Pastorale Blues And Homage by Peter Dickinson. Arranged for Recorder (tenor and descant) and Piano for John Turner.1. A James Joyce Pastorale (1955)2. A Robert Burns Blues (1967)3. Homage to Poulenc (1963)The Pastorale comes from a song a student work setting the first poem of James Joyce’s early cycle Chamber Music – ‘Strings in the earth and air’; the second piece is another song to Burns’ ‘My love is like a red red rose’ which was frequently performed by Meriel and Peter Dickinson in their recitals (recorded on Albany TROY 369); Homage to Poulenc started as a piano duet No. 1 of Five Forgeries (recorded by the composer and John Flinders on Naxos 8.572287). It is dedicated to Lennox Berkeley because he and Poulenc were good friends.The first performance of Pastorale Blues and Homage was given by John Turner and the composer at St Peter’s Church Westleton on 4 October 2012 in that year’s William Alwyn Festival. Their recording has been released on Heritage HTGCD 254.

Also Suitable For Flute Violin And Oboe. Included Are Arrangements Of Harp Music Folksongs And Traditional Tunes. Graded In Difficulty From Beginners To Rather Advanced Works.

A rich and varied set of pieces specially selected as your very first Descant Recorder solos. 28 melodies have been selected by Sally Adams to give you the best very start in your solo Recorder playing. The pieces vary from waltzes and minuets to Jazzy solos and even Hungarian folk tunes. The collection represents the ideal opportunity to develop your performance confidence and musicianship skills at this vital early stage of learning as well as providing solos that are suited to any occasion. The book includes full Piano accompaniments and a separate pull-out Recorder part. Set as part of the ABRSM Descant Recorder examinations grades 1 and 3.

Playing the Recorder has never been so much fun!Recorderworld is the exciting and creative new way to learn the recorder. The Teacher's Book provides simple Piano parts to accompany over 60 of the pieces in the Pupil's books 1 and 2 including all the Concert Pieces. Guitar chords are also included.

Six Sonatas for recorder (transverse flute) and harpsichord, edited as facsimile and new edition by Paul Wåhlberg. The Sonatas by the Zerbst composer (born in Wittenberg) were composed for recorder and published in 1716 in Köthen. Only the Sixth Sonata in G Major could have been intended for the then increasingly popular transverse flute, since it clearly differs in various ways from the other five sonatas. The only completely preserved copy was recently discovered by Pavel Serbin in the Russian State Library in Moscow. A rewarding discovery of Central-German flute music. ' CD recording by Paul Wåhlberg (Euridice EUCD 63).