen. Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9751.
Published by Carl Fischer
Music (CF.CM9751).
ISBN 9781491162392.
UPC: 680160921140. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Composed by Yukiko
Nishimura. First-Plus
String Orchestra (FAS).
Set of Score and Parts.
With Standard notation.
8+8+2+5+5+5+2+8 pages.
Duration 4:39. Carl
Fischer Music #FAS110.
Published by Carl Fischer
Music (CF.FAS110).
ISBN 9781491151419.
UPC: 680160908912. 9 x 12
inches. Key: G
minor.
Featuring
long phrases in a slow
tempo, Interlude
Nightfall is a?perfect
composition to teach
musicianship with young
students using dramatic
harmonies. Yukiko
Nishimura's musical
imagery provides a great
opportunity for string
orchestras to showcase
their musical phrasing
and expression. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well.This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like
“risoluto.â€
The second section from
m. 29 is a kind of
“chorale,†so
all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion.Please enjoy the
thick harmonies.