(for Clarinet and Piano). By Scott Joplin (1868-1917). Arranged by Wolfgang Birtel. For Clarinet (Clarinet). Woodwind. Book only. 18 pages. Schott Music #ED20462. Published by Schott Music

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Costa. For clarinet and piano. Score with parts. Opus 120. Published by Baerenreiter Verlag

Clarinet and Piano

SKU: BT.ALHE31564

Composed by Darius Milhaud. Classical. Book Only. 16 pages. Heugel & Cie #ALHE31564. Published by Heugel & Cie (BT.ALHE31564).

French.

Duo Concertante, Op. 351 by Darius Milhaud was composed in 1956 for the Paris Conservatoire Contest. Many influences can be recognised in this piece: from the Provence where he was born, to jazz and other melodies of SouthAmerica. Lasting approximately 7 minutes, Duo Concertante, Op. 351 is started by a fanfare with a strong energy reminiscent of the South of France, followed by a simple and moderate clarinet partly joined by piano chords. Theinitial theme is then repeated one last time for the finale. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He was also part of the Les Six and was strongly influenced by Jazz. His opus list ended at443.

Clarinet

SKU: HL.48184382

Composed by Robert Truillard. Leduc. Classical. Softcover. 6 pages. Alphonse Leduc #AL27377. Published by Alphonse Leduc (HL.48184382).

UPC: 888680846350. 9.25x12 inches.

“Fren ch composer, Robert Truillard published his Reverie in 1986. The work remains popular for intermediate clarinetists. With a typical performance lasting around 2 minutes and 46 seconds, Reverie is in Ternary Form, with the 'B' section marked 'Scherzando' and containing a short cadenza passage. The solo Clarinet part makes use of variety in articulation, tempo, dynamics and phrasing, amongst other aspects. For all aspiring, intermediate clarinetists, Truillard's Reverie provides exciting, alternative repertoire.&rdquo.

Clarinet, Piano Accompaniment (Clarinet)

SKU: HL.14008418

Composed by Sir Peter Maxwell Davies. Music Sales America. Post-1900. Sheet Music, Score. With Text language: English. 32 pages. Chester Music #CH55902. Published by Chester Music (HL.14008418).

UPC: 884088809034. 8.5x11.75x0.114 inches.

This work, which was written shortly after the Trumpet Sonata and the Five Pieces For Piano, was first performed by Georgina Dobree and the composer at the 1957 Darmstadt Festival. The score was subsequently lost, but was rediscovered by Kevin Corner in 1983. 'This is a dramatic, emphatic and at times extravagant piece. The first movement is a Moderato reaching through wide-flung clarinet lines and keen piano gestures to a great climax near the end. Then comes a quick movement, a kind of demonic scherzo, including a cadenza for the clarinettist. The finale is an Adagio that gradually achieves a sort of simplicity, though not before exceedingly testing times for both players. Duration c. 25mins.

Clarinet and Piano

SKU: ST.C143

Composed by Alexander Glazunov. Wind & brass music. Clifton Edition #C143. Published by Clifton Edition (ST.C143).

ISBN 9790570811434.

Alex ander Konstantinovich Glazunov (1865-1936) trained under Rimsky- Korsakov and became the most illustrious Russian composer and conductor immediately succeeding Tchaikovsky. Glazunov’s close affinity with the Saint Petersburg Conservatory, of which institution he would later become Director for more than two decades, placed him ideally to assist in the Institute’s transition to the Petrograd Conservatory in the immediate wake of the Bolshevik Revolution of 1917. For the last six years of his life, Glazunov left the USSR, feeling hemmed in by propagandist restrictions and at the same time out of kilter with the Modernist movement.

He lived in exile for a time, touring the USA, before eventually settling in Paris, though his stoical brand of Russian Romanticism never waned. Despite being partly remembered for having taught Shostakovich, Glazunov was never known as a revolutionary composer, more inclined to align himself with 19th century ideologies than with the thrusting new compositional paths forged by Prokofiev and others. Indeed, the nationalistic movement so successfully espoused by Balakirev found a new energy in Glazunov’s hands, and he discovered an opulence of scale which leaned more in the direction of Borodin.

There can be no doubting Glazunov’s technical mastery, which successfully drew together contrapuntal, lyrical and virtuosic skills, and which were admired by the likes of Liszt. Glazunov steered a steady course at a time when it was most sorely needed; one need only hear the marvellous Violin Concerto in A minor to experience the full power and authority of his writing, though he possessed an enviable touch with more intimate forms too, such as those readily to be heard in these three charming Miniatures Op.42, originally composed for piano.
Clarinet and Piano
Transcribed by M ark Tanner
Grades 6 & 7 (Trinity Grades 6 & 7 syllabuses)
Former Spartan Press Cat. No.: SP1360.

(Arranged with Keyboard Accompaniment). By Brant Adams. Woodwind solo. For clarinet, piano. Sacred instrumental. Published by Lorenz Publishing Company