Par L'ESTRANGE ALEXANDER. This enchanting work for mixed choir sets three Shakespearean texts that delight in the wonders of music and its connection to the natural world. Scenes from Henry VIII, The Merchant of Venice and Cymberline are combined in this dreamy setting, perfect for choral societies, church or school choir concerts. Arranged for soprano, alto and combined men's voices with piano accompaniment. Part of Faber Music's Choral Signature Series./ Feuillet / Choeur SA

This upbeat pop-rock original has optimism and energy to spare. Singers will dig the accented groove, plentiful rhymes, and solo opportunities. A celebration of the artist within each us: 'I got the music, music in my soul.' / 2 Parties Mixtes

A traditional German canon arranged in a straightforward and educationally appropriate style by Donald Moore. Easy singable melodies fit together perfectly. A follow-up to Moore's best selling 'Sing With Joy!' and 'Simply Alleluia.' Excellent for Music In Our Schools Month. Optional flute or C instrument part included in the publication. / 2 Parties Mixtes

Nobody wants to be a donkey is a lively nativity musical by Lin Marsh which tells the traditional Christmas story with plenty of humour and engaging songs that children will love singing. The poor old donkey hates having to wear those ears that the others laugh at, but everyone gradually realises that the donkey may be one of the most important characters in the story. With 36 speaking parts this nativity is suitable for a whole primary school production, or for Key Stage 2. The songs are in a fun, modern style and there?s even one for the staff to sing! Exciting performance and backing tracks are available to download to help schools without a pianist. / Schools, Vocal Music / Répertoire / Voix Hautes et Piano

Partition de 'Breaking Free' pour chant (SATB et SAB). Chanson de la série High School Musical / Voix

Par L'ESTRANGE ALEXANDER. Alexander L'Estrange's New College Service (Magnificat and Nunc dimittis) is a tribute to Dr Edward Higginbottom, Director of Music and organist of the choir of New College, Oxford between 1976-2014. Featured on the Signum Classics recording On Eagles' Wings, performed by Tenebrae. Arranged for treble / soprano and alto voices and organ. Part of Faber Music's Choral Signature Series./ Feuillet / Choeur SA

Arrangeur: Alexander L'Estrange. Rudolph!: three classic Christmas songs skilfully arranged by Alexander L'Estrange to offer a unique twist on the originals. All-time classic Rudolph, the red-nosed reindeer is offered alongside a groovy, doo-wop-inspired arrangement of Santa Claus is coming to town and a jaunty rendition of We wish you a merry Christmas! The arrangements have been carefully devised with school, community and amateur choirs in mind: vocal lines are written with consideration of range, breathing and overall difficulty, and the piano accompaniments provide additional support. Choral Basics has been carefully designed to provide rewarding, varied repertoire for beginner choirs. Perfect for singers of all ages, the series offers attractive, idiomatic arrangements for SA and SAMen choirs, with carefully considered vocal ranges and straightforward piano accompaniments that support the singers. Embracing world music, spirituals, folk song, pop classics, hit shows and original pieces, this series offers everything a budding choir could wish for./ Recueil / Voix Mixtes

Référence unique par son ISBN 747510008187 cette partition musique n'est autre que Format I Believe Sa/Piano qui a été composée pour Chant Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions ID Music. La référence catalogue de cette oeuvre est SP12073. / Chant Et Piano / niveau : Intermédiaire / Partition Séparée

A gently floating piano theme introduces an uplifting, nature-themed text in this sensitive piece for developing voices. Superb choral writing allows each voice part to take a turn singing the melody, as well as supportive harmony. A wonderful piece for growing musicians! / Choeur A 2 Parties

'I will be the gladdest thing under the sun!' This tuneful piece is appropriate for both 2-part choirs and developing women's groups, crafted with a text and music of equal depth and accessibility. A Picardy third at the end elevates the final moment. / 2 Parties Mixtes

Bring an international flair to your holiday program with this joyous medley of four French carols. An IPA pronunciation guide is included for the few foreign words, and a festive concert band accompaniment allows the whole music department to participate. / 2 Parties Mixtes

Barry joins a simple unison melody in high and then low voices with a sparse keyboard accompaniment to create a carol of intoxicating harmony reminiscent of early polyphony.Available for the first time from Schott Music, this carol is suitable for choirs of any level. / 2 Parties Mixtes

Référence unique par son ISBN 5020679522905 cette partition musique n'est autre que Format Suo-Gan 2-Part Chorus With Po Acc. Gwynn Williams qui a été composée pour Chant Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions ID Music. La référence catalogue de cette oeuvre est JC71997. / Chant Et Piano / Partition Séparée

Les Fables de La Fontaine ont depuis longtemps attire? les compositeurs, Rythme?es et hautes en couleurs, beaucoup de ces petites sce?nes appellent irre?sistiblement la mise en voix comme autant de petites sce?nes the?a?trales, C'est du moins dans cet esprit que j'ai traite? Le Rat de ville et le Rat des champs, selon une ve?ritable mise en sce?ne miniature, Le piano joue alors un ro?le majeur, commentant l'action et comple?tant le discours musical autant qu'il ' accompagne ' les voix,Divers e?pisodes narratifs alternent qui collent au plus pre?t a? la narration (sans refuser parfois un certain figuralisme re?cre?atif), Cette structure en e?pisodes nettement diffe?rencie?s, mais condense?s en une dure?e assez bre?ve (4 mn environ), explique le sous-titre de ' micro-cantate ', Le premier motif chante? par le choeur revient, apre?s les pe?ripe?ties centrales, vers la fin de l'oeuvre, qui se termine enfin par un fugato entre les deux voix en canon strict,D'une e?criture largement tonale et fonde?e sur des carrures claires pour en faciliter l'apprentissage, l'oeuvre a e?te? pense?e a? deux voix, Celles-ci sont la plupart du temps impe?ratives (notamment pour le final) mais il est possible, le cas e?che?ant, de re?duire plusieurs se?quences a? une seule voix : les parties vocales qui pourraient e?tre alors supprime?es sont signale?es entre crochets, De me?me, certains passages peuvent e?tre confie?s a? des voix solistes, soit pour varier les textures, soit pour alle?ger l'apprentissage pour l'ensemble des enfants, Enfin, les petites notes de la partie de piano (mes, 49-50) ne doivent e?tre joue?es que s'il s'ave?re indispensable de soutenir les voix en cas de difficulte? d'intonation - dans l'ide?al, on ne les jouera pas, / Choeur D'Enfants Et Piano

'Gospel train is comin',' so get on board for a delightful musical ride with this fun-to-sing number from Don Besig and Nancy Price. Two traditional spirituals, Get On Board, Little Children and This Train combine to create a great 2-part piece. Includes a speech choir section ('Clickety clack, clickety clack, hear that train comin' down the track.'). P.S. The SoundTrax CD is a winner! / 2 Parties Mixtes